{"id":8619,"date":"2020-10-20T19:20:56","date_gmt":"2020-10-20T19:20:56","guid":{"rendered":"http:\/\/revistakuvendi.org\/?p=8619"},"modified":"2020-10-20T19:20:56","modified_gmt":"2020-10-20T19:20:56","slug":"poezia-e-renis-nushaj","status":"publish","type":"post","link":"https:\/\/revistakuvendi.org\/?p=8619","title":{"rendered":"POEZIA E RENIS NUSHAJ"},"content":{"rendered":"\n
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Idet\u00eb jetojn\u00eb n\u00eb shum\u00eb\nstin\u00eb t\u00eb njeriut<\/strong><\/p>\n\n\n\n

Shenime p\u00ebr librin poetik \u201c FJALET\u201d t\u00eb autorit  Renis NUSHAJ<\/p>\n\n\n\n

Nga Pjet\u00ebr Jaku<\/strong><\/p>\n\n\n\n

Njeriu, pa veprim \u00ebsht\u00eb si  nj\u00eb\ngjethe e r\u00ebn\u00eb. Jeta pa ide, apo me ide \namorfe, \u00ebsht\u00eb zvarritje drejt fundit. Poezia, ve\u00e7 artit t\u00eb ndjenjes \u00ebsht\u00eb\nnj\u00eb k\u00ebrkim psikologjik, q\u00eb jeton p\u00ebrher\u00eb me ne. Sipas poetit Nushaj, ndahemi n\u00eb\ndy kategori: \u201c\u2026ata q\u00eb adhurojn\u00eb vepr\u00ebn dhe n\u00eb ata q\u00eb adhurojn\u00eb varrin\u201d. Poezia\n\u201cKufom\u00ebs t\u00ebnde\u201d fq 10<\/p>\n\n\n\n

\u201cAbsurditetet\u201d poetike, q\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb, jan\u00eb vazhdim logjik i nj\u00eb bote\nabsurde, edhe nga ligje tashm\u00eb t\u00eb njohura, si Forca e r\u00ebndes\u00ebs ( Inetrlud ) e\nNjutonit: \u201c P\u00ebrplasem ngadalsh\u00ebm\/ N\u00eb nj\u00eb rreth dielli\/ Me qiellin e patinuar\nnga re t\u00eb zbehta,\/ dhe posht\u00eb, dhe posht\u00eb, posht\u00eb,\/ m\u00ebrgon nj\u00eb ushtri e\nkufizuar\/ Nga nj\u00eb thithje djall\u00ebzore:\/ Mallkimi yt\/ P\u00ebr boten q\u00eb nuk t\u00eb\nmeritoi.\u201d Zbulimi i ligjeve natyrore, si ligj\u00ebsi t\u00eb galaktikes, por edhe i ligj\u00ebsive\nnjer\u00ebzore, q\u00eb e drejtojn\u00eb njeriun, njer\u00ebzimi duhet t\u2019i meritoi, ndryshe artet\ndhe mendimi do t\u00eb ishin n\u00eb nj\u00eb p\u00ebrplasje estetike t\u00eb paspjegueshme. Ndaj,\nautori i ka v\u00ebn\u00eb n\u00eb nj\u00eb vije natyren dhe njeriun, shpesh\u00eb her\u00eb si gjallesa q\u00eb\nplot\u00ebsojn\u00eb nj\u00ebri-tjetren! Shum\u00eb detaje nga nd\u00ebrtimi trupor fizik i njeriut jan\u00eb\nt\u00eb ngjashme me ato t\u00eb natyr\u00ebs, si fjala bie truri, mushk\u00ebrit\u00eb, zemra etj\u2026 t\u00eb\ngjitha kan\u00eb nj\u00eb veprim t\u00eb nj\u00eb funksionimi normal t\u00eb jet\u00ebs n\u00eb p\u00ebrgjith\u00ebsi. Nisur\nnga ky arsyetim logjik, poeti kalon n\u00eb p\u00ebrgjith\u00ebsime poetike me krahasime\nlogjike e jo absurde. Asgj\u00eb nuk shkon pa ndihmen e nj\u00eb gj\u00ebje! Si\u00e7 qan\u00eb natyra,\nqan\u00eb edhe truri njer\u00ebzor, kur nuk i p\u00ebrballon impulset e ndjenjave, gjat\u00eb\ntransmetimit nervor nga zemra te truri, pa seleksionimin e medikamenteve t\u00eb\ndomosdoshme, pa mushk\u00ebrit\u00eb, etj etj p\u00ebrngjasime, q\u00eb poeti i kthen n\u00eb poezi t\u00eb\nmendimit dhe t\u00eb lidhjes s\u00eb metafizik\u00ebs me t\u00eb ndjerit.<\/p>\n\n\n\n

