{"id":9995,"date":"2023-09-30T00:26:52","date_gmt":"2023-09-30T00:26:52","guid":{"rendered":"https:\/\/revistakuvendi.org\/?p=9995"},"modified":"2023-09-30T00:26:52","modified_gmt":"2023-09-30T00:26:52","slug":"rreth-dy-poezive-te-armenides","status":"publish","type":"post","link":"https:\/\/revistakuvendi.org\/?p=9995","title":{"rendered":"RRETH DY POEZIVE TE ARMENIDES\u2026"},"content":{"rendered":"\n
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\u201cPoezia e v\u00ebrtet\u00eb mund t\u00eb komunikoj\u00eb edhe para se t\u00eb kuptohet.\u201d
T.S. ELIOT<\/p>\n

Pjet\u00ebr Jaku<\/strong><\/p>\n

T\u00eb th\u00ebm t\u00eb drejt\u00ebn, nuk e shoh veten t\u00eb mundsh\u00ebm p\u00ebr momentin, kur ende s\u2019jam njohur me krijimtarin\u00eb e plot\u00eb, t\u00eb marr\u00eb p\u00ebrsip\u00ebr nje sh\u00ebnim kritik, p\u00ebr krejt krijimtarin\u00eb poetike t\u00eb Armenida Qyqes, me shtat\u00eb libra poetik e dhjetra vidio, t\u00eb interpretuara nga autorja dhe artist\u00ebt m\u00eb n\u00eb z\u00eb t\u00eb fjal\u00ebs! Kam realizuar recensa dhe shenime kritike, jo pak p\u00ebr libra poetik, duke marr\u00eb edhe vler\u00ebsimet e miq\u00ebve, por ende, dhe asnj\u00ebher\u00eb nuk i besoj vetes, se ato \u00e7far\u00eb th\u00ebm un\u00eb, jan\u00eb pik\u00ebrisht opinionet m\u00eb t\u00eb sakta. Poezia mund te analizohet n\u00eb shumanshm\u00ebrin\u00eb e t\u00eb kuptuarit individual, ndaj edhe jep mund\u00ebsi komentesh, pa q\u00ebn\u00eb i pranish\u00ebm autori. Poeti nuk mund t\u00eb jet\u00eb pran\u00eb \u00e7do lexuesi, ndaj bukuria e poezis\u00eb dhe artit n\u00eb p\u00ebrgjith\u00ebsi, \u00ebsht\u00eb t\u00eb t\u00eb ngacmoj\u00eb p\u00ebrjetime individuale, n\u00eb at\u00eb mas\u00eb, ku ndjen nevojen e t\u00eb shprehurit, qoft\u00eb edhe me nj\u00eb ofsham\u00eb t\u00eb vetme, \u201c Oh\u201d! N\u00eb at\u00eb mas\u00eb, saq\u00eb shprehja t\u00eb vjen vetvetiu. Vet\u00ebm n\u00eb k\u00ebt\u00eb gjini t\u00eb letrave, nuk mund t\u00eb jap\u00ebsh rekomandime, si e qysh t\u00eb ndryshosh nj\u00eb varg, nje titull, nj\u00eb figur\u00eb etj. Shkolla e vetme e t\u00eb shkruarit poezi, \u00ebsht\u00eb ndjenja, sa , si dhe ku ajo t\u00eb ngacmon p\u00ebr t\u2019u shprehur.
Poezin\u00eb \u201c Dy mij\u00eb vjet n\u00eb sofren e prishur\u201d, poetja e nis me dark\u00ebn e fundit dhe dymb\u00ebdhjet\u00eb apostujt. Menj\u00ebher\u00eb lexuesi do ta p\u00ebrfytyroj autoren t\u00eb ulur me Juden Iskarioti e, nj\u00ebkoh\u00ebsisht me Sh\u00ebn Pjetrin, ndon\u00ebse e paftuar. Ajo dhe secili nesh, do ta deshironte at\u00eb ulje, me t\u00eb cil\u00ebn filloi njer\u00ebzimi. Q\u00eb n\u00eb krijes\u00ebn e tij, njer\u00ebzimin e t\u00ebrhoqi edhe poli negativ, pa t\u00eb cilin nuk zhvillohet asgj\u00eb n\u00eb planet, por laku i bot\u00ebs n\u00eb qafen e autores, sa vinte e ngushtohej, duke i treguar portat dhe \u00e7mimin. Pra, n\u00eb rastin m\u00eb t\u00eb par\u00eb, si\u00e7 kishte hyr\u00eb edhe mund te dilte! Pulsin e kujt maste n\u00eb vet\u00ebtim\u00ebn e syve, nj\u00eb metafor\u00eb shum\u00eb e gjetur dhe funksionale, se mund t\u00eb p\u00ebrdoret figur\u00eb p\u00ebr figur\u00eb, pa efekt emocional, duke e dob\u00ebsuar poezin\u00eb. Juda i hedh monedhat, por i mbetet pesha e tradh\u00ebtis\u00eb, nd\u00ebrsa Pjetri kthehet m\u00eb i fort\u00eb se \u00e7\u2019ishte n\u00eb krah t\u00eb Jezusit!
Por, jo autorja, duke r\u00ebn\u00eb, varg pas vargu ngjitet n\u00eb zemrekun e kohes, bash n\u00eb zem\u00ebr t\u00eb saj, ku kurdiset gjith\u00eb\u00e7ka, p\u00ebr nj\u00eb periudh\u00eb t\u00eb caktuar veprimi dhe, ajo kurdisje mund t\u00eb thyej eshtra t\u00eb hekurta\/ t\u00eb ndajn\u00eb burr\u00ebrin\u00eb nga tradh\u00ebtia\/ besimin nga frika\/ jeten nga vdekja\u2026
P\u00ebr autoren ka dy mij\u00eb vjet n\u00eb sofren e prishur, q\u00eb k\u00ebrkon nj\u00eb p\u00ebrgjigje, me zemr\u00ebn e mbytur n\u00eb gryk\u00eb.
N\u00eb lexim t\u00eb par\u00eb , nj\u00eb poezi biblike por, q\u00eb n\u00eb fakt \u00ebsht\u00eb nj\u00eb poezi, q\u00eb thot\u00eb shum\u00eb me nj\u00eb mas\u00eb fjal\u00ebsh t\u00eb kursyer.<\/p>\n

