{"id":9647,"date":"2022-05-04T19:10:21","date_gmt":"2022-05-04T19:10:21","guid":{"rendered":"http:\/\/revistakuvendi.org\/?p=9647"},"modified":"2022-05-04T19:10:21","modified_gmt":"2022-05-04T19:10:21","slug":"lotus-ne-syrin-poetik-te-ermira-mitres-kokomani","status":"publish","type":"post","link":"https:\/\/revistakuvendi.org\/?p=9647","title":{"rendered":"\u201cLOTUS\u201d n\u00eb syrin poetik t\u00eb Ermira Mitres Kokomani"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"119\" height=\"160\" src=\"http:\/\/revistakuvendi.org\/wp-content\/uploads\/2021\/03\/raimonda-moisiu-1.jpg\" alt=\"\" class=\"wp-image-8922\"\/><\/figure>\n\n\n\n<p><strong>(Rreth v\u00ebllimit me poezi\n\u201cLOTUS\u201d \u2013 i poetes, <\/strong><strong>esseistes dhe p\u00ebrkthyeses,\nErmira Mitre Kokomani)<\/strong><\/p>\n\n\n\n<p><strong>Shkruar nga Raimonda MOISIU <\/strong><strong><\/strong><\/p>\n\n\n\n<p>T\u00eb\nshkruash lib\u00ebr me poezi \u00ebsht\u00eb ndjesia m\u00eb e brisht\u00eb q\u00eb shp\u00ebrthen nga bukuria e shpirtit artistik,\n\u00ebsht\u00eb vet-mrekullia e cila ekziston br\u00ebnda gjith\u00e7kaje njer\u00ebzore. Sepse edhe vet\u00eb poezia \u00ebsht\u00eb liria e\nndjenj\u00ebs, gj\u00ebndjes emocionale dhe\nshpirt\u00ebrore q\u00eb i ndodh gjithsecilit n\u00eb jet\u00eb. <\/p>\n\n\n\n<p>N\u00eb v\u00ebllimin e dyt\u00eb me poezi t\u00eb titulluar <strong>\u201cLOTUS\u201d <\/strong>i poetes, esseistes dhe p\u00ebrkthyeses, Ermira Mitre Kokomani, ka di\u00e7ka emocionale dhe gjall\u00ebruese q\u00eb na m\u00ebson se \u00e7far\u00eb \u00ebsht\u00eb nj\u00eb grua artiste-poete n\u00eb akord me lirin\u00eb e fjal\u00ebs dhe lirin\u00eb e shpirtit, por jo vet\u00ebm kaq; edhe me lirin\u00eb e t\u00eb shprehurit dhe \u201cPse\u201d- jeta e njeriut \u00ebsht\u00eb Poezi, dhe \u201cPse\u201d- Poezia \u00ebsht\u00eb vet\u00eb Poeti!<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"410\" src=\"https:\/\/revistakuvendi.org\/wp-content\/uploads\/2022\/05\/ermira-22.jpg\" alt=\"\" class=\"wp-image-9648\" srcset=\"https:\/\/revistakuvendi.org\/wp-content\/uploads\/2022\/05\/ermira-22.jpg 600w, https:\/\/revistakuvendi.org\/wp-content\/uploads\/2022\/05\/ermira-22-300x205.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p>V\u00ebllimi\npoetik <strong>\u201cLOTUS\u201d <\/strong>vjen si nj\u00eb mozaik i k\u00ebndsh\u00ebm\nme poezi. Mes tyre ka poezi tejet origjinale, prek\u00ebse, meditative, dedikuese,\nfilozofike, lirike, erotike, sarkazm\u00eb ther\u00ebse plot ironi dhe m\u00ebn\u00e7uri, t\u00eb cilat\np\u00ebrcjellin ekzistenc\u00ebn njer\u00ebzore, realititetin dhe p\u00ebrvojat jet\u00ebsore n\u00ebn\nefektin e frym\u00ebs dhe muz\u00ebs poetike, p\u00ebrcjellin marr\u00ebdh\u00ebniet e poetes me imazhet\ntradicionale t\u00eb natyr\u00ebs dhe origjin\u00ebs, njer\u00ebzit dhe sendet q\u00eb e rrethojn\u00eb, jet\u00ebn\ne saj mes natyr\u00ebs, hyjnores dhe njer\u00ebzores! Ky v\u00ebllim me poezi shquhet p\u00ebr\nkapitujt dhe n\u00ebntitujt e ve\u00e7ant\u00eb\nq\u00eb meritojn\u00eb edhe v\u00ebmendjen e ve\u00e7ant\u00eb rreth konceptit t\u00eb duksh\u00ebm t\u00eb tematik\u00ebs s\u00eb tyre dhe krijojn\u00eb\nharmonin\u00eb e forc\u00ebs s\u00eb <strong>\u201cEkzistenc\u00ebs\u201d<\/strong>,\nme intensitetin e fort\u00eb emocional t\u00eb <strong>\u201cMallit\np\u00ebr vendlindjen\u201d,<\/strong> dhe stilin ekspresiv t\u00eb dhimbjes s\u00eb bukur q\u00eb \u00ebsht\u00eb <strong>\u201cDashuria\u201d.