N\u00eb poezin\u00eb e Nushajt levizin : \u201c.. mallet gjakftoht\u00eb, q\u00eb presin pajtonin e\nvdekjes, tek vallet e urrejtjeve, q\u00eb  u\nngjajn\u00eb buz\u00ebqeshjes s\u00eb minjeve\u2026\u201d fq 16-17 poeti duket i vetmuar, nd\u00ebrsa i k\u00ebndon\nn\u00eb k\u00ebrkim dashuris\u00eb, net\u00ebve e dit\u00ebve t\u00eb saj, sendeve q\u00eb largohen, g\u00ebrsh\u00ebr\u00eb q\u00eb\npresin e presin lidhje, nga p\u00ebrfytyrime t\u00eb dob\u00ebsuara rrezeve t\u00eb drit\u00ebs, q\u00eb disa\nverbohen prej s\u00eb v\u00ebrtet\u00ebs duke u l\u00ebkundur, pa u mbajtur nga asnj\u00eb forc\u00eb e brend\u00ebshme.<\/p>\n\n\n\n

Njeriu, si nj\u00eb qenie meditative, nuk jeton dot pa unin, ndaj poeti i\nkushton r\u00ebnd\u00ebsi t\u00eb ve\u00e7ant\u00eb  brend\u00ebsis\u00eb, se\nsa  fenomeneve sip\u00ebrfaq\u00ebsore: \u201c Kur nis\nnj\u00eb poezi t\u00eb re\/ E m\u00eb duhet t\u00eb flas p\u00ebr ty\/ Shkruaj p\u00ebr veten\u2026\u201d ai nuk i\nkushton shum\u00eb r\u00ebnd\u00ebsi ngjyr\u00ebs dhe madh\u00ebsis\u00eb s\u00eb syve, por brendis\u00eb s\u00eb tyre, sa t\u00eb\nthell\u00eb dhe sa shpreh\u00ebs jan\u00eb ata! \u201c N\u00eb dallg\u00eb t\u00eb poezive vulgare\/ m\u00eb t\u00ebrheq nj\u00eb\npoezi sysh\/ e pashkruar\u2026\u201d Pothuajse n\u00eb k\u00ebt\u00eb pik\u00eb, gjith\u00eb njer\u00ebzimi \u00ebsht\u00eb i ngjash\u00ebm,\npor ve\u00e7orit\u00eb qendrojn\u00eb, se si ne i shohim dhe dallojm\u00eb gjuh\u00ebn e trupit, gjuh\u00ebn\ne syve, gjuh\u00ebn e qendrimit ton\u00eb p\u00ebrball\u00eb k\u00ebtyre fenomeneve. \u201c Kemi njohur\nsoziet e nj\u00ebri-tjetrit\/ t\u00eb njer\u00ebzve q\u00eb nj\u00ebher\u00eb i kemi par\u00eb\/\u2026 ve\u00e7 njer\u00ebzve, edhe\nxhestet ngjajn\u00eb.\u201d Syri i poetit v\u00ebshtron e hyn \natje ku asgj\u00eb nuk shihet. Fantazia t\u00eb \u00e7on larg n\u00eb labirinthe, q\u00eb askush\nnuk i sheh, sepse para se t\u00eb shihen ato p\u00ebrjetohen, ndaj poezia ka forc\u00ebn  e ndjesive q\u00eb nuk shihen as preken, q\u00eb nuk\ndegjohen, por kthehen krejt pa zhurm\u00eb e buj\u00eb n\u00eb artin m\u00eb t\u00eb bukur t\u00eb fjal\u00ebs.<\/p>\n\n\n\n