Poezin\u00eb e dyt\u00eb \u201cN\u00cb RRAHJEN Q\u00cb VE\u00c7 DASHURIS\u00cb I FALET\u201d, autorja fillon me nj\u00eb metafor\u00eb mjaft t\u00eb gjetur, duke e befasuar lexuesin; \u201cNga lavjerr\u00ebsi i hekurt, tundet ankthi\u201d. Lavjerrsi i hekurt \u00ebsht\u00eb koha, q\u00eb nuk fal\u00eb ask\u00ebnd dhe asgj\u00eb. Er\u00ebrat dhe stuhit\u00eb mund ta tundin majtas e djathtas, por dh\u00ebmb\u00ebt e historis\u00eb e mbajn\u00eb pren\u00eb, pa l\u00ebshuar pe. E mira nuk duhet t\u00eb bjer\u00eb nga lart\u00ebsia q\u00eb e mendon poetja, edhe sikur t\u00eb ket\u00eb mbetur n\u00eb fijen e fundit t\u00eb shpres\u00ebs.<\/p>\n

N\u00eb strof\u00ebn e dyt\u00eb, poetja jep zgjidhjen: t\u00eb vish ti, q\u00eb t\u00eb dor\u00ebzohet ankthi. Pra t\u00eb jemi bashk\u00eb p\u00ebr t\u00eb mos pasur frik\u00eb, q\u00eb natyra ta l\u00ebshoj zemren, p\u00ebr t\u00eb funksionuar e qet\u00eb.<\/p>\n

Dhe, m\u00eb pas e m\u00eb posht\u00eb, n\u00eb strofen e tret\u00eb dhe t\u00eb fundit, lavjerr\u00ebsi t\u00eb jet\u00eb b\u00ebr\u00eb nj\u00ebsh m\u00eb natyren, ku funksioni i tij, tashm\u00eb, t\u00eb jet\u00eb nj\u00eb shkarravit\u00ebs i ajrit, pasi njeriu e ka krijuar bazamentin e tij tok\u00ebsor!<\/p>\n

Ndryshimet , sipas poetes, levizjet natyrore jan\u00eb t\u00eb pandalshme; nj\u00eb koh\u00eb rend e nj\u00eb tjet\u00ebr ndalet. Ciklet biologjike i sh\u00ebrbejn\u00eb edhe krijimtaris\u00eb, ndaj p\u00ebrgjith\u00ebsimet letrare, marrin form\u00eb emocionuese, kur ndjenja dhe mendja funksionojn\u00eb si nj\u00eb e vetme.
Autorja nuk e tepron me fjal\u00ebn, n\u00eb m\u00eb t\u00eb shumt\u00ebn e rasteve, nuk ka poezi me m\u00eb shum\u00eb se tre strof\u00eb kat\u00ebrvarg\u00ebshe. P\u00ebrgjith\u00ebsisht, p\u00ebrdor poezin\u00eb e rimuar, nga ku ia del me sukses ngarkes\u00ebs emocianale, q\u00eb p\u00ebrcjell\u00eb tek lexuesit.<\/p>\n