<\/strong> Poetja blasfemon n\u00eb em\u00ebr t\u00eb\ninstiktit njer\u00ebzor, e kapur <strong>\u201cP\u00ebrdore\ns\u00ebbashku\u201d,<\/strong> me konceptin mistik dhe besnik ashtu sikund\u00ebr di t\u00eb fal\u00eb ve\u00e7se <strong>\u201cShpirti\nnjer\u00ebzor\u201d,<\/strong> p\u00ebr t\u2019u ngush\u00eblluar me imazhin e hirt\u00eb <strong>\u201cMidis jet\u00ebs dhe vdekjes\u201d<\/strong>, dhe bot\u00ebndijimin dhe bot\u00ebperceptimin e\nforc\u00ebs shpirt\u00ebrore q\u00eb dep\u00ebrton n\u00eb thelbin e integritetit plot sharm e krenari\nfem\u00ebrore mes d\u00ebshir\u00ebs e pasionit, mes k\u00ebnaq\u00ebsive normale t\u00eb jet\u00ebs dhe paktit t\u00eb\nshpirtit intim, i k\u00ebrkesave t\u00eb jasht\u00ebzakon\u00ebshme t\u00eb artit me stilin e \u201cHaiku\u201d\u2013t.\nPoezia e Ermir\u00ebs \u00ebsht\u00eb bashk\u00ebbisedimi mitik dhe intim me veten, lexuesin dhe\nkoh\u00ebn, \u00ebsht\u00eb universi i liris\u00eb s\u00eb shpirtit dhe ndjenj\u00ebs njer\u00ebzore shprehur n\u00eb\nvargje mistike t\u00eb alternuara n\u00eb m\u00ebnyr\u00eb lakonike, gjall\u00ebruese dhe t\u00eb zbehta,\nporse shprehin <strong>\u201cT\u00eb v\u00ebrtet\u00ebn e\nvirgj\u00ebr br\u00ebnda teje\u201d<\/strong>\n\u2013varg\u00ebzon poetja \u2013t\u00eb v\u00ebrtet\u00ebn me &nbsp;origjinalitetin e p\u00ebrvojave jet\u00ebsore, t\u00eb&nbsp; gj\u00ebrave p\u00ebrreth q\u00eb kan\u00eb t\u00ebrhequr v\u00ebm\u00ebndjen\ndhe preokupojn\u00eb mendimet dhe idet\u00eb e poetes, por q\u00eb<strong>&nbsp; \u201c<\/strong><strong>s\u2019mund\nta c\u00ebnoj\u00eb marr\u00ebzi e bot\u00ebs\u201d<\/strong>, -thot\u00eb poetja. Ermira zbulon detajet e s\u00eb v\u00ebrtet\u00ebs brenda\nnjer\u00ebzores, p\u00ebrmes dhimbjes dhe g\u00ebzimit; <strong>\u201c<\/strong><strong>Thithe n\u00eb shpirtin t\u00ebnd t\u00eb v\u00ebrtet\u00ebn biri im, \/derisa\nfryma jote t\u00eb arrij\u00eb n\u00eb Per\u00ebndim.\/ p\u00ebr t\u00eb hapur miliona dyer\/ q\u00eb drit\u00ebn t\u00eb\narrish p\u00ebrtej gjith\u00e7kaje\u201d.&nbsp; <\/strong><strong><\/strong><\/p>\n\n\n\n<p>Poetja\nErmira e fiksuar n\u00eb marr\u00ebdheniet mes realitetit e imagjinat\u00ebs, mendon se\nrealiteti dhe <strong>\u201c<\/strong><strong>q\u00eb njeriu gjer m<\/strong><strong>\u00eb<\/strong><strong> sot ka provuar\u201d!<\/strong> &#8211; \u00ebsht\u00eb nj\u00eb klishe e s\u00eb v\u00ebrtet\u00ebs\nn\u00eb dram\u00ebn e\np\u00ebrkoh\u00ebshme t\u00eb natyr\u00ebs, njer\u00ebzores, jet\u00ebs, mbijetes\u00ebs dhe bot\u00ebs s\u00eb\np\u00ebrtejme(vdekjes).<\/p>\n\n\n\n<p>\u00cbsht\u00eb\nnj\u00eb epik\u00eb reale q\u00eb ka nxitur poeten t\u00eb krijoj\u00eb pavar\u00ebsin\u00eb e saj krijuese p\u00ebrmes\nintegritetit t\u00eb gjuh\u00ebs, nd\u00ebrtimit fizik t\u00eb poezis\u00eb dhe kultur\u00ebs poetike\nthell\u00ebsisht humane, plot figura artistike, mendime dhe meditime filozofike me\nrim\u00ebbardhat, kadenc\u00ebn, melodin\u00eb dhe muzikalitetin e tyre q\u00eb d\u00ebshmojn\u00eb\nobjektivat drejt t\u00eb cilave Ermira ka punuar. <\/p>\n\n\n\n<p>Poezia\ne Ermir\u00ebs \u00ebsht\u00eb gjerdani i art\u00eb i fjal\u00ebs, epitoma e \u00ebndrrave, e dhimbjes dhe\ndashuris\u00eb, pasioneve