Vibrimet ndjesore, poeti i cil\u00ebson, si nj\u00eb sueprmaci e trisht\u00eb q\u00eb her\u00eb her\u00eb\nmarrin udh\u00eb, nga nj\u00eb veprim, n\u00eb dukej i par\u00ebnd\u00ebsish\u00ebm, por kjo p\u00ebr ata q\u00eb nuk\njan\u00eb brenda k\u00ebsaj gjendjeje. T\u00eb q\u00ebnit br\u00ebnda gjendjes, \u00ebsht\u00eb t\u00eb p\u00ebrjetuarit e\ngjendjes, t\u00eb shfaqurit e saj \u00ebsht\u00eb krijimtaria artistike, n\u00eb rastin ton\u00eb\npoezia. T\u00eb ndjerit mund t\u00eb jet\u00eb edhe tendenc\u00eb e vetvetes p\u00ebr t\u00eb arritur di\u00e7ka,\np\u00ebr t\u00eb mbrritur dikun. Po konkretizojm\u00eb sa m\u00eb sip\u00ebr me nj\u00eb shembull:<\/p>\n\n\n\n

N\u00eb ve\u00e7anti ikjes t\u00ebnde<\/strong><\/p>\n\n\n\n

Kjo nd\u00ebrtes\u00eb e \u00e7uditshme\nq\u00eb ke n\u00eb krah<\/p>\n\n\n\n

Nat\u00eb, sip\u00ebr saj<\/p>\n\n\n\n

Yjet e mekur n\u00eb balt\u00eb<\/p>\n\n\n\n

Mermeri i nj\u00eb statuje\u2026<\/p>\n\n\n\n

Ti , i p\u00ebrulur me sy p\u00ebrdhe<\/p>\n\n\n\n

Me fuqin\u00eb t\u00ebnde jet\u00ebsore<\/p>\n\n\n\n

Trishtohesh m\u00eb kot<\/p>\n\n\n\n

P\u00ebr nj\u00eb mik t\u00eb larg\u00ebt<\/p>\n\n\n\n

P\u00ebr qent\u00eb q\u00eb i lehin <\/p>\n\n\n\n

Nj\u00ebri- tjetrit..<\/p>\n\n\n\n

Apo p\u00ebr di\u00e7ka , q\u00eb m\u00eb\nnuk ke durim<\/p>\n\n\n\n

Ta  vazhdosh<\/p>\n\n\n\n

Parap\u00ebrgadit\u00ebsh denj\u00ebsisht<\/p>\n\n\n\n

Kesaj jete p\u00ebr t\u2019i dh\u00ebn\u00eb\nlamtumiren!<\/p>\n\n\n\n

Fq 29<\/em><\/p>\n\n\n\n

Pothuajse, n\u00eb gjith\u00eb krijimtarin\u00eb e \nRenis Nushajt, abstraksioni dhe metafora shkojn\u00eb ngjitur, por asnj\u00ebher\u00eb\npa logjiken krijuese. Nuk p\u00ebrdoret figuracioni p\u00ebr figuracion, pa asnj\u00eb lidhje\nlogjike, si\u00e7 ndodh r\u00ebndom\u00eb n\u00eb poezin\u00eb e sotme, p\u00ebr t\u2019u treguar modern . N\u00eb\npoezin\u00eb \u201c Vdekjes t\u00ebnd\u00eb\u201d, poeti p\u00ebrshkruan metaforikisht bukur: \u201c Nxin dhimbja,\np\u00ebrlotet heshtja.\/ Ul\u00ebrjn\u00eb e \u00e7irren \nblasfemit\u00eb.\u201d Objkete abstrakte, si dhimbja dhe heshtja, ngjyrosen, p\u00ebrloten,\np\u00ebrsonifikohen si t\u00eb ishin q\u00ebnie njer\u00ebzore. Kjo poezi k\u00ebrkon lexues, disi\nndryshe nga lexuesi i zakonsh\u00ebm. Poezia \u00ebsht\u00eb p\u00ebrkthim brenda s\u00eb nj\u00ebjt\u00ebs gjuh\u00eb.\nE ata q\u00eb din\u00eb ta p\u00ebrkthejn\u00eb e kuptojn\u00eb poezin\u00eb e v\u00ebrtet\u00eb, jan\u00eb pak!<\/p>\n\n\n\n

