{"id":8582,"date":"2020-09-24T19:54:12","date_gmt":"2020-09-24T19:54:12","guid":{"rendered":"http:\/\/revistakuvendi.org\/?p=8582"},"modified":"2020-09-24T19:54:12","modified_gmt":"2020-09-24T19:54:12","slug":"roman-nga-elona-gjergo","status":"publish","type":"post","link":"https:\/\/revistakuvendi.org\/?p=8582","title":{"rendered":"Roman nga Elona Gjergo"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"124\" src=\"http:\/\/revistakuvendi.org\/wp-content\/uploads\/2020\/09\/armela.png\" alt=\"\" class=\"wp-image-8583\"\/><\/figure>\n\n\n\n<p>Armela Hysi p\u00ebr SPECTRUM<\/p>\n\n\n\n<p>\u00cbsht\u00eb nga her\u00ebt e pakta q\u00eb m\u00eb ndodh t\u00eb kem lexuar nj\u00eb lib\u00ebr, t\u00eb dua t\u00eb\nshkruaj q\u00eb ta k\u00ebshilloj\u00eb e reklamoj\u00eb tek lexuesi, studiuesit letrar dhe\nmjek\u00ebsor, m\u00ebsues dhe prind\u00ebr e gjith\u00eb sa kuptojn\u00eb \u00e7\u2019do t\u00eb thot\u00eb vler\u00eb e nj\u00eb\nlibri dhe sa m\u00ebson, percepton, kupton dikush kur lexon \u00e7\u2019p\u00ebr\u00e7on ky dhe t\u00eb mos\nmundem t\u00eb them asgj\u00eb. Jan\u00eb dy lloje \u201cmos-mundjesh\u201d k\u00ebto q\u00eb p\u00ebrshkruaj:\nemocionale \u2013 sepse v\u00ebrtet\u00eb b\u00ebhet fjal\u00eb p\u00ebr nj\u00eb tuf\u00eb tejet t\u00eb r\u00ebnd\u00eb emocionesh\nt\u00eb \u00e7unamta e po aq p\u00ebrpir\u00ebse sa dhimbja, por kryesorja ndalesa, pengesa q\u00eb ka\nkushdo person q\u00eb rekomandon nj\u00eb lib\u00ebr, t\u00eb mos shfaq e kall\u00ebzoj\u00eb dot detaje,\nsepse do t\u2019i humbte di\u00e7ka nga kompletimi i leximit sublim t\u00eb nj\u00eb romani t\u00eb\ntill\u00eb. <\/p>\n\n\n\n<p>Librin e mora me autograf nga Elona Gjergo, autorja e pes\u00eb romaneve letrar\nn\u00eb dhjet\u00eb vitet e fundit. Nj\u00eb romanciere pra, relativisht e re dhe e sprovuar\ntashm\u00eb, nj\u00ebkoh\u00ebsisht! <\/p>\n\n\n\n<p>Kisha shkruar diku rreth 2015-16 nj\u00eb opinion-artikull letrar n\u00eb gazet\u00ebn\nTribuna, t\u00eb Athin\u00ebs, mbi \u201cSkizofrenia\u201d, libri i dyt\u00eb i autores, botuar n\u00eb\n2013-\u00ebn, q\u00eb m\u00eb ra n\u00eb dor\u00eb krejt rast\u00ebsisht nga kush\u00ebrira ime, letrarja Brikena\nQama. Nj\u00eb lib\u00ebr ku m\u00eb b\u00ebri p\u00ebrshtypje t\u00eb ve\u00e7ant\u00eb gjuha, q\u00eb her\u00eb-her\u00eb ngrihej n\u00eb\nnivelet e nj\u00eb let\u00ebrsie t\u00eb ep\u00ebrme, guximi t\u00eb jepej n\u00eb let\u00ebrsi pa rezerva \u201ckjo\nvajz\u00eb\u201d e m\u00eb tep\u00ebr se \u00e7do gj\u00eb premisat q\u00eb zbulonte me kaq hir dhe nj\u00eb sy i\nst\u00ebrvitur e i edukuar me estetik\u00eb i kupton edhe tek nj\u00eb