{"id":9522,"date":"2022-02-01T18:51:35","date_gmt":"2022-02-01T18:51:35","guid":{"rendered":"http:\/\/revistakuvendi.org\/?p=9522"},"modified":"2022-02-01T18:51:35","modified_gmt":"2022-02-01T18:51:35","slug":"poema-romantiko-moderniste-e-nobelistit-odiseas-elitis","status":"publish","type":"post","link":"https:\/\/revistakuvendi.org\/?p=9522","title":{"rendered":"Poema romantiko-moderniste e Nobelistit Odiseas Elitis"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Monograma<\/strong><\/p>\n\n\n\n

Nga: Armela Hysi<\/p>\n\n\n\n

Poema\nromantiko-moderniste e Nobelistit Odiseas Elitis\nq\u00eb zgjon shpirtrat  <\/p>\n\n\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cMonograma\u201d \u00ebsht\u00eb nj\u00eb nga poemat q\u00eb poeti grek, Nobelist (Let\u00ebrsi-1979) Odisea Eliti (2.11.1911-18.3.1996) shkroi gjat\u00eb viteve 1969-71, gjat\u00eb q\u00ebndrimit t\u00eb tij n\u00eb kryeqytetin francez\u00eb, dhe po n\u00eb vitin 1971 u botua p\u00ebr her\u00eb t\u00eb par\u00eb, n\u00eb Bruksel. Nj\u00eb poet i pjekur dhe me thellim n\u00eb stilin dhe trajt\u00ebn e vargut t\u00eb tij, Eliti, tashm\u00eb rreth t\u00eb gjasht\u00ebdhjetave, me nj\u00eb frym\u00eb m\u00eb tep\u00ebr romantiko-erotike, n\u00eb k\u00ebt\u00eb poem\u00eb, q\u00eb nd\u00ebrthuret me prurjet e tij moderniste dhe m\u00eb pak\u00eb abstrakt n\u00eb varg e n\u00eb gjetje, gj\u00eb q\u00eb nuk e kursen n\u00eb mang\u00ebsit\u00eb q\u00eb l\u00eb aq meritsh\u00ebm, p\u00ebr deshifrimi e qart\u00eb t\u00eb subjektit, sjell nj\u00eb nga poezit\u00eb e tij m\u00eb t\u00eb njohura n\u00eb bot\u00eb. K\u00ebshtu duke thurur nj\u00eb mit t\u00eb ri\u00a0 t\u00eb nj\u00eb dashurie t\u00eb zjarrt\u00eb, t\u00eb p\u00ebrjetshme, por t\u00eb ndaluar, pa e p\u00ebrcaktuar konkretisht fatin e dy t\u00eb dashuruarve, as p\u00ebrse dashuria e tyre qe e ndaluar dhe q\u00eb s’mund e s’duhej t\u00eb m\u00ebsohej, poeti paraqet nj\u00eb himn p\u00ebr imazhet e dashuris\u00eb q\u00eb jetoi dhe tani i nxjerr nga kujtesa, e nj\u00eb vajtim t\u00eb thell\u00eb p\u00ebr t\u00eb dashur\u00ebn e tij, p\u00ebr dashurin\u00eb, q\u00eb e ndjeu nj\u00eb her\u00eb me plot\u00eb pasion.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

            Titulli i poem\u00ebs \u2013 Monograma <\/strong>\u2013\np\u00ebrcakton konkretisht nj\u00eb sig\u00ebl, a nj\u00eb simbol (p.sh.: p\u00ebr vulat) ku krijohet\nnj\u00eb germ\u00eb e vetme, – figur\u00eb – e p\u00ebrb\u00ebr\u00eb me inicialet e nj\u00eb personi, emri, apo\ndy e m\u00eb shum\u00eb personave, t\u00eb paraqitur n\u00eb nj\u00eb. Kjo ndoshta \u00ebsht\u00eb dhe vet\u00eb\nprezantimi i par\u00eb i nd\u00ebrthurjes s\u00eb dy shpirtrave t\u00eb dashuruar, n\u00eb nj\u00eb figur\u00eb\nkomplekse, por t\u00eb vetme.<\/p>\n\n\n\n

            <\/strong>Do t’mbaj zi p\u00ebrher\u00eb \u2013 m’ d\u00ebgjon?\n\u2013 p\u00ebr ty,<\/em><\/strong><\/strong><\/p>\n\n\n\n

          fillikat, n\u00eb Parajs\u00eb<\/em><\/strong><\/p>\n\n\n\n

me k\u00ebt\u00eb epigram\nfillon poema Monograma, duke na v\u00ebn\u00eb menj\u00ebher\u00eb n\u00eb ngjyrimin e ligj\u00ebrimit t\u00eb nj\u00eb\nk\u00ebnge vaji, me dy detaje q\u00eb e b\u00ebjn\u00eb akoma m\u00eb rr\u00ebqeth\u00ebse: apostrofa q\u00eb ka\np\u00ebrzgjedhur, veta e dyt\u00eb me t\u00eb cil\u00ebn drejtohet, q\u00eb kthen monologun n\u00eb nj\u00eb\nthirrje dialogu, si\u00e7 ndodh shpesh n\u00eb k\u00ebng\u00ebt e vajit edhe pse e shpreh qart\u00eb se\ns’mund t\u00eb d\u00ebgjohet, si dhe nj\u00eb pyetje q\u00eb kuptohet se nuk mund t\u00eb marr\np\u00ebrgjigje:\u2013 m’ d\u00ebgjon?<\/em> por q\u00eb e b\u00ebn\u00eb kaq intime, si dhe fjala Parajs\u00eb q\u00eb\ni jep nj\u00eb siguri t\u00eb p\u00ebrjetshme dashuris\u00eb q\u00eb shpreh.<\/p>\n\n\n\n

Tjet\u00ebrkund do t’i drejtoj\u00eb tragat<\/em><\/strong><\/p>\n\n\n\n

E p\u00ebll\u00ebmb\u00ebs, Fata, si nd\u00ebrruesi i binar\u00ebve<\/em><\/strong><\/p>\n\n\n\n

Nj\u00eb \u00e7ast Koha do t\u00eb miratoj\u00eb<\/em><\/strong><\/p>\n\n\n\n

Si mundet ndryshe, p\u00ebrderisa dashurohen njer\u00ebzit<\/em><\/strong><\/p>\n\n\n\n

Do t\u00eb p\u00ebrshfaq qielli t\u00eb p\u00ebrbrendshmet tona<\/em><\/strong><\/p>\n\n\n\n

Dhe do t\u00eb godas\u00eb bot\u00ebn pafaj\u00ebsia<\/em><\/strong><\/p>\n\n\n\n

Me eg\u00ebrsin\u00eb e t\u00eb zez\u00ebs s\u00eb vdekjes.<\/em><\/strong><\/p>\n\n\n\n