P\u00ebrjetimi i ferrit\u00a0 tok\u00ebsor dhe tema e vdekjes jan\u00eb p\u00ebrdorur n\u00eb nj\u00eb pjes\u00eb t\u00eb mir\u00eb t\u00eb librit ( afro gjysm\u00ebn e librit), por kjo nuk do t\u00eb thot\u00eb se \u00ebsht\u00eb tema e preferuar e krijimtaris\u00eb s\u00eb tij. Ferri tok\u00ebsor b\u00ebh\u00ebt frym\u00ebzim , kur vuajtjet marrin udh\u00eb e shtohen, kur njeriu i p\u00ebrdor mjetet kund\u00ebr depresionit, si aspirinat e Aleksand\u00ebr Flemingut, edhe p\u00ebr nj\u00eb dhembje t\u00eb leht\u00eb koke, ose Lui Paster p\u00ebr s\u00ebmundjen e t\u00ebrbimit. Ka kaq shum\u00eb njer\u00ebz t\u00eb pa orintuar, q\u00eb sillen rreth vetes, duke menduar se bota aq \u00ebsht\u00eb. \u201c P\u00ebr t\u00eb vuajtur n\u00eb periferit\u00eb e ferrit,\/ n\u00eb pasvdekje\/ duke shpresuar q\u00eb,\/ t\u00eb pakt\u00ebn atje\/ ligjet t\u00eb aplikohen ende.\u201d Pas k\u00ebtij ilustrimi, q\u00eb \u00ebsht\u00eb fare pak, mund t\u00eb p\u00ebrdorim edhe poezin\u00eb \u201c Obskurantiz\u00ebm\u201d, fjal\u00eb p\u00ebr fjal\u00eb: \u201c Mbase,\/ Detyra ime ndonj\u00ebher\u00eb\/ Esht\u00eb e v\u00ebshtir\u00eb\/ por ndjej respekt ndaj vetes,\/ Kur \u201cd\u00ebrgoi\u201d dik\u00eb n\u00eb ferr\u2026\/ N\u00eb ato \u00e7aste\/ Djalli m\u00eb duket\/Nj\u00eb punonj\u00ebs administrate.\u201d Autori \u00ebsht\u00eb n\u00eb profesion avokat, ndaj i drejtohet vetes kaq bukur. Thua\u00a0 se administrate aborton \u00e7do dit\u00eb ngarkesa t\u00eb tep\u00ebrta nga vetja, sa i duhet t\u00eb firmosin nj\u00eb vendim nd\u00ebshkues p\u00ebr njeriun, q\u00eb e respekton sa mundet ligjin. Poeti, tuj pa renien e interest p\u00ebr libri, i drejtohet lexuesit me th\u00ebnien e men\u00e7ur \u201c Ti je askush, n\u00ebse askush s\u2019t\u00eb shikon\u2026\u201d \u201c Me vjesht\u00ebra t\u00eb hedhura krah\u00ebve\/ q\u00eb vrapojn\u00eb drejt der\u00ebs s\u00eb tr\u00ebndafilave.\u201d Lexuesi n\u00ebnkupton kalimin e stin\u00ebve nga vjeshta n\u00eb pranver\u00eb, vet\u00ebm me k\u00ebto dy vargje, ku spikat edhe p\u00ebrdorimi i metafor\u00ebs e n\u00ebntekstit harmonish\u00ebm! <\/p>\n\n\n\n

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Idet\u00eb jetojn\u00eb n\u00eb shum\u00eb stin\u00eb t\u00eb njeriut Shenime p\u00ebr librin poetik \u201c FJALET\u201d t\u00eb autorit  Renis NUSHAJ Nga Pjet\u00ebr Jaku Njeriu, pa veprim \u00ebsht\u00eb si  nj\u00eb gjethe e r\u00ebn\u00eb. Jeta pa ide, apo me ide  amorfe, \u00ebsht\u00eb zvarritje drejt fundit. Poezia, ve\u00e7 artit t\u00eb ndjenjes \u00ebsht\u00eb nj\u00eb k\u00ebrkim psikologjik, q\u00eb jeton p\u00ebrher\u00eb me ne. Sipas…<\/p>\n","protected":false},"author":1,"featured_media":8620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-8619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poezi"],"_links":{"self":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/8619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8619"}],"version-history":[{"count":1,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/8619\/revisions"}],"predecessor-version":[{"id":8622,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/8619\/revisions\/8622"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/media\/8620"}],"wp:attachment":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}