e d\u00ebshirave, mish\u00ebrimi i bukuris\u00eb, shpirt\u00ebrores dhe\npsikikes, e kujtes\u00ebs, trishtimit e dob\u00ebsis\u00eb dhe mrekullis\u00eb se jet\u00ebs n\u00eb t\u00eb\np\u00ebrditshmen njer\u00ebzor\u00eb dhe sociale. M\u00ebndafshi i shpirtit poetik t\u00eb poetes \u00ebsht\u00eb\nm\u00eb unik, m\u00eb i ndjesh\u00ebm dhe m\u00eb i \u00e7elikt\u00eb; \u201c<strong>Se gjuha, ky\nmuskul i but\u00eb\/, me cip\u00eb t\u00eb ashp\u00ebr,\/godet mure q\u00eb t\u00eb flas\u00eb,\/ edhe t\u00eb g\u00eblltis\u00eb e\nvulos\u00eb\/ me dyll\u00eb rr\u00ebshire,\/brengat e shpirtit labirinth.\u201d;<\/strong> <strong><\/strong><\/p>\n\n\n\n<p>Ekziston,\np\u00ebr shembull, nj\u00eb p\u00ebrballje treguese e asaj se \u00e7\u2019ka p\u00ebrfaq\u00ebson <strong>\u201cLOTUS\u201d <\/strong>n\u00eb\npoezit\u00eb e poetes Ermira Mitre Kokomani, e cila e ka zgjedhur at\u00eb si simbol\nkryesor. Poetja shnd\u00ebrrohet n\u00eb nj\u00eb eksploruese e vet\u00eb-dijes dhe\nsubjektivitetit, q\u00eb referojn\u00eb imazhin e forc\u00ebs dhe mbijetes\u00ebs; <strong>\u201c<\/strong><strong>T\u00eb ndjesh se si lind <\/strong><strong>\u00e7do m\u00ebngjes\u201d\/ n\u00eb zem\u00ebr t\u00eb zambakut e shpirti ndjehet\npetale e paqt\u00eb,\/.<\/strong>\n<\/p>\n\n\n\n<p>N\u00ebp\u00ebrmjet imazhit t\u00eb reflektuar\npoetja rr\u00ebfehet p\u00ebr Diellin sikur ta ket\u00eb mikun e saj t\u00eb vjet\u00ebr; <strong>\u201c<\/strong><strong>se si Dielli t\u00eb p\u00ebrkund n\u00eb <\/strong><strong>\u00e7do zgjim,\/me ninulla deh\u00ebse e t\u00eb fal durim\u201d<\/strong>-duke shp\u00ebrfaqur n\u00eb m\u00ebnyr\u00eb t\u00eb qart\u00eb\ndhe meditative ndjenj\u00ebn e miq\u00ebsis\u00eb mes vetes, zambakut, e diellit. \u00cbsht\u00eb\npadyshim nj\u00eb magjepsje romantike e stilit frym\u00ebzues fem\u00ebror me an\u00eb t\u00eb\nmikrofabulave q\u00eb ngjallin ndjenj\u00eb dhe emocion, e cila synon t\u00eb ruaj\u00eb\nsentimentalizmin poetik.<\/p>\n\n\n\n<p>Me tinguj lirik\u00eb t\u00eb\nn\u00ebnkuptuar dhe vizion njer\u00ebzor, sa emocionuese e sfiduese, poetja Ermira e\nshpotit \u201c<strong>zambakun Lotus\u201d<\/strong> q\u00eb mbin dhe\nlul\u00ebzon n\u00eb uj\u00ebrat e ndotura, i past\u00ebr dhe zgjatohet i bukur duke v\u00ebshtruar\ndiellin- <strong>\u201ct\u00eb lul\u00ebzosh si Lotus i pandotur mbi uj\u00eb\u201d, \/ me rr\u00ebnj\u00eb t\u00eb thella e t\u00eb\nfuqishme sa dhimbja\/\u201d. <\/strong><\/p>\n\n\n\n<p>N\u00eb vargjet e m\u00ebsip\u00ebrme\npoetja k\u00ebrkon nj\u00eb p\u00ebrshtatshm\u00ebri t\u00eb caktuar t\u00eb tonit e ndjenj\u00ebs, ajo luan e\nsigurt duke zgjedhur, dhe nganj\u00ebher\u00eb disi me mundim shpalos nj\u00eb imazh t\u00eb qart\u00eb\nq\u00eb lind nga refleksioni i meditimit dhe se \u00e7far\u00eb poetja simbolizon. <\/p>\n\n\n\n<p>Sikund\u00ebr jeta, dhimbja e\ndashuria, ekzistojn\u00eb edhe kur ka diell e ngrica, shi e rrebeshe, uj\u00ebra t\u00eb qeta\ne t\u00eb rr\u00ebmbyesh\u00ebm, uj\u00ebra t\u00eb pastra e t\u00eb ndotura q\u00eb rrjedhin n\u00eb udh\u00ebtimin e\nlumtur e t\u00eb trisht\u00eb t\u00eb jet\u00ebs, ashtu sikund\u00ebr dielli sfidon me fuqin\u00eb e tij,\nedhe njeriu sfidon me krah\u00ebt e fort\u00eb dhe mendjen e sh\u00ebndosh\u00eb, derisa arrin t\u00eb\nngrihet mbi v\u00ebshtir\u00ebsit\u00eb e jet\u00ebs, e cila vazhdon, mbijeton, rilind dhe lul\u00ebzon!