Fata (n\u00eb greqisht\nMira nga \u039c\u03bf\u03af\u03c1\u03b1) \u00ebsht\u00eb secila nga tri bijat e Zeusit dhe titanes Temida (\u0398\u03ad\u03bc\u03b9\u03b4\u03b1) t\u00eb paraqitura\nedhe si bijat e Nat\u00ebs (n\u00eb gre. Nihta nga \u039d\u03cd\u03c7\u03c4\u03b1) q\u00eb paracaktonin fatin e njeriut, q\u00eb n\u00eb\nkoh\u00eb t\u00eb lashta sipas miteve p\u00ebrgjith\u00ebsisht ballkanike, por dhe m\u00eb gjer\u00eb\neuropiane, vinte p\u00ebr t\u00eb parath\u00ebn\u00eb destinimin e jet\u00ebs s\u00eb nj\u00eb njeriu, kur sapo\n\u00ebsht\u00eb lindur. Q\u00eb me vargjet e epigramit poeti na ka b\u00ebr\u00eb t\u00eb ditur se \u00ebsht\u00eb i\nvetmuar dhe se mban zi, pra fati i njer\u00ebzve, s’mund t\u00eb ndryshoj\u00eb, n\u00ebse \u00ebsht\u00eb\nparath\u00ebn\u00eb, por fjal\u00ebt e hapjes s poem\u00ebs v\u00ebn\u00eb menj\u00ebher\u00eb besimin e tij, se me nj\u00eb\ndashuri t\u00eb till\u00eb, t\u00eb v\u00ebrtet\u00eb, Koha, q\u00eb poeti n\u00eb origjinal e shkruan me g\u00ebrm\u00eb\nkapitale, – ashtu si dhe t\u00eb Fat\u00ebs, duke na t\u00ebrhequr v\u00ebmendjen p\u00ebr p\u00ebrve\u00e7\u00ebsin\u00eb e\ntyre, si fuqi madhore, absolute, – \u00ebsht\u00eb ajo q\u00eb do jap dhe ajo p\u00eblqimin e saj,\npra bashk\u00eb me Fat\u00ebn, q\u00eb si\u00e7 pun\u00ebtori i hekurudh\u00ebs ndryshon disa pika ky\u00e7e dhe\ntreni n\u00eb ardhje kalon n\u00eb nj\u00eb linj\u00eb tjet\u00ebr shinash, ashtu edhe ky binom\nsuperfuqie do t\u00eb ndryshojn\u00eb m\u00eb n\u00eb fund k\u00ebt\u00eb fat t\u00eb dashuris\u00eb s\u00eb tyre q\u00eb tek\nvijat e dor\u00ebs, q\u00eb parathon\u00eb fatin, k\u00ebshtu dhe n\u00eb bot\u00eb gjith\u00e7ka do t\u00eb ndryshoj\u00eb,\nngaq\u00eb dashuria e tyre qe e bukur dhe e pafajshme. Dhe t\u00eb gjith\u00eb k\u00ebt\u00eb siguri e\nk\u00ebrkon ta justifikoj\u00eb me lexuesin me nj\u00eb pyetje, (me shenj\u00eb pik\u00ebsimi t\u00eb\nreduktuar)Si mundet ndryshe?<\/em><\/p>\n\n\n\n

                                    II<\/em><\/strong><\/p>\n\n\n\n

Mbaj zi p\u00ebr diellin dhe mbaj zi p\u00ebr motet q\u00eb vijn\u00eb<\/em><\/strong><\/p>\n\n\n\n

Pa ne dhe u k\u00ebndoj t\u00eb tjerave q\u00eb kaluan<\/em><\/strong><\/p>\n\n\n\n

N\u00eb’ t’v\u00ebrteta qofshin<\/em><\/strong><\/p>\n\n\n\n

E kishin l\u00ebn\u00eb me fjal\u00eb kurmet dhe varkat q\u00eb u ndesh\u00ebn \u00ebmb\u00ebl<\/em><\/strong><\/p>\n\n\n\n

Kitarat q\u00eb n\u00ebn uj\u00eb u ndezo-shuan <\/em><\/strong><\/p>\n\n\n\n

T\u00eb gjitha \u201cbesom\u00eb\u201d-\u00ebt dhe t\u00eb gjitha \u201cmos\u201d-\u00ebt<\/em><\/strong><\/p>\n\n\n\n

Nj\u00eb her\u00eb n\u00eb aj\u00ebr, nj\u00eb her\u00eb melodis\u00eb<\/em><\/strong><\/p>\n\n\n\n

Dy kafsh\u00ebt e vogla, duart tona<\/em><\/strong><\/p>\n\n\n\n

Q\u00eb qerthullonin t\u00eb ngjiteshin fshehurazi nj\u00ebra mbi tjetr\u00ebn<\/em><\/strong><\/p>\n\n\n\n

Saksia ves\u00ebmbuluar n\u00eb portat e hapura t\u00eb oborrit<\/em><\/strong><\/p>\n\n\n\n

Dhe copa detet q\u00eb vinin bashk\u00eb<\/em><\/strong><\/p>\n\n\n\n

Mbi mure gur’that\u00eb, pas gardheve<\/em><\/strong><\/p>\n\n\n\n

Anemon\u00ebn q\u00eb u ul mbi dor\u00ebn t\u00ebnde<\/em><\/strong><\/p>\n\n\n\n

Dhe tre her\u00eb dridhej e purpurta tre dit\u00eb<\/em><\/strong><\/p>\n\n\n\n

          mbi uj\u00ebvarat<\/em><\/strong><\/p>\n\n\n\n

N\u00eb’ k\u00ebto jan\u00eb t\u00eb v\u00ebrteta k\u00ebndoj<\/em><\/strong><\/p>\n\n\n\n

Trau i drunjt\u00eb dhe t\u00eb av\u00eblmend\u00ebs katrorin e endur<\/em><\/strong><\/p>\n\n\n\n

N\u00eb mur, Siren\u00ebn me flok\u00eb t\u00eb l\u00ebshuar<\/em><\/strong><\/p>\n\n\n\n

Macen q\u00eb na k’qyri mes territ<\/em><\/strong><\/p>\n\n\n\n

F\u00ebmij\u00eb me temjan dhe me kryqin e kuq<\/em><\/strong><\/p>\n\n\n\n

N\u00eb or\u00ebn q\u00eb err\u00ebsohet shk\u00ebmbinjve e paafrueshmja<\/em><\/strong><\/p>\n\n\n\n

Mbaj zi p\u00ebr rrob\u00ebn q\u00eb preka dhe m\u00eb erdh’ bota.<\/em><\/strong><\/p>\n\n\n\n