shkrimtar q\u00eb sapo ka\nb\u00ebr\u00eb hapat e par\u00eb t\u00eb tij. Desha t\u00eb ndalesha pak tek pika e guximit dhe t\u00eb\nsqaroja se nuk e kam fjal\u00ebn p\u00ebr guximin e d\u00ebftimit t\u00eb nj\u00eb rr\u00ebfenje, i historis\u00eb,\nsubjektit \u2013 t\u00eb kuptohemi. \u00cbsht\u00eb nj\u00eb faktor bazik edhe ai, padyshim, por p\u00ebr mua\nky \u00ebsht\u00eb koeficienti m\u00eb i thjesht\u00eb e p\u00ebr mendimin tim sa m\u00eb apokaliptik n\u00eb\ndetaje t\u00eb ashtuquajtura josh\u00ebse p\u00ebr figur\u00ebn, apo mall\u00ebngjimin, aq m\u00eb i vog\u00ebl se\nnj\u00ebsia \u00ebsht\u00eb ky koeficient, ndaj dhe si\u00e7 e kuptoni matematikisht, p\u00ebr pasoj\u00eb\nshum\u00ebzimi me t\u00eb do i sillte vet\u00ebm d\u00ebm p\u00ebrmbajtjes cil\u00ebsore. Nuk i b\u00ebj \u2013 mos\ndh\u00ebnt\u00eb Zoti \u2013 asnj\u00eb kompliment, aq m\u00eb pak mb\u00ebshtetje puritanizmit konservator\nme k\u00ebt\u00eb opinion t\u00eb p\u00ebrgjithsh\u00ebm timin, mbi let\u00ebrsin\u00eb, por mendoj se \u00ebsht\u00eb n\u00eb\nesenc\u00ebn e let\u00ebrsis\u00eb cil\u00ebsore t\u00eb jet\u00eb e smeriluar, e trajtuar me klasicitet dhe\nelokuenc\u00eb t\u00eb zgjedhur dhe t\u2019i l\u00ebr\u00eb vendin fjal\u00ebs t\u00eb shpalos mendime e jo figura\ne shantazhi psikologjik (nga t\u00eb cilat jemi dhe kaq t\u00eb p\u00ebrmbytur, gjithsesi).\nAma nuk mund t\u00eb mos ngre n\u00eb piedestalin e krijuesit nj\u00eb letrar q\u00eb v\u00ebrtet\nkridhet kok\u00eb e k\u00ebmb\u00eb n\u00eb let\u00ebrsi, vithiset n\u00eb \u00e7mendurin\u00eb e saj magjepse n\u00eb radh\u00eb\nt\u00eb par\u00eb p\u00ebr at\u00eb \u2013 rrufeprit\u00ebsin \u2013 vet\u00eb autorin pra, i cili t\u00ebrheq nga ret\u00eb t\u00ebr\u00eb\nat\u00eb energji, e m\u00eb pas p\u00ebr gjith\u00eb t\u00eb tjer\u00ebt, kur \u00e7do gj\u00eb shkon mir\u00eb e lajthitjet\np\u00ebrfundojn\u00eb n\u00eb lib\u00ebr q\u00eb shp\u00ebrndahet e jeton tanim\u00eb jet\u00ebn e vet t\u00eb pavarur.&nbsp; K\u00ebt\u00eb vura re se e \u201cp\u00ebsonte\u201d her\u00eb pas here e\npanjohura at\u00ebher\u00eb, p\u00ebr mua, Gjergo, n\u00eb tekstin e saj, e cila do t\u00eb m\u00eb t\u00ebrhiqte\nv\u00ebmendjen gjithashtu me romanin e saj pasardh\u00ebs, me nj\u00eb botim grish\u00ebs nga Sh.B\nAdonis \u201cGjasht\u00eb gishta e gjysm\u00eb\u201d. Kur e lexova, \u201cGjasht\u00eb gishta e gjysm\u00eb\u201d \u2013\np\u00ebrs\u00ebri prezantuar nga menaxheria e shumic\u00ebs s\u00eb takimeve t\u00eb mija me librat e rinj\nn\u00eb shqip, e pothuaj e kudo-gjendura e mazhoranc\u00ebs s\u00eb aktiviteteve t\u00eb\nkomunitetit shqiptar t\u00eb Athin\u00ebs, letrares Qama, e nxitur nga gjithashtu njeriu\nim, e korrektorja ime letrare n\u00eb librat e fundit, Eriketa Qorrlazja, kuptova se\nGjergo nuk qe nj\u00eb rast\u00ebsi n\u00eb let\u00ebrsin\u00eb bashk\u00ebkohore shqipe.