\n<\/p>\n\n\n\n<p>N\u00eb\nk\u00ebt\u00eb v\u00ebllim poetik gjenden disa poezi q\u00eb meritojn\u00eb v\u00ebmendje t\u00eb ve\u00e7ant\u00eb, poezi t\u00eb\nshkruara n\u00eb dialektin dhe stilin e Fisht\u00ebs. Nd\u00ebr to demonstrohet d\u00ebshira e\nErmir\u00ebs p\u00ebr t\u2019u angazhuar me kompleksitetin e t\u00eb qenit \u201cgrua artiste-poete\u201d n\u00eb\njet\u00ebn reale, d\u00ebshir\u00eb e pasion q\u00eb gjeneron frym\u00ebzim p\u00ebr nj\u00eb shtrirje n\u00eb form\u00eb t\u00eb\nhershme nga narracioni i origjin\u00ebs dhe f\u00ebmij\u00ebris\u00eb s\u00eb poetes, e rritur dhe e\nedukuar me gjyshe dhe teze ulqinake dhe shkodrane nga e \u00ebma, t\u00eb cilat e\np\u00ebrkundnin duke i recituar n\u00eb vend t\u00eb ninullave \u201cmbramjeve\u201d, vargjet geg\u00ebnisht t\u00eb\nFisht\u00ebs. Andaj dhe geg\u00ebnishtja e poetes nd\u00ebr vargje p\u00ebrshkohet nga metafora\nbrenda sfer\u00ebs s\u00eb mrekullis\u00eb, \u00ebndjes dhe adhurimit t\u00eb dialektit fishtian. <\/p>\n\n\n\n<p><strong>\u201cM\u2019p\u00ebrkund,&nbsp;n\u2019\nandrr\u00ebn tande t&#8217; pap\u00ebrlyeme, \/ nd\u00ebr buzsh t\u2019rreshkuna, \/lotin prej qerpikut ma\nshkund.<\/strong><strong> \/<\/strong><strong>M\u2019p\u00ebrkund nd\u00ebr moll\u00ebza gishtash,\/lul\u00ebkuqe\nbuisun,&nbsp;nd\u00ebr perla,\/&nbsp;n\u00eb t\u2019zjarrtin agim\u201d,-<\/strong><strong><\/strong><\/p>\n\n\n\n<p>Vargjet\ne Fisht\u00ebs kan\u00eb l\u00ebn\u00eb mbresa t\u00eb thella, efektin e qart\u00eb dhe t\u00eb mir\u00ebfillt\u00eb n\u00eb\njet\u00ebn e subkoshienc\u00ebn e poetes, prandaj edhe meditimi nd\u00ebr marr\u00ebdh\u00ebniet\nnjer\u00ebzore t\u00eb identitetit t\u00eb saj rrjedh lirsh\u00ebm n\u00eb geg\u00ebnishten e Fisht\u00ebs s\u00eb\nmadh; <\/p>\n\n\n\n<p><strong>\u201cN\u2019mujsha Zan\u00ebn e\nMalit,\/prej gjumit dek\u00ebs me e zgjue,\/me puthje flok\u00ebt me ja kreh\u00eb,\/e perlash\nkok\u00ebn me ja ndri\u00e7ue.\u201d <\/strong><\/p>\n\n\n\n<p>Poetja\nduke u endur n\u00ebn drit\u00ebn e h\u00ebn\u00ebs fillon t\u00eb merret edhe me jet\u00ebn reale. V\u00ebrejm\u00eb\nnj\u00eb poete t\u00eb heshtur dhe modeste por q\u00eb guxon t\u00eb na zbuloj\u00eb fijet e breng\u00ebs dhe\nmallit t\u00eb p\u00ebrvojave jet\u00ebsore, bukuris\u00eb e groteskes, jet\u00ebs e vdekjes, ngjarjeve\nq\u00eb ka p\u00ebrjetuar n\u00eb jet\u00eb, t\u00eb cilat pasqyrohen me lirin\u00eb dhe p\u00ebrjet\u00ebsimin e dialogut\nme veten: <strong>\u201cP\u00ebrse rrotull vjen\nmesnat\u00ebs,\/engj\u00ebll i Vdekjes, fantazm\u00eb, terr?\/\u00c7\u2019ke q\u00eb gryk\u00ebs shtr\u00ebngon\nduart,\/frym\u00eb e shpirt, p\u00ebrtej i ndjell?\u201d<\/strong>-n\u00eb nivelin metaforik dhe artistik.<\/p>\n\n\n\n<p>Shpirti\ni poetes frymon n\u00eb \u00e7do varg, ajo merr rolin e psikologes e t\u00eb sociologes dhe gjen\nprehje n\u00eb rilindjen e ndjenjave t\u00eb brend\u00ebshme dhe t\u00eb karaktereve q\u00eb kan\u00eb qen\u00eb\ndhe jan\u00eb pjes\u00eb e jet\u00ebs s\u00eb saj, n\u00ebn\naureol\u00ebn e ekzistenc\u00ebs njer\u00ebzore&nbsp;dhe dashuris\u00eb.