Strofa e dyt\u00eb e\npoem\u00ebs ndjek t\u00eb nj\u00ebjt\u00ebn frym\u00eb vaji t\u00eb epigramit, duke shtuar dhe \u00e7aste t\u00eb\ndashuris\u00eb q\u00eb jetuan. N\u00eb nj\u00eb balanc\u00eb t\u00eb \u00e7uditshme dy antonimet e vajit dhe\nk\u00ebng\u00ebs, Eliti shpalos pik\u00ebllimin e thell\u00eb p\u00ebr humbjen, q\u00eb me nj\u00eb p\u00ebrs\u00ebritje t\u00eb\nfjal\u00ebs mbaj zi<\/em> na b\u00ebn\u00eb t\u00eb kuptojm\u00eb se b\u00ebhet fjal\u00eb se e dashura e tij \u2013 e\nasaj dashurie \u2013 ka vdekur; si\u00e7 p\u00ebrshkruan me shum\u00eb \u00ebndje k\u00ebnge, nj\u00eb mori\nmomentesh t\u00eb tyre bashk\u00eb, intime dhe t\u00eb g\u00ebzuara, (ai shkruan se trupat e tyre e\ndinin se duheshin, sikur e kishin l\u00ebn\u00eb me fjal\u00eb t\u00eb takoheshin, p\u00ebrshkruan loj\u00ebn\ne duarve t\u00eb tyre n\u00eb prekje, p\u00ebshp\u00ebrimat e tyre) q\u00eb me nj\u00eb bukuri t\u00eb ve\u00e7ant\u00eb e\nv\u00eb n\u00eb dyshim: a \u00ebsht\u00eb e v\u00ebrtet\u00eb gjith\u00eb kjo lumturi e provuar, duke shtuar\nndjenj\u00ebn e dhimbjes, me k\u00ebt\u00eb m\u00ebnyr\u00eb.<\/p>\n\n\n\n

                                    III<\/em><\/strong><\/p>\n\n\n\n

K\u00ebshtu kumtoj p\u00ebr ty dhe p\u00ebr mua<\/em><\/strong><\/p>\n\n\n\n

Sepse t\u00eb dua dhe n\u00eb dashuri un\u00eb di<\/em><\/strong><\/p>\n\n\n\n

T\u00eb hyj\u00eb si H\u00ebn\u00eb e Plot\u00eb<\/em><\/strong><\/p>\n\n\n\n

Nga gjithkund, p\u00ebr voc\u00ebrraken k\u00ebmb\u00ebn t\u00ebnde<\/em><\/strong><\/p>\n\n\n\n

                   mes shtrojash\nt’tejcakta<\/em><\/strong><\/p>\n\n\n\n

T\u00eb shpuploj petla jasemin \u2013 dhe jam i zoti<\/em><\/strong><\/p>\n\n\n\n

Dremitur, me frym\u00ebn time t\u00eb t\u00eb udh\u00ebtoj\u00eb<\/em><\/strong><\/p>\n\n\n\n

Mes shtigjesh q\u00eb feksin dhe shpellash t\u00eb fshehta detare<\/em><\/strong><\/p>\n\n\n\n

Pem\u00eb t\u00eb hipnotizuara me merimanga q\u00eb argjendarojn\u00eb<\/em><\/strong><\/p>\n\n\n\n

N\u00eb dashuri un\u00eb di t\u00eb hyj si H\u00ebn\u00eb e Plot\u00eb nga\ngjithkund<\/em>, pohon autori,\nn\u00eb nj\u00eb varg madh\u00ebshtor dhe p\u00ebr t\u00eb treguar fuqin\u00eb e k\u00ebsaj dashurie p\u00ebrshkruan\naromat q\u00eb do t\u00eb sjell\u00eb duke shkoqur lule aromatike dhe krijuar imazhe idilike\nt\u00eb denja p\u00ebr syt\u00eb e dashuris\u00eb q\u00eb provon. Pastaj ai tregon se si dhe me k\u00eb ka\nndar\u00eb emocionet e tij p\u00ebr vash\u00ebn e \u00ebndrrave t\u00eb veta dhe n\u00eb vazhdim se si\nplot\u00ebsojn\u00eb nj\u00ebri-tjetrin k\u00ebta dy shpirtra t\u00eb dashuruar:<\/p>\n\n\n\n

Kan\u00eb d\u00ebgjuar p\u00ebr ty dallg\u00ebt<\/em><\/strong><\/p>\n\n\n\n

Se si p\u00ebrk\u00ebdhel, se si puth<\/em><\/strong><\/p>\n\n\n\n

Si p\u00ebshp\u00ebritsh\u00ebm thua \u201c\u00e7far\u00eb\u201d dhe \u201c\u00eb\u201d-n<\/em><\/strong><\/p>\n\n\n\n

Rreth e rreth gush\u00ebs gjirit t\u00eb detit<\/em><\/strong><\/p>\n\n\n\n

P\u00ebrher\u00eb ne t\u00eb dy drita dhe hija<\/em><\/strong><\/p>\n\n\n\n

P\u00ebrher\u00eb ti yllthi dhe p\u00ebrher\u00eb un\u00eb lund\u00ebrtar i err\u00ebt<\/em><\/strong><\/p>\n\n\n\n

P\u00ebrher\u00eb ti limani e un\u00eb feneri djathtas<\/em><\/strong><\/p>\n\n\n\n

Moli i njomur dhe rr\u00ebz\u00ebllimi mbi rrema<\/em><\/strong><\/p>\n\n\n\n

Lart\u00eb tek sht\u00ebpia me pjergullat<\/em><\/strong><\/p>\n\n\n\n

Tr\u00ebndafilat e lidhur, ujin q\u00eb ftoh<\/em><\/strong><\/p>\n\n\n\n

P\u00ebrher\u00eb ti statuja e gurt\u00eb dhe p\u00ebrher\u00eb un\u00eb hija q’madhohet<\/em><\/strong><\/p>\n\n\n\n

Kanata e bjerr\u00eb ti, era q\u00eb e hap un\u00eb<\/em><\/strong><\/p>\n\n\n\n

Sepse t\u00eb dua dhe t\u00eb dua<\/em><\/strong><\/p>\n\n\n\n

P\u00ebrher\u00eb ti monedha dhe un\u00eb adhurimi q\u00eb e \u00e7mon:<\/em><\/strong><\/p>\n\n\n\n

Kaq nata, aq oshtima e er\u00ebs<\/em><\/strong><\/p>\n\n\n\n

Kaq pik\u00ebza n\u00eb aj\u00ebr, aq qet\u00ebsia<\/em><\/strong><\/p>\n\n\n\n

P\u00ebrqark autoritar deti<\/em><\/strong><\/p>\n\n\n\n

Oda e qiellit me yje<\/em><\/strong><\/p>\n\n\n\n

Aq frym\u00ebmarrja jote e mekur<\/em><\/strong><\/p>\n\n\n\n

Tashm\u00eb q\u00eb nuk kam gj\u00eb tjet\u00ebr<\/em><\/strong><\/p>\n\n\n\n

Mes kat\u00ebr mureve, tavanit dhe dyshemes\u00eb<\/em><\/strong><\/p>\n\n\n\n

T\u00eb th\u00ebrras nga ty dhe z\u00ebri im t\u00eb m\u00eb godas\u00eb<\/em><\/strong><\/p>\n\n\n\n