<\/p>\n\n\n\n<p>Pjesa e par\u00eb e kryesore, bosht p\u00ebr t\u00ebr\u00eb librin: \u201cSi \u00ebsht\u00eb t\u00eb m\u00eb duash mua\u201d,\nose historia e Katerin\u00ebs, si\u00e7 m\u00eb p\u00eblqen ta quaj un\u00eb, meqen\u00ebse romani \u201cGjasht\u00eb\ngishta e gjysm\u00eb\u201d ndahet n\u00eb tri pjes\u00eb si periudha kohore q\u00eb u p\u00ebrkasin\nngjarjeve, qe jo vet\u00ebm nj\u00eb tragjedi e ndjer\u00eb q\u00eb dhe t\u00eb denja p\u00ebr t\u00eb mbetur n\u00eb\nmendje, por dhe e denj\u00eb t\u00eb p\u00ebrfaq\u00ebsonte \u00e7do lloj autori me em\u00ebr tashm\u00eb dhe me\npesh\u00eb n\u00eb let\u00ebrsin\u00eb ton\u00eb. B\u00ebhet fjal\u00eb p\u00ebr nj\u00eb tekst plot ngjyra, t\u00eb balancuar\ngjer n\u00eb holl\u00ebsi. Flet p\u00ebr ngjarjet, p\u00ebr ndjenjat, p\u00ebr periudh\u00ebn kohore si\u00e7 e\njetojn\u00eb personazhet, si\u00e7 parashtron nj\u00ebkoh\u00ebsisht at\u00eb q\u00eb let\u00ebrsia e situr dhe e\nngjizur me koshienc\u00ebn e thelbin e vet p\u00ebr t\u00eb sjell vlera, b\u00ebn\u00eb aq natyrsh\u00ebm,\nduke i l\u00ebn\u00eb vend paraqitjes s\u00eb sfondit historik, folklorik, dokeve, p\u00ebrshkrimit\nt\u00ebrheq\u00ebs, g\u00ebrshetimit intim&#8230; <\/p>\n\n\n\n<p>U zgjata v\u00ebrtet\u00eb disi me librat para-ardh\u00ebs t\u00eb Spectrum, romanit t\u00eb fundit\ndhe ndoshta m\u00eb t\u00eb shkurtrit p\u00ebr nga volumi sasior i tekstit t\u00eb Gjergos, pasi\njam e mendimit q\u00eb \u00ebsht\u00eb e drejt\u00eb t\u00eb shpalosja me detaje, se ky lib\u00ebr me nivelin\np\u00ebrkat\u00ebs, nuk erdhi rast\u00ebsisht. Elona kishte shtruar rrug\u00ebtimin e saj drejt\ntemave sociale qoft\u00eb edhe ato delikate dhe kishte b\u00ebr\u00eb tentativa t\u00eb shkruante\nnj\u00eb let\u00ebrsi t\u00eb mir\u00eb, kishte v\u00ebn\u00eb n\u00eb jet\u00ebn ton\u00eb talentin dhe bot\u00ebn e saj me\nm\u00ebnyr\u00ebn m\u00eb t\u00eb larmishme t\u00eb mundshme dhe nj\u00ebkoh\u00ebsisht kishte arritur t\u00eb ushtroj\u00eb\nk\u00ebshtu pareshtur frym\u00ebn e saj p\u00ebr t\u00eb mprehur p\u00ebrher\u00eb e m\u00eb tep\u00ebr konceptin e saj\nletrar. Deri tani, tek romani Spectrum \u2013 p\u00ebr t\u00eb prekur tanim\u00eb me kaq profesionaliz\u00ebm,\nme kaq dashuri t\u00eb p\u00ebr\u00e7ueshme, dhe me kaq koncizitet objektiv e t\u00eb kompletuar\nnj\u00eb histori prek\u00ebse; nj\u00eb aspekt shoq\u00ebror