<\/p>\n\n\n\n<p>Poetja shp\u00ebrthen n\u00eb\nvargjet e saj me urt\u00ebsin\u00eb, m\u00ebn\u00e7urin\u00eb dhe dhuntin\u00eb e parandjenj\u00ebs t\u00eb\nsimbolik\u00ebs e lidhjes s\u00eb fort\u00eb, me lirin\u00eb\ne psikikes e shpirtit p\u00ebrmes \u00ebndrrave dhe vizioneve\nprofetike. M\u00ebnyra e vetme p\u00ebr t\u00eb ngush\u00eblluar shpirtin dhe p\u00ebr t\u2019i shp\u00ebtuar s\u00eb\nkaluar\u00ebs s\u00eb dhimb\u00ebshme (humbja e djalit t\u00eb saj n\u00eb aksident tragjik), -eksplorimit\nn\u00eb frustrimet e dhimbshme t\u00eb artistes krijuese, Ermira na flet p\u00ebr munges\u00ebn e\nmallin q\u00eb ndjen p\u00ebr At\u00eb (birin) q\u00eb nuk do t\u00eb mund\u00eb ta shoh\u00eb p\u00ebrs\u00ebri. Poetja\nshnd\u00ebrron n\u00eb art dhe i jep nj\u00eb impuls delikat e ndricues vargut me imt\u00ebsira\npsiko-analitike e figura t\u00eb goditura artistike e metaforike, mes kontrasteve t\u00eb\njet\u00ebs e artit, me imazhin e p\u00ebrjetimeve t\u00eb bukura, t\u00eb dhimb\u00ebshme e t\u00eb hidhura\nt\u00eb jet\u00ebs, marr\u00ebdh\u00ebniet n\u00eb koh\u00eb q\u00eb ka pasur me T\u00cb (birin), sikund\u00ebr i ka ndjer\u00eb dhe p\u00ebrjetuar, mes dhimbjes, munges\u00ebs, mallit\ne dashuris\u00eb. Me stilin e saj aforistik, poetja legjitimon melankolin\u00eb dhe\ntrishtimin, ajo p\u00ebrpiqet t\u00eb zbuloj\u00eb kuptimin e b\u00ebrtham\u00ebs s\u00eb vdekjes, n\u00ebn\nveladonin e zi t\u00eb liris\u00eb pakufi q\u00eb ajo (vdekja) ka: <strong>\u201c<\/strong><strong>Kush je ti q\u00eb\nfrik\u00ebn ngjall, \/ zarin hedh, e mortin sjell,&nbsp;kush je ti q\u00eb do t\u00eb\nzgjedh\u00ebsh, \/k\u00eb t\u00eb marr\u00ebsh, k\u00eb t\u00eb lesh?\u201d<\/strong><\/p>\n\n\n\n<p>N\u00ebn l\u00ebkur\u00ebn poetike, Ermira\n\u00ebsht\u00eb n\u00eb k\u00ebrkim t\u00eb normalitetit br\u00ebnda shpirtit dhe ekzistenc\u00ebs njer\u00ebzore, ajo\nk\u00ebrkon t\u00eb dij\u00eb s\u00eb \u00e7far\u00eb fshihet p\u00ebrtej\nndjeshm\u00ebris\u00eb dhe tejdukshm\u00ebris\u00eb, sekreteve t\u00eb jet\u00ebs, dhe p\u00ebrpiqet t\u00eb zbuloj\u00eb\nthelbin e jetuar t\u00eb nj\u00eb jete, b\u00ebrtham\u00ebn e kuptimit mes jet\u00ebs e vdekjes; <strong>\u201c<\/strong><strong>N\u00eb \u00e7far\u00eb qerthulli legjendash, \/vjen ti prej t\u2019p\u00ebrtejmes\nflak\u00eb?\/P\u00ebrse hyn n\u2019 koruben time,\/shpirt merr, t\u00eb hap\u00ebsh plag\u00eb?\u201d.<\/strong> <\/p>\n\n\n\n<p>Poetja e koncepton bot\u00ebn e vet me forc\u00ebn e vargut, me forc\u00ebn e\nrealitetit t\u00eb p\u00ebrvojave jet\u00ebsore, t\u00eb ideve dhe lidhjes dialektike mes njeriut e\nnatyr\u00ebs, shpirt\u00ebrores e psikikes, evoluon shpirtin lirik nga m\u00eb e thjeshta deri\nte m\u00eb naivja, aty ku\nforca e dashuris\u00eb me but\u00ebsin\u00eb dhe brisht\u00ebsin\u00eb e dhimbjes, mallit dhe trishtimit\nfunksionojn\u00eb paralelisht n\u00eb var\u00ebsi t\u00eb p\u00ebrjetimit t\u00eb nj\u00eb zemre humane. Andaj\npoetja mbart dashurin\u00eb edhe n\u00eb munges\u00eb t\u00eb njer\u00ebzve t\u00eb dashur, ajo vazhdon t\u00eb\njetoj\u00eb, \u00ebnd\u00ebrroj\u00eb, e t\u00eb shkruaj\u00eb;&nbsp;<strong>\u201c<\/strong><strong>Kur n\u00eb \u00ebnd\u00ebrr m\u00eb vjen nat\u00ebs,\/mes simbolesh t\u00eb\nlexoj,\/merrm\u00eb mua, jo filizin,\/zemr\u00ebn mos ma p\u00ebrv\u00eblo.