T\u00eb mbaj arom\u00ebn t\u00ebnde dhe t\u00eb eg\u00ebrsohen gjindt\u00eb<\/em><\/strong><\/p>\n\n\n\n

Sepse t\u00eb paprovuar\u00ebn dhe t\u00eb huaj\u00ebn ‘ardhur nga larg\u00eb<\/em><\/strong><\/p>\n\n\n\n

Nuk e durojn\u00eb dot njer\u00ebzit e \u00ebsht\u00eb her\u00ebt, m’ d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

\u00cbsht\u00eb her\u00ebt akoma n\u00eb k\u00ebt\u00eb bot\u00eb dashuria ime<\/em><\/strong><\/p>\n\n\n\n

T\u00eb flas p\u00ebr ty dhe p\u00ebr mua.<\/em><\/strong><\/p>\n\n\n\n

Tema e p\u00ebrshkrimit\nt\u00eb momenteve bashk\u00eb, ruhet dhe zgjerohet gjat\u00eb gjith\u00eb pjes\u00ebs s\u00eb tret\u00eb, dhe\nlexuesi kupton sa t\u00eb lidhur qen\u00eb dy t\u00eb dashuruarit, dielli, h\u00ebna e plot\u00eb,\nqielli, rr\u00ebz\u00ebllimet e tyre mbi objekte, muret gur\u00eb-that\u00eb, limani, sht\u00ebpizat,\ndeti q\u00eb hyn e del n\u00eb varg na jep ndjenj\u00ebn e stin\u00ebs s\u00eb ver\u00ebs, ashtu si\u00e7 kupton\nnga p\u00ebrshkrimet vendndodhjen n\u00eb nj\u00eb zon\u00eb t\u00eb qet\u00eb, me banor\u00eb e sht\u00ebpi t\u00eb\nthjeshta, t\u00eb nj\u00eb shoq\u00ebrie t\u00eb mbyllur, ndaj dhe edhe pse nuk jep t\u00eb dh\u00ebna t\u00eb\ntjera, n\u00eb rreshtat e fundi, autori b\u00ebn\u00eb t\u00eb qart\u00eb se nuk e lejojn\u00eb dashurin\u00eb e\ntyre. Gj\u00eb q\u00eb do t\u00eb krijoj\u00eb harkun e duhur p\u00ebr t\u00eb mb\u00ebrritur n\u00eb kreshenton, si\u00e7\ndo ta quaja, e k\u00ebsaj ideje n\u00eb vazhdimin e poem\u00ebs.<\/p>\n\n\n\n

                                    IV<\/em><\/strong><\/p>\n\n\n\n

\u00cbsht\u00eb her\u00ebt akoma n\u00eb k\u00ebt\u00eb bot\u00eb, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Nuk jan\u00eb zbutur p\u00ebrbind\u00ebshat, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Gjaku im i humbur dhe maja, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

E thik\u00ebs<\/em><\/strong><\/p>\n\n\n\n

Si dash duke rendur qiejve<\/em><\/strong><\/p>\n\n\n\n

Dhe t’yjeve bisqet d\u00ebrrmon, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Jam un\u00eb, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

T\u00eb dua, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

T\u00eb mbaj e t\u00eb shpie dhe t\u00eb vesh<\/em><\/strong><\/p>\n\n\n\n

Vellon e bardh\u00eb nus\u00ebrore t\u00eb Ofelis\u00eb, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Ku po m\u00eb l\u00eb, ku po shkon dhe kush, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

T\u00eb mban\u00eb p\u00ebr dore, mbi gjith\u00eb p\u00ebrmbytjet<\/em><\/strong><\/p>\n\n\n\n

Lianat* e st\u00ebrm\u00ebdha dhe llava vullkanesh<\/em><\/strong><\/p>\n\n\n\n

Do t\u00eb vij dita, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

T\u00eb na mbulojn\u00eb, dhe t\u00eb mij\u00ebra m\u00eb pas vitet<\/em><\/strong><\/p>\n\n\n\n

N\u00eb t\u00eb ndritshme gur\u00ebzime do t\u00eb na shnd\u00ebrrojn\u00eb, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

T\u00eb shk\u00eblqej\u00eb mbi ta pa-dhembshuria, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

E njer\u00ebzve<\/em><\/strong><\/p>\n\n\n\n

Dhe n’mij\u00ebra copa t\u00eb na hedh<\/em><\/strong><\/p>\n\n\n\n

N\u00ebp\u00ebr uj\u00ebra nj\u00eb e nga nj\u00eb, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Zajet e mi t\u00eb hidhur num\u00ebroj, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Dhe \u00ebsht\u00eb koha nj\u00eb tempull i madh, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Ku nganj\u00ebher\u00eb figurat<\/em><\/strong><\/p>\n\n\n\n

E Shenjtor\u00ebve<\/em><\/strong><\/p>\n\n\n\n

Nxjerrin lot t\u00eb v\u00ebrtet\u00eb, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Kambanat po hapin s\u00eb larti, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Nj\u00eb hyrje t\u00eb thell\u00eb t\u00eb kaloj<\/em><\/strong><\/p>\n\n\n\n

Presin \u00ebngj\u00ebjt me qirinj dhe psalme mortore<\/em><\/strong><\/p>\n\n\n\n

Kurrkund nuk shkoj, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

O asnj\u00ebri o t\u00eb dy bashk\u00eb, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

K\u00ebt\u00eb lule t\u00eb shtr\u00ebngat\u00ebs dhe, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

T\u00eb dashuris\u00eb<\/em><\/strong><\/p>\n\n\n\n

Nj\u00eb her\u00eb e p\u00ebrgjithmon\u00eb e prem\u00eb<\/em><\/strong><\/p>\n\n\n\n

Dhe s’mund t\u00eb ndodh  t\u00eb lul\u00ebzoj\u00eb\nndryshe, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

N\u00eb tok\u00eb tjet\u00ebr, n\u00eb yll tjet\u00ebr, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Nuk ekziston dheu, nuk ekziston ajri<\/em><\/strong><\/p>\n\n\n\n

I nj\u00ebjti q\u00eb prek\u00ebm, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Dhe asnj\u00eb kopshtar nuk gjet g\u00ebzim n\u00eb koh\u00eb t\u00eb tjera<\/em><\/strong><\/p>\n\n\n\n

Pas kaq dimri t\u00eb gjat\u00eb dhe kaq er\u00ebrash veriore, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