i brisht\u00eb dhe i trisht\u00eb gjer n\u00eb\npambarim dhe p\u00ebr m\u00eb tep\u00ebr i vlefsh\u00ebm si edukativ. Vihet n\u00eb dukje serioziteti i\nk\u00ebrkimeve dhe studimeve t\u00eb autores mbi temat q\u00eb shtjellon dhe tjerr me aq\nkujdes. <\/p>\n\n\n\n<p>Fundjav\u00ebn q\u00eb kaloi pata k\u00ebnaq\u00ebsin\u00eb t\u00eb njihesha personalisht me \u201ct\u00eb\nnjohur\u00ebn\u201d tashm\u00eb p\u00ebr mua Elona Gjergo. Pati mir\u00ebsin\u00eb t\u00eb vizitonte time m\u00eb, e\ncila ka kaluar nj\u00eb vit mjaft t\u00eb v\u00ebshtir\u00eb sh\u00ebndet\u00ebsor; t\u00eb ndiqnim n\u00eb pranin\u00eb e\nmiqve e familjar\u00ebve t\u00eb tjer\u00eb filmin me metrazh t\u00eb shkurt\u00ebr \u201cLugatka\u201d, nga\nScriptum n\u2019Sonus. Nj\u00eb punim i mrekulluesh\u00ebm (p\u00ebr t\u00eb cilin do t\u00eb flas m\u00eb gjat\u00eb\nn\u00eb nj\u00eb artikull t\u00eb ardhsh\u00ebm), ku autorja Gjergo me poezit\u00eb e saj ka parashtruar\nskenarin dhe rezultati artistik i t\u00ebr\u00ebsis\u00eb \u00ebsht\u00eb v\u00ebrtet\u00eb t\u00ebrheq\u00ebs, p\u00ebrve\u00e7 se\n\u00ebsht\u00eb vler\u00ebsuar me vendin e Par\u00eb t\u00eb Festivalit Nd\u00ebrkomb\u00ebtar p\u00ebr Filmin\nEksperimental. Pat\u00ebm rastin t\u00eb njiheshim fizikisht e t\u00eb kuptonim sa shum\u00eb an\u00eb e\np\u00ebrvoja t\u00eb p\u00ebrbashk\u00ebta kemi si krijuese, qytetare t\u00eb mentaliteti t\u00eb ngjash\u00ebm,\nn\u00ebna etj. I cil\u00ebsoj t\u00eb gjitha k\u00ebto p\u00ebr t\u00eb theksuar se si \u00e7ilt\u00ebrsia e shkrimit\nt\u00eb saj, me qenien e saj, jan\u00eb nj\u00eb. Pik\u00ebrisht \u00e7\u2019kisha akumuluar prej saj n\u00eb t\u00eb\nv\u00ebrtet\u00ebn e saj si autore e gjeta n\u00eb femr\u00ebn Elona. Nj\u00eb krijuese e bukur jasht\u00eb e\nbrenda. Kjo e jep m\u00eb n\u00eb pah empatin\u00eb e saj, t\u00eb doj\u00eb t\u00eb paraqes ndjeshm\u00ebrin\u00eb e\nk\u00ebsaj bote. Ndjeshm\u00ebrin\u00eb q\u00eb \u00ebsht\u00eb dhe pjesa m\u00eb e fuqishme e bot\u00ebs, e pse jo,\nboshti q\u00eb e mban n\u00eb t\u00eb v\u00ebrtet\u00ebn e vler\u00ebs, p\u00ebrmes shtjell\u00ebs s\u00eb gjith\u00eb katrahur\u00ebs\nindividuale q\u00eb detyron mjerimi e dhimbja e ndonj\u00eb karakteri distrofik prej\nk\u00ebtyre vlerave. K\u00ebt\u00eb fuqi do t\u00eb v\u00ebri n\u00eb dukje edhe Elona, n\u00eb librat e saj ku me\ngjith\u00eb peripecit\u00eb do t\u00eb fitoj\u00eb n\u00eb fund e mira dhe plag\u00ebt jan\u00eb p\u00ebrher\u00eb n\u00eb\np\u00ebrforcimin e jet\u00ebs dhe dashuris\u00eb. Tek Spectrum gjithashtu, si dhe n\u00eb romanet e\nm\u00ebparshme t\u00eb saj, thell\u00eb-thell\u00eb