\u201d, &#8211;<\/strong>poetja transmeton\nndjesh\u00ebm dhe me mjesht\u00ebri artistike e filozofike kombinon monologun e brendsh\u00ebm\nt\u00eb p\u00ebrjetimeve, kujtimeve konkrete dhe origjinale, me specifik\u00ebn dhe historin\u00eb\ne tyre, analogon ndjenj\u00ebn e shpirtit me metafora thell\u00ebsisht njer\u00ebzore dhe\nkrijon di\u00e7ka madh\u00ebshtore, private, intime ,\n\u2013Profecin\u00eb; <strong>\u201cVitet\nikin, thinjat shtohen,\/plag\u00ebt mblidhen gjoksit grusht,\/drith\u00ebrim\u00eb n\u00eb dit\u00eb\nKorriku,&nbsp;\/njohu \u00ebnd\u00ebrr-profecin\u00eb\/<\/strong>,-duke e kryq\u00ebzuar me lindjen\ne nj\u00eb dashurie tjet\u00ebr\u2013bij\u00ebs s\u00eb saj, <strong>-\u201cMrekullia<\/strong>\u201d\ne ekzistenc\u00ebs njer\u00ebzore dhe hyjnore, t\u00eb cil\u00ebs poetja i jep nj\u00eb dimension\nmetaforik, emocional, original, hyjnor dhe njer\u00ebzor t\u00eb fuqish\u00ebm n\u00eb vargje; <\/p>\n\n\n\n<p><strong>\u201c<\/strong><strong>Me hire hyjnore,\/u faneps pran\u00eb shtratit,\/ gjat\u00eb nj\u00eb\ndremke vere,\/n\u00eb t\u00eb r\u00ebn\u00eb t\u00eb diellit,\/si nj\u00eb nimf\u00eb u shfaq,\/me fustan t\u00eb\nbardh\u00eb,\/flok\u00ebt val\u00eb-val\u00eb,\/mbi t\u00eb vyer\u00ebn H\u00ebn\u00eb.\u201d<\/strong><\/p>\n\n\n\n<p>Nj\u00eb poezi q\u00eb vjen si\n\u201csonet\u00eb\u201d \u00ebsht\u00eb edhe poezia \u201cT\u00eb pish me Charles Bukowskin\u201d, porse shquhet p\u00ebr\nlirizmin e holl\u00eb dhe dep\u00ebrtues n\u00eb marr\u00ebdh\u00ebniet njer\u00ebzore n\u00eb aleanc\u00eb me\nimagjinat\u00ebn, d\u00ebshir\u00ebn dhe \u201cflirtin poetik\u201d me Bukowskin, poezi q\u00eb mish\u00ebron\nv\u00ebmendjen dhe ndjeshm\u00ebrin\u00eb e ve\u00e7ant\u00eb&nbsp; poetike. Poetja\nErmira guxon t\u00eb drejtoj\u00eb vetveten drejt tejdukshm\u00ebris\u00eb s\u00eb nj\u00eb gruaje q\u00eb e pasuron at\u00eb me\nimagjinat\u00eb, poetes\ni p\u00eblqen t\u00eb \u201cflirtoj\u00eb\u201d me metaforat duke iu referuar dominimit t\u00eb ekzistenc\u00ebs\nnjer\u00ebzore. E lexova poezin\u00eb disa her\u00eb, poetja e nd\u00ebrton poezin\u00eb q\u00eb n\u00eb vargjet e\npara; nis e bisedon me poetin e madh e t\u00eb admiruar, nj\u00ebmend\u00ebson si n\u00eb jet\u00ebn\nreale; <strong>\u201cAi\nm\u00eb p\u00ebrsh\u00ebndet.\/ Jam e vetmja spektatore n\u00eb sall\u00eb.\u201d<\/strong> -dhe ajo vazhdon t\u00eb\nzhvilloj\u00eb ndjeshm\u00ebrin\u00eb e saj me p\u00ebrfytyrimin e ngjeshur t\u00eb shtatit heroik t\u00eb\npoetit; <strong>\u201c<\/strong><strong>Koka e tij, me venat e\nfryra,\/q\u00eb shquhen n\u00eb t\u00ebmtha,\/ peshon shum\u00eb,\/ r\u00ebnduar nga vargjet\/ q\u00eb her\u00eb\nk\u00ebndojn\u00eb, her\u00eb qeshin e p\u00ebrleshen.\u201d, &#8211;<\/strong>dhe me tej forc\u00ebn shpirt\u00ebrore dhe kuptimin rr\u00ebnj\u00ebsor t\u00eb fabul\u00ebs\ns\u00eb poezis\u00eb, shprehje lirike q\u00eb q\u00ebndron e fort\u00eb, godit\u00ebse dhe delikate, e\nekzaltur dhe tejet e sinqert\u00eb n\u00eb ndjenjat e saj, q\u00eb e frym\u00ebzojn\u00eb poeten Ermira:\n<\/p>\n\n\n\n<p><strong>\u201cAi pi birr\u00eb me heshtjen, \/Un\u00eb pi ver\u00eb me\nprezenc\u00ebn e heshtur,\/dhe sh\u00ebtis mendjes t\u00eb gjej shtegun,\/p\u00ebr t\u00eb thyer perden e\nakullt mes nesh:&#8221;<\/strong><strong>\u00c7<\/strong><strong>\u2019shije\nka birra juaj, Charles?&#8221;<\/strong> Vargjet dep\u00ebrtojn\u00eb n\u00eb thelbin e integritetit t\u00eb Bukowskit dhe\nt\u00eb Ermir\u00ebs, si q\u00ebnie t\u00eb forta njer\u00ebzore, q\u00eb thithin aj\u00ebr nga muza e\nnj\u00ebri-tjetrit, \u201cpijn\u00eb birr\u00eb dhe flirtojn\u00eb\u201d n\u00ebn p\u00ebrfytyrimin aluziv t\u00eb vargjeve;\n<strong>&#8220;<\/strong><strong> \u00c7<\/strong><strong>\u2019shije ka birra juaj, Charles?