T\u00eb bul\u00ebzoj\u00eb syth, ve\u00e7 ne t\u00eb dy, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Mes p\u00ebrmes detit<\/em><\/strong><\/p>\n\n\n\n

Ve\u00e7 si d\u00ebshir\u00eb e dashuris\u00eb, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Lart\u00ebsuam nj\u00eb ishull t\u00eb t\u00ebr\u00eb, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

Plot\u00eb shpella dhe kepe dhe gremina t\u00eb gjelb\u00ebruara<\/em><\/strong><\/p>\n\n\n\n

‘D\u00ebgjo, d\u00ebgjo<\/em><\/strong><\/p>\n\n\n\n

Kush u flet\u00eb ujrave dhe kush ligj\u00ebron \u2013 d\u00ebgjon?<\/em><\/strong><\/p>\n\n\n\n

Kush k\u00ebrkon tjetrin dhe kush th\u00ebrret \u2013 d\u00ebgjon?<\/em><\/strong><\/p>\n\n\n\n

Jam un\u00eb q\u00eb th\u00ebrras dhe un\u00eb q\u00eb vajtoj, m’d\u00ebgjon<\/em><\/strong><\/p>\n\n\n\n

T\u00eb dashuroj, t\u00eb dashuroj, m’d\u00ebgjon.<\/em><\/strong><\/p>\n\n\n\n

Pjesa e kat\u00ebrt e\npoem\u00ebs, \u00ebsht\u00eb dhe pjesa m\u00eb e njohur dhe e p\u00ebrkthyer nga gjith\u00eb poema, madje n\u00eb\nshum\u00eb raste p\u00ebrshtatet e trajtohet si poezi m\u00eb vete, pasi \u00ebsht\u00eb nj\u00eb kulm\nemocional rr\u00ebnqeth\u00ebs q\u00eb p\u00ebrcjell tek lexuesi nj\u00eb hov t\u00eb madh ndjenjash q\u00eb nuk\nmund t\u00eb ikin m\u00eb kurr\u00eb nga ai, pasi b\u00ebhen pjes\u00eb e tij e pandashme, brenda gjith\u00eb\nbot\u00ebs dhe eksperiencave t\u00eb tij personale. Nj\u00eb vaj i gjall\u00eb dashurie, q\u00eb bashkon\nhumbjen fizike dhe ndarjen ku paralelizmi i t\u00eb dashur\u00ebs s\u00eb tij me Ofelin\u00eb\n(personazhen tragjike t\u00eb Shekspirit q\u00eb vret veten e dashuruar me Hamletin, por\ne d\u00ebshp\u00ebruar prej ashp\u00ebrsis\u00eb s\u00eb karakterit t\u00eb tij emblematik) na jep qart\u00eb se vasha\ns’\u00ebsht\u00eb m\u00eb n\u00eb k\u00ebt\u00eb bot\u00eb dhe shum\u00eb e mundur ky i Ofelis\u00eb t\u00eb ishte dhe fati i\nsaj.<\/p>\n\n\n\n

N\u00eb k\u00ebt\u00eb pjes\u00eb\nvargu i Elitit q\u00eb shpesh, edhe n\u00eb k\u00ebt\u00eb poezi thyhet n\u00eb fjal\u00ebn e fundit t\u00eb\ntogfjal\u00ebshit, ose pjes\u00eb t\u00eb fjalis\u00eb, e p\u00ebrs\u00ebrit k\u00ebt\u00eb p\u00ebrvetshm\u00ebri thuajse n\u00eb t\u00eb\ngjitha vargjet duke i dh\u00ebn\u00eb nj\u00eb bukuri kompakte, ai \u2013 dhe p\u00ebrgjith\u00ebsisht kjo\nm\u00ebnyr\u00eb e ndarjes-nd\u00ebrtimit t\u00eb vargut, mendoj se k\u00ebt\u00eb q\u00ebllim kryesor rr\u00ebmih nga\nbrenda ndjenj\u00ebs dhe struktur\u00ebs s\u00eb fjalis\u00eb, p\u00ebr ta p\u00ebrballuar me lexuesin si nj\u00eb\ndetaj prozaik t\u00eb mir\u00eb-l\u00ebmuar duke i dh\u00ebn\u00eb nj\u00eb vazhdim\u00ebsi kuptimit t\u00eb gjith\u00eb\npoezis\u00eb dhe duke mos e l\u00ebn\u00eb lexuesin t\u00eb \u201cqet\u00ebsohet\u201d me disa vargje, por duke\nruajtur tendosjen e tensionit n\u00eb t\u00ebr\u00ebsin\u00eb e poezis\u00eb \u2013 arrin n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb\nkonstruktive t\u00eb kulmoj t\u00eb qar\u00ebn e tij dhe vajin e shfaqur n\u00eb nj\u00eb d\u00ebnes\u00eb t\u00eb\nfuqishme me gul\u00e7e, dhe shprehjen-pyetje, q\u00eb e ndoq\u00ebm ta mb\u00ebshtjell\u00eb posht\u00eb\nkrahut e ta marr\u00eb me vete poezia, q\u00eb nga epigrami, t\u00eb p\u00ebrs\u00ebritet pothuajse n\u00eb\nt\u00eb gjitha vargjet, plot shkrehje poetike dhe emocionale, shfaj\u00ebsim, dashuri, pik\u00ebllim,\nl\u00ebndes\u00eb: \u201cm’d\u00ebgjon, m’d\u00ebgjon, d\u00ebgjon?<\/em><\/strong><\/p>\n\n\n\n

Sepse poeti nuk\nmund ta besoj\u00eb fundin e dashuris\u00eb s\u00eb tij dhe t\u00eb t\u00eb dashur\u00ebs, i betohet se nuk\nshkon kund, nuk e l\u00eb vet\u00ebm, sepse lulen e\ngjall\u00eb t\u00eb dashuris\u00eb me gjith\u00eb acarin dhe furtunat, vet\u00ebm ata t\u00eb dy e lind\u00ebn dhe\nasnj\u00eb kopshtar i v\u00ebrtet\u00eb s’mundi ta b\u00ebnte k\u00ebt\u00eb<\/em>. Ai e di se si p\u00ebr t\u00eb\ngjith\u00eb, vdekja q\u00eb p\u00ebrgjon jet\u00ebn njer\u00ebzore do vinte nj\u00eb dit\u00eb dhe trupat e tyre\nt\u00eb tretur do t\u00eb b\u00ebheshin pjes\u00eb e k\u00ebsaj toke.<\/p>\n\n\n\n