DY MIJ\u00cb VJET N\u00cb SOFR\u00cbN E PRISHUR<\/p>\n

N\u00eb dark\u00ebn t\u00ebnde t\u00eb fundit
Sa her\u00eb jam shtruar,
I tremb\u00ebdhjeti, mysafir i paftuar,
Her\u00eb Jud\u00eb e her\u00eb Pjet\u00ebr…
Ah, sa i ngusht\u00eb
Laku i bot\u00ebs, n\u00eb qaf\u00ebn time!
Dymb\u00ebdhjet\u00eb ishin portat
Dhe \u00e7mimi, i lart\u00eb…<\/p>\n

Pulsin t\u00ebnd mas
N\u00eb vet\u00ebtim\u00ebn e syve,
Zemrekut t\u00eb koh\u00ebs
I thyhen eshtrat e hekurta…
Pak \u00e7aste ndajn\u00eb
Burr\u00ebrin\u00eb nga tradh\u00ebtia
Besimin nga frika,
Jet\u00ebn nga vdekja…<\/p>\n

Ti ha me t\u00eb,
Buk\u00ebn dhe ver\u00ebn ndan,
E sheh n\u00eb sy
Dhe e puth n\u00eb ball\u00eb…
Zemra ime mbytet n\u00eb gryk\u00eb…
A e di? A e di?
P\u00ebrgjigjen k\u00ebrkon
Dy mij\u00eb vjet, n\u00eb sofr\u00ebn prishur…<\/p>\n

Gusht 2023<\/p>\n


N\u00cb RRAHJEN Q\u00cb VE\u00c7 DASHURIS\u00cb I FALET<\/p>\n

Nga lavjerr\u00ebsi i hekurt, tundet ankthi
Dhe dh\u00ebmb\u00ebve mban zemr\u00ebn z\u00ebn\u00eb pre,
Majtas-djathtas-majtas, p\u00ebrs\u00ebri e p\u00ebrs\u00ebri,
As koha e as ai s’l\u00ebshojn\u00eb fare pe…<\/p>\n

Vet\u00ebm nj\u00eb zgjidhje t\u00eb mund\u00ebshme ka,
T\u00eb vish ti, q\u00eb t\u00eb dor\u00ebzohet ankthi,
Ta l\u00ebshoj\u00eb zemr\u00ebn nga dh\u00ebmb\u00ebt e veta,
Prehje t\u00eb gjej, pak qet\u00ebsi…<\/p>\n

Ajrin le t\u00eb zhgarravis\u00eb m\u00eb pas lavjerr\u00ebsi!
Majtas-djathtas-majtas, p\u00ebrs\u00ebri e p\u00ebrs\u00ebri,
Nj\u00eb koh\u00eb rend e nj\u00eb tjet\u00ebr ndalet,
N\u00eb rrahjen, q\u00eb ve\u00e7 dashuris\u00eb i falet…<\/p>\n

Qershor 2023<\/p>\n

 <\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

\u201cPoezia e v\u00ebrtet\u00eb mund t\u00eb komunikoj\u00eb edhe para se t\u00eb kuptohet.\u201dT.S. ELIOT Pjet\u00ebr Jaku T\u00eb th\u00ebm t\u00eb drejt\u00ebn, nuk e shoh veten t\u00eb mundsh\u00ebm p\u00ebr momentin, kur ende s\u2019jam njohur me krijimtarin\u00eb e plot\u00eb, t\u00eb marr\u00eb p\u00ebrsip\u00ebr nje sh\u00ebnim kritik, p\u00ebr krejt krijimtarin\u00eb poetike t\u00eb Armenida Qyqes, me shtat\u00eb libra poetik e dhjetra vidio, t\u00eb…<\/p>\n","protected":false},"author":1,"featured_media":9996,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-9995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-letersi"],"_links":{"self":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/9995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9995"}],"version-history":[{"count":1,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/9995\/revisions"}],"predecessor-version":[{"id":9997,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/9995\/revisions\/9997"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/media\/9996"}],"wp:attachment":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}