\u201d\/\u201cT\u00eb\nd\u00ebshp\u00ebruar,\/nga debati presidencial nat\u00ebn e shkuar.&#8221;\/&#8221;Po vera jote,\nVog\u00eblsi?&#8221;\/&#8221;T\u00eb thart\u00eb,\/prej rrushit t\u00eb prush\u00ebzuar n\u00eb Kaliforni&#8221;-<\/strong> vargje bised\u00eb- porse jan\u00eb vargjet m\u00eb prek\u00ebse\nq\u00eb ka p\u00ebrdorur Ermira, jo thjesht p\u00ebrsa u p\u00ebrket vuajtjeve t\u00eb personazheve dhe\nforc\u00ebs morale dhe personalitetit t\u00eb tyre, personazhe q\u00eb vijn\u00eb nga k\u00ebnde t\u00eb\nndryshme t\u00eb shoq\u00ebris\u00eb,&nbsp; porse i japin z\u00eb\nnj\u00eb segmenti t\u00eb shoq\u00ebris\u00eb me shpirtin artistik dhe njer\u00ebzor, respektin p\u00ebr\nveten dhe t\u00eb mbijetuarin; <strong>\u201cofroj pjes\u00ebn\ntime t\u00eb shpirtit q\u00eb larg,\/p\u00ebr t\u00eb mos i b\u00ebr\u00eb gj\u00ebrat shtr\u00ebmb\u00ebr.\u201d\/ <\/strong><\/p>\n\n\n\n<p>Lirizmi i holl\u00eb i\nErmir\u00ebs \u00ebsht\u00eb\nhulumtimi i parreshtur i dualitetit dhe polaritetit t\u00eb jet\u00ebs mes vuajtjeve dhe\ntensioneve destruktive krijuese q\u00eb ekzistojn\u00eb n\u00eb kujtes\u00ebn e njer\u00ebzimit mes\nreales, psikikes dhe mitikes,\nandaj edhe poetja p\u00ebrcjell trishtimin dhe dob\u00ebsin\u00eb e verdiktit n\u00eb vazhdim\u00ebsin\u00eb\ne njer\u00ebzores bashk\u00eb me kujtes\u00ebn, -Ermira kujton, k\u00ebshillon dhe varg\u00ebzon; <strong>\u201ct\u00eb b\u00ebni nj\u00eb tjet\u00ebr Hiroshima, \/ apo t\u00eb\nndodh\u00eb nj\u00eb tjet\u00ebr Pearl Harbor\u201d.<\/strong><\/p>\n\n\n\n<p>Stili\ndhe forca poetike e Ermir\u00ebs q\u00ebndrojn\u00eb mjaft t\u00eb thella n\u00ebn efektet e muz\u00ebs\npoetike ndaj Bukowskit, dhe k\u00ebshtu poezia mbetet e pandikuar nga faktor<a>\u00eb<\/a>t e jasht\u00ebm. Poetja duke p\u00ebrdorur fjal\u00eb gjall\u00ebrisht\nndjell\u00ebse n\u00eb bised\u00eb me plot imazhe n\u00eb varg\u00ebzim, ka p\u00ebrkshkruar bot\u00ebn n\u00eb t\u00eb\nkaluar\u00ebn q\u00eb mbetet e paprekur nga forcat q\u00eb e t\u00ebrheqin n\u00eb t\u00eb tashmen, poetja\nmbetet nj\u00eb grua e lir\u00eb me shpirt t\u00eb lir\u00eb dhe pa paragjykime, kompleksiteti\nb\u00ebhet i thjesht\u00eb.&nbsp; <\/p>\n\n\n\n<p>N\u00eb\nk\u00ebt\u00eb v\u00ebllim me poezi, Ermira Mitre Kokomani i prezantohet audienc\u00ebs s\u00eb lexuesit\nedhe me vargjet lirike t\u00eb Haiku-t, p\u00ebrvoj\u00eb krijuese me konvencione t\u00eb goditura\nartistike, filozofike, muzikalitet t\u00eb ndjesh\u00ebm, \u00ebmb\u00eblsi, but\u00ebsi, feminilitet,\nesklamacione poetike me tre vargje \u2013fraza post-strukturaliste t\u00eb paktit t\u00eb shpirtit tradicional, intim dhe\nklasik i ndjenjave dhe dashuris\u00eb njer\u00ebzore;&nbsp;\n<\/p>\n\n\n\n<p><strong>\u201cSyrit t\u00eb\nsorkadhes nj\u00eb lot reg\u00ebtin, \/n\u00eb heshtje qajn\u00eb t\u00eb bukurat sorkadhe,\/lot\u00ebt ia\nmbledh n\u00eb gjirin e pafajsh\u00ebm<\/strong>!