Lianat (T\u00ebr\u00ebsia e\nbim\u00ebve kacavjerr\u00ebse. Hardhit\u00eb etj.) dhe vullkanet do t’i ndryshojn\u00eb sip\u00ebrfaqen\ntok\u00ebs dhe t\u00eb fosilizuar do t\u00eb jen\u00eb trupat e gjallesave, t\u00eb shnd\u00ebrruar n\u00eb gur t\u00eb\n\u00e7muar, ku ai nxjerr m\u00ebllefin se padhembshuria, mosp\u00ebrfillja e shoq\u00ebris\u00eb do t\u00eb\npasqyrohet mbi to, si\u00e7 pasqyrohet tani mos pranimi i dashuris\u00eb s\u00eb tyre t\u00eb\npafaj\u00ebshme. Elitis e mbyll k\u00ebt\u00eb pjes\u00eb me thirrjen e dyfishuar T\u00eb dashuroj, t\u00eb dashuroj<\/em><\/strong>,<\/em>dhe\npadyshim s\u00ebrish  m’d\u00ebgjon<\/em><\/strong>, por q\u00eb edhe pse e pyet, s\u00ebrish nuk kemi shenj\u00ebn e\npik\u00ebsimit p\u00ebrkat\u00ebse. Ai p\u00ebrzgjedh n\u00eb t\u00eb gjith\u00eb poezin\u00eb t\u00eb vendos vet\u00ebm tre her\u00eb\npika pyet\u00ebse, nga t\u00eb cilat nj\u00eb her\u00eb n\u00eb vargun e epigramit dhe dy her\u00eb n\u00eb k\u00ebt\u00eb\npjes\u00eb, me gjith\u00eb refrenin pyet\u00ebs q\u00eb p\u00ebrs\u00ebrit pothuaj\u00ebse n\u00eb \u00e7do varg. Kjo edhe\np\u00ebrforcon teorin\u00eb e sip\u00ebrp\u00ebrmendur p\u00ebr nj\u00eb densitet n\u00eb gjith\u00eb leximin, si nj\u00eb\npjes\u00eb e vetme, e pandashme, si rrjedhje e vazhdueshme e fjal\u00ebve, edhe p\u00ebr\nmendimin tim, tek n\u00eb fund nuk v\u00eb m\u00eb pik\u00ebpyet\u00ebse, por pik\u00eb, rrit pik\u00ebllimin,\nduke e p\u00ebrcjell\u00eb ashtu t\u00eb d\u00ebshp\u00ebruar e t\u00eb d\u00ebrrmuar, t\u00eb pashpres\u00eb at\u00eb thirrje.<\/p>\n\n\n\n

                                    V<\/em><\/strong><\/p>\n\n\n\n

P\u00ebr ty kam folur koh\u00ebve t\u00eb vjetra<\/em><\/strong><\/p>\n\n\n\n

Me m\u00ebndesha t\u00eb urta dhe rebel\u00eb veteran\u00eb<\/em><\/strong><\/p>\n\n\n\n

Nga \u00e7far\u00eb ta kesh at\u00eb trishtimi prej eg\u00ebrsire<\/em><\/strong><\/p>\n\n\n\n

Nuanc\u00ebn n\u00eb fytyr\u00ebn e ujit q\u00eb dridhet<\/em><\/strong><\/p>\n\n\n\n

Dhe p\u00ebrse, thua, kishte t\u00eb ngjar\u00eb q\u00eb pran\u00eb teje t\u00eb vija<\/em><\/strong><\/p>\n\n\n\n

P\u00ebrderisa nuk dua dashuri, por dua er\u00ebn<\/em><\/strong><\/p>\n\n\n\n

Por dua trokun e ngritur n\u00eb k\u00ebmb\u00eb streh\u00eb \u00e7\u2019mbuluar  t\u00eb detit<\/em><\/strong><\/p>\n\n\n\n

Dhe p\u00ebr ty askush nuk kishte d\u00ebgjuar<\/em><\/strong><\/p>\n\n\n\n

P\u00ebr ty as diktami* as k\u00ebrpudha<\/em><\/strong><\/p>\n\n\n\n

Visoreve t\u00eb larta t\u00eb Kret\u00ebs asgj\u00eb<\/em><\/strong><\/p>\n\n\n\n

P\u00ebr ty vet\u00ebm Zoti pranoi t\u00eb m\u00eb drejtoi dor\u00ebn<\/em><\/strong><\/p>\n\n\n\n

M\u00eb k\u00ebtej, m\u00eb andej, duke u kujdesur rreth e p\u00ebr qark<\/em><\/strong><\/p>\n\n\n\n

Fytyr\u00ebs s\u00eb bregdetit dhe gjireve t\u00eb tij, flok\u00ebt<\/em><\/strong><\/p>\n\n\n\n

Kodrin\u00ebs q\u00eb val\u00ebzohen m\u00ebngj\u00ebrazi<\/em><\/strong><\/p>\n\n\n\n

Trupi yt n\u00eb pamjen e nj\u00eb pishe t\u00eb vetmuar<\/em><\/strong><\/p>\n\n\n\n

Sy t\u00eb krenaris\u00eb dhe t\u00eb kthjellt\u00ebsis\u00eb<\/em><\/strong><\/p>\n\n\n\n

Thell\u00ebsi, brenda n\u00eb sht\u00ebpin\u00eb me komon\u00eb e vjet\u00ebr<\/em><\/strong><\/p>\n\n\n\n

Dantellat e verdha dhe drurin e qiparisit<\/em><\/strong><\/p>\n\n\n\n

I vet\u00ebm duke pritur ku do t\u00eb shfaqesh m\u00eb par\u00eb<\/em><\/strong><\/p>\n\n\n\n

Lart\u00eb n\u00eb papafingo apo nga pas pllakave t\u00eb avllis\u00eb<\/em><\/strong><\/p>\n\n\n\n

Me kalin e Shenjtit dhe vez\u00ebn e Ngjalljes<\/em><\/strong><\/p>\n\n\n\n

Si nj\u00eb piktur\u00eb murale e shkallmuar<\/em><\/strong><\/p>\n\n\n\n

Madh\u00ebshtore aq sa desh vet\u00eb e vogla jet\u00eb<\/em><\/strong><\/p>\n\n\n\n

T\u00eb nx\u00ebsh brenda qiriut shk\u00eblqimin oshtues t’vullkanit<\/em><\/strong><\/p>\n\n\n\n

Q\u00eb askush t\u00eb mos ket\u00eb par\u00eb e d\u00ebgjuar<\/em><\/strong><\/p>\n\n\n\n

Kurrgj\u00eb mes t\u00eb shkretave g\u00ebrmadha t\u00eb sht\u00ebpive<\/em><\/strong><\/p>\n\n\n\n

As dhe st\u00ebrgjyshi i varrosur an\u00ebs \u2013 an\u00ebs s\u00eb oborrit<\/em><\/strong><\/p>\n\n\n\n

P\u00ebr ty as n\u00ebn\u00eblokja me gjith\u00eb bar\u00ebrat e saj<\/em><\/strong><\/p>\n\n\n\n

P\u00ebr ty ve\u00e7 un\u00eb, ndoshta dhe muzika<\/em><\/strong><\/p>\n\n\n\n

Q\u00eb d\u00ebboj\u00eb nga brenda vetes por kthehet m\u00eb e fuqishme<\/em><\/strong><\/p>\n\n\n\n

P\u00ebr ty gjoksin e paformuar t\u00eb dymb\u00ebdhjet\u00eb viteve<\/em><\/strong><\/p>\n\n\n\n

T\u00eb kthyerin drejt\u00eb t\u00eb ardhmes me kraterin e kuq<\/em><\/strong><\/p>\n\n\n\n

P\u00ebr ty si gjilp\u00ebr\u00eb e hidhur aroma<\/em><\/strong><\/p>\n\n\n\n

Q\u00eb ndesh n\u00eb trup dhe shpon kujtes\u00ebn<\/em><\/strong><\/p>\n\n\n\n

Dhe ja dheu, ja p\u00ebllumbat, ja trualli yn\u00eb i lasht\u00eb.<\/em><\/strong><\/p>\n\n\n\n

N\u00eb strof\u00ebn e pest\u00eb\nt\u00eb poem\u00ebs poeti zbret dhimbjen n\u00eb nj\u00eb tjet\u00ebr mendim filozofik. Ai s\u00ebrish i\nkthehet  loj\u00ebs poetike se n\u00eb \u00ebsht\u00eb e\nv\u00ebrtet\u00eb, apo jo, \u00e7’ka jetuar; thot\u00eb se askush tjet\u00ebr nuk ka d\u00ebgjuar p\u00ebr t\u00eb\ndashur\u00ebn e tij, nd\u00ebrkoh\u00eb q\u00eb ajo vet\u00eb \u00ebsht\u00eb enigmatike edhe p\u00ebr poetin, se si\nb\u00ebhej ta th\u00ebrriste n\u00eb fatin e saj, p\u00ebrderisa asnj\u00ebher\u00eb ai nuk kishte dashuruar,\nas kishte menduar di\u00e7ka t\u00eb till\u00eb. Ai e p\u00ebrshkruan n\u00eb m\u00ebnyr\u00eb kaq madh\u00ebshtore\nvajz\u00ebn se pasi p\u00ebrmend m\u00ebndeshat q\u00eb m\u00ebkojn\u00eb foshnjat dhe rrisin shum\u00eb f\u00ebmij\u00eb n\u00eb\njet\u00ebn e tyre, ndaj ashtu t\u00eb urta din\u00eb mjaft\u00eb p\u00ebr zanafill\u00ebn e bukuris\u00eb\nnjer\u00ebzore, por dhe shum\u00eb p\u00ebr natyr\u00ebn e njer\u00ebzve, po k\u00ebshtu dhe me luft\u00ebtar\u00eb t\u00eb\nvjet\u00ebr q\u00eb kan\u00eb hasur gjith\u00e7ka n\u00eb jet\u00eb, e me t\u00eb gjith\u00eb k\u00ebta do t\u00eb pleq\u00ebron p\u00ebr\nve\u00e7antin\u00eb e saj; p\u00ebrkushton n\u00eb tre nga vargjet m\u00eb t\u00eb bukura n\u00eb p\u00ebrshkrimin e\nvash\u00ebs, dhe asaj q\u00eb jetuan, duke i veshur mahnitjen e afreskeve, t\u00eb nj\u00eb\nmadh\u00ebshtie brenda nj\u00eb jete t\u00eb vog\u00ebl. Ai p\u00ebrmend se pasioni i saj \u00ebsht\u00eb si t\u00eb\nnx\u00ebsh n\u00eb drit\u00ebn e qiriut, shk\u00eblqimin e mitik t\u00eb vullkanit. Eliti k\u00ebtu p\u00ebrdor\np\u00ebr t\u00eb p\u00ebrshkruar vullkanin dhe shk\u00eblqimin e tij gjigant, nj\u00eb epitet q\u00eb ka n\u00eb\nthelb p\u00ebrshkrimin si di\u00e7ka madh\u00ebshtore, por jo vizive, akustike (p\u00ebrshtatur n\u00eb\nshqip me oshtim\u00ebn) duke na b\u00ebr\u00eb k\u00ebshtu t\u00eb v\u00ebm\u00eb n\u00eb loj\u00ebn e imagjinat\u00ebs t\u00eb gjitha\nshqisat. P\u00ebrshkrimi i dashuris\u00eb gjithashtu mbetet enigmatik\u00eb edhe p\u00ebr periudh\u00ebn\nkohore, kur vet\u00eb poeti ndjehet se edhe ai flet p\u00ebr nj\u00eb jet\u00eb tjet\u00ebr, n\u00eb l\u00ebmin e\nnj\u00eb kohe t\u00eb shkuar, moshe t\u00eb tretur si fati, por jo krejt t\u00eb harruar, sepse\ndiku s\u00ebmbon dhe vij\u00ebzon nga fillimi kujtes\u00ebn.<\/p>\n\n\n\n

p.s*Diktam: Bim\u00eb\nmjek\u00ebsore (Origanum Dictamnus).<\/p>\n\n\n\n

                                    VI<\/em><\/strong><\/p>\n\n\n\n

Kam par\u00eb shum\u00eb e toka n\u00eb mendjen time ngjan m’e bukur<\/em><\/strong><\/p>\n\n\n\n

M\u00eb e bukur mes avujve t\u00eb art\u00eb<\/em><\/strong><\/p>\n\n\n\n

Guri i mpreht\u00eb, m\u00eb i bukur<\/em><\/strong><\/p>\n\n\n\n

Mavia e ngushticave detare dhe \u00e7atit\u00eb e dallg\u00ebve<\/em><\/strong><\/p>\n\n\n\n

M\u00eb t\u00eb bukura rrezet q\u00eb pa i shkelur kalon<\/em><\/strong><\/p>\n\n\n\n

E pamposhtur si Per\u00ebndesha e Samotrak\u00ebs mbi malet<\/em><\/strong><\/p>\n\n\n\n

          e detit<\/em><\/strong><\/p>\n\n\n\n

K\u00ebshtu t\u00eb kam par\u00eb, tek m\u00eb mjafton<\/em><\/strong><\/p>\n\n\n\n

T\u00eb jet\u00eb shfaj\u00ebsuar e gjith\u00eb koha<\/em><\/strong><\/p>\n\n\n\n

P\u00ebrgjat\u00eb ullukut q\u00eb l\u00eb pas largimi yt<\/em><\/strong><\/p>\n\n\n\n

Si delfin p\u00ebrvoj\u00eb-pak\u00ebt t\u00eb t\u00eb ndjek<\/em><\/strong><\/p>\n\n\n\n

Dhe t\u00eb luaj me t\u00eb bardh\u00ebn e t\u00eb kaltr\u00ebn i imi shpirt<\/em><\/strong><\/p>\n\n\n\n