\u201d<\/p>\n\n\n\n<p>N\u00eb\npoezit\u00eb e stilit t\u00eb Haiku-t t\u00eb poetes Ermira Mitre Kokomani shprehet dyvalenca\ne ekzistences njer\u00ebzore me sakt\u00ebsi lirike, sinqeritet e \u00e7ilt\u00ebrsi t\u00eb ndjenj\u00ebs; <strong>\u201cQERPIK\u00cbT\/E lagu r\u00ebr\u00ebn djersa e k\u00ebmb\u00ebve t\u00eb tua,\/nuk\nran\u00eb mbi t\u00eb\ntjera pika, \/harkuar qerpik\u00ebt i b\u00ebn\u00eb prita\u201d.,-<\/strong>p\u00ebrzgjedhja\ne termave; \u201c qerpik\u00ebt, lagu, pika, k\u00ebmb\u00ebve, prita, etc,\u201d-t\u00eb cilat n\u00ebnkuptojn\u00eb\n\u201cdashuri, dhimbje, melankoli\u201d,&nbsp;\nk\u00ebndv\u00ebshtrime lirike origjinale e t\u00eb arrira me epitete, q\u00eb demonstrojn\u00eb\ndualitetin e grint\u00ebs poetike t\u00eb imagjinat\u00ebs e shpirt\u00ebrores p\u00ebrmes magjis\u00eb s\u00eb\nartit t\u00eb Haiku-t.<\/p>\n\n\n\n<p>V\u00ebllimi\nme poezi i titulluar <strong>\u201cLOTUS\u201d<\/strong><strong>,<\/strong> i poetes, esseistes dhe p\u00ebrkthyeses,\nErmira Mitre Kokomani,\n\u00ebsht\u00eb nj\u00eb p\u00ebrvoj\u00eb mbres\u00ebl\u00ebn\u00ebse dhe mbetet tejet e ve\u00e7ant\u00eb, sepse mozaiku i\nfabulave t\u00eb poezive shprehur n\u00eb pak fjal\u00eb, thot\u00eb m\u00eb tep\u00ebr sesa proza,\neksperienc\u00eb krijuese m\u00eb e thjesht\u00eb dhe m\u00eb efektive p\u00ebr t\u00eb shprehur idet\u00eb dhe\nmendimet, muz\u00ebn artistike e filozofike t\u00eb mallit, dhimbjes, shpres\u00ebs, dhe\ndashuris\u00eb njer\u00ebzore. Poezia e Ermir\u00ebs \u00ebsht\u00eb nj\u00eb poezi q\u00eb b\u00ebn radiografin\u00eb e\nshpirtit t\u00eb bukur, human e t\u00eb ndjesh\u00ebm t\u00eb poetes me ngroht\u00ebsin\u00eb, but\u00ebsin\u00eb,\nmir\u00ebkuptimin, mir\u00ebsin\u00eb, dhe respektin p\u00ebr dinjitetin dhe bot\u00ebn njer\u00ebzore.\nPoezia e saj forcon interesin ton\u00eb p\u00ebr ekzistenc\u00ebn njer\u00ebzore, intensifikon\naspirat\u00ebn drejt s\u00eb mir\u00ebs dhe s\u00eb bukur\u00ebs, zbulon vuajtjet dhe t\u00eb fshehtat e\nshpirtit, n\u00eb gjith\u00e7ka q\u00eb na rrethon, duke na ndihmuar t\u2019i shohim gj\u00ebrat m\u00eb\nthelb\u00ebsore t\u00eb jet\u00ebs me maturi, dashuri dhe urt\u00ebsi shpirt\u00ebrore. <\/p>\n\n\n\n<p><strong><em>Raimonda\nMOISIU<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>Author\/Freelancer<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>Jacksonville\nFlorda SHBA<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Rreth v\u00ebllimit me poezi \u201cLOTUS\u201d \u2013 i poetes, esseistes dhe p\u00ebrkthyeses, Ermira Mitre Kokomani) Shkruar nga Raimonda MOISIU T\u00eb shkruash lib\u00ebr me poezi \u00ebsht\u00eb ndjesia m\u00eb e brisht\u00eb q\u00eb shp\u00ebrthen nga bukuria e shpirtit artistik, \u00ebsht\u00eb vet-mrekullia e cila ekziston br\u00ebnda gjith\u00e7kaje njer\u00ebzore. Sepse edhe vet\u00eb poezia \u00ebsht\u00eb liria e ndjenj\u00ebs, gj\u00ebndjes emocionale dhe shpirt\u00ebrore&hellip;<\/p>\n","protected":false},"author":1,"featured_media":8922,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-9647","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-letersi"],"_links":{"self":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/9647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9647"}],"version-history":[{"count":1,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/9647\/revisions"}],"predecessor-version":[{"id":9649,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/9647\/revisions\/9649"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/media\/8922"}],"wp:attachment":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}