Fitore, fitore kudo ku m\u00eb kan\u00eb fituar<\/em><\/strong><\/p>\n\n\n\n

P\u00ebrpara dashuris\u00eb dhe s\u00eb bashku<\/em><\/strong><\/p>\n\n\n\n

P\u00ebr mekanizmin q\u00eb mat koh\u00ebn dhe p\u00ebr akacien<\/em><\/strong><\/p>\n\n\n\n

Ti shko, shko dhe le t\u00eb kem humbur un\u00eb<\/em><\/strong><\/p>\n\n\n\n

I vet\u00ebm, dhe le t\u00eb jet\u00eb dielli q\u00eb mban nj\u00eb f\u00ebmij\u00eb ferishte<\/em><\/strong><\/p>\n\n\n\n

I vet\u00ebm, dhe le t\u00eb jem un\u00eb atdheu q\u00eb mban zi<\/em><\/strong><\/p>\n\n\n\n

Le t\u00eb jet\u00eb llafi q\u00eb t\u00eb d\u00ebrgoj\u00eb t\u00eb t\u00eb mbaj\u00eb gjethe dafinash<\/em><\/strong><\/p>\n\n\n\n

I vet\u00ebm, rrug\u00ebtimi i fuqish\u00ebm i ajrit dhe i vet\u00ebm i rrumbullak\u00ebti<\/em><\/strong><\/p>\n\n\n\n

Guralec n\u00eb pulitjen e qerpik\u00ebve t\u00eb thell\u00ebsis\u00eb s\u00eb err\u00ebt t’detit<\/em><\/strong><\/p>\n\n\n\n

Peshkatari q\u00eb ngriti dhe e hodhi s\u00ebrish pas n\u00ebp\u00ebr koh\u00ebra<\/em><\/strong><\/p>\n\n\n\n

          Parajs\u00ebn!<\/em><\/strong><\/p>\n\n\n\n

Mund t\u00eb themi se\nstrofa e gjasht\u00eb \u00ebsht\u00eb nj\u00eb pajtim poetit me kujtimet e tij. Ai mendon se brenda\ntij, n\u00eb mendimet e tij, n\u00eb gjith\u00eb aty ku ka reflektuar dashurin e tij, si\nat\u00ebher\u00eb, \u00e7’do gj\u00eb n\u00eb tok\u00eb \u00ebsht\u00eb m\u00eb e bukur. Fjala i vet\u00ebm<\/em> p\u00ebrs\u00ebritur\ndisa her\u00eb n\u00eb vargjet e fundit, – menj\u00ebher\u00eb pas atyre q\u00eb triumfator shpall se\n\u00ebsht\u00eb fitimtar dhe ka fituar, akoma edhe aty ku duket i humbur, si p\u00ebr t\u00eb th\u00ebn\u00eb\nse nj\u00eb njeri q\u00eb ka fatin t\u00eb takoj\u00eb dhe t\u00eb dashurohet, me nj\u00eb dashuri t\u00eb till\u00eb,\nedhe pse mund ta ket\u00eb humbur, quhet si p\u00ebrfundim i fituar, p\u00ebrderisa ka provuar\nk\u00ebt\u00eb madh\u00ebshti, – jep dhe pesh\u00ebn e trishtimit dhe pengut q\u00eb do mbetet p\u00ebrher\u00eb\nn\u00eb zemr\u00ebn e vet.<\/p>\n\n\n\n

                                    VII<\/em><\/strong><\/p>\n\n\n\n

            <\/em><\/strong>N\u00eb Parajs\u00eb ia kam v\u00ebn\u00eb shenj\u00ebn\nnj\u00eb ishulli<\/em><\/strong><\/p>\n\n\n\n

          T\u00eb pandryshueshme ti dhe nj\u00eb\nsht\u00ebpi pran\u00eb detit<\/em><\/strong><\/p>\n\n\n\n

          Me nj\u00eb shtrat t\u00eb madh dhe\nnj\u00eb t\u00eb vog\u00eblz port\u00eb<\/em><\/strong><\/p>\n\n\n\n

          Kam sok\u00ebllitur n\u00eb pafund\u00ebsi\nnj\u00eb jehon\u00eb<\/em><\/strong><\/p>\n\n\n\n

          Ku t\u00eb v\u00ebshtrohem \u00e7do m\u00ebngjes\nsapo zgjohem<\/em><\/strong><\/p>\n\n\n\n

          T\u00eb t\u00eb kqyr gjysm\u00eb duke\nkaluar n\u00eb uj\u00eb<\/em><\/strong><\/p>\n\n\n\n

          Dhe gjysm\u00eb duke t\u00eb vajtuar\nbrenda n\u00eb Parajs\u00eb.<\/em><\/strong><\/p>\n\n\n\n

Strofa e shtat\u00eb\ndhe e mbylljes nuk ka shenja pik\u00ebsimi t\u00eb tjera p\u00ebrve\u00e7 pik\u00ebs s\u00eb fundit dhe t\u00eb v\u00eb\nn\u00eb imazhin e nj\u00eb premtim. \u00cbsht\u00eb nj\u00eb epilog e gjith\u00eb \u00e7’ka jetoi poeti me t\u00eb\ndashur\u00ebn e tij, e gjith\u00eb \u00e7’ka p\u00ebjetoi lexuesi n\u00eb k\u00ebt\u00eb dashuri t\u00eb p\u00ebrjet\u00ebshme\ndhe mbetet ashtu e pafund\u00eb.<\/p>\n\n\n\n

                                                                                                Armela\nHysi<\/p>\n\n\n\n

Poema \u00ebsht\u00eb e\np\u00ebrkthyer nga origjinali<\/p>\n\n\n\n

nga Armela Hysi<\/p>\n\n\n\n

dhjetor 2017<\/p>\n","protected":false},"excerpt":{"rendered":"

Monograma Nga: Armela Hysi Poema romantiko-moderniste e Nobelistit Odiseas Elitis q\u00eb zgjon shpirtrat   \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cMonograma\u201d \u00ebsht\u00eb nj\u00eb nga poemat q\u00eb poeti grek, Nobelist (Let\u00ebrsi-1979) Odisea Eliti (2.11.1911-18.3.1996) shkroi gjat\u00eb viteve 1969-71, gjat\u00eb q\u00ebndrimit t\u00eb tij n\u00eb kryeqytetin francez\u00eb, dhe po n\u00eb vitin 1971 u botua p\u00ebr her\u00eb t\u00eb par\u00eb, n\u00eb Bruksel. Nj\u00eb poet i…<\/p>\n","protected":false},"author":1,"featured_media":9523,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-9522","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-letersi"],"_links":{"self":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/9522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9522"}],"version-history":[{"count":1,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/9522\/revisions"}],"predecessor-version":[{"id":9525,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/9522\/revisions\/9525"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/media\/9523"}],"wp:attachment":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}