do ta shquani pik\u00ebrisht k\u00ebt\u00eb. \u00cbsht\u00eb nj\u00eb lib\u00ebr\nq\u00eb do t\u00eb prek zemrat e njer\u00ebzve, sado t\u00eb ashp\u00ebr t\u00eb jen\u00eb ata. Thell\u00eb-thell\u00eb do\nt\u00eb gjeni dhe p\u00ebrgjigjet e disa pse-ve t\u00eb m\u00ebdha, n\u00eb \u00e7\u00ebshtje q\u00eb do t\u00eb na gjejn\u00eb\np\u00ebrher\u00eb kund\u00ebr, por p\u00ebr hir t\u00eb diagnozimit t\u00eb sakt\u00eb, p\u00ebr sh\u00ebrimin e s\u00ebmundjeve\nshoq\u00ebrore duhet t\u00eb d\u00ebgjohen edhe ato. Si\u00e7 do t\u00eb gjejm\u00eb gjithashtu nj\u00eb tekst mbi\npsikologjin\u00eb q\u00eb duhet t\u00eb p\u00ebrdorin prind\u00ebrit a edukator\u00ebt me f\u00ebmij\u00ebt, duke\nhulumtuar t\u00eb metat e gjith\u00eb-anshme t\u00eb personazheve dhe sjelljen e larmishme t\u00eb\ntyre n\u00eb \u00e7do aspekt. Ekziston brenda tekstit polimorfik edhe \u2013 do t\u00eb guxoja t\u00eb\nthosha \u2013 nj\u00eb fije humori, mes gjith\u00eb fijeve t\u00eb tjera q\u00eb p\u00ebrb\u00ebjn\u00eb kordoni p\u00ebr\u00e7ues\nq\u00eb \u00ebsht\u00eb m\u00ebnyra shpreh\u00ebse e autores, i cili nuk p\u00ebrmban aspak ironi, por mes\nthurjes s\u00eb nj\u00eb naiviteti disa-plan\u00ebsh b\u00ebn\u00eb, p\u00ebrve\u00e7se thurjen e vet\u00eb historis\u00eb\np\u00ebr jet\u00ebn e personazheve t\u00eb rr\u00ebfyer, edhe theksimin e naivitetit q\u00eb e b\u00ebn\u00eb m\u00eb\ntragjike, por dhe m\u00eb t\u00eb pranueshme gjat\u00eb realizimit t\u00eb librit. Do t\u00eb m\u00eb kuptoni\nm\u00eb drejt kur ta lexoni librin n\u00eb fjal\u00eb, n\u00eb k\u00ebt\u00eb analiz\u00eb, sepse duke mos sjell\u00eb\ndot shembuj, ndoshta b\u00ebhem disi hermetike n\u00eb pozicionimin tim kundrejt lexuesit\nt\u00eb k\u00ebtij shkrimi. Sidoqoft\u00eb nuk mund t\u00eb rri pa e quajtur gjenial faktin q\u00eb,\nedhe pse nuk dua t\u00eb b\u00ebj \u201cspoiling\u201d duke dh\u00ebn\u00eb detaje, i t\u00ebr\u00eb libri prononcohet\nn\u00eb vet\u00ebn e par\u00eb duke e b\u00ebr\u00eb rr\u00ebfimin m\u00eb t\u00eb thjesht p\u00ebr t\u00eb \u201chonepsur\u201d ngjarjet\nsi gjat\u00eb shkrimit nga ana e autores Gjergo, ashtu dhe gjat\u00eb leximit nga ana\njon\u00eb, q\u00eb historia t\u00eb vij\u00eb e zbutur, n\u00eb kontaktin ton\u00eb t\u00eb par\u00eb me t\u00eb, por me t\u00eb\nnj\u00ebjt\u00ebn r\u00ebndes\u00eb q\u00eb vlen t\u00eb trajtohet. Thjesht kjo b\u00ebn\u00eb sikur t\u00eb kemi marr\u00eb nj\u00eb\ntablet\u00eb p\u00ebr stomakun, p\u00ebrpara substanc\u00ebs s\u00eb eg\u00ebr p\u00ebr k\u00ebt\u00eb s\u00ebmundje t\u00eb r\u00ebnd\u00eb n\u00eb\norganizmin e shoq\u00ebris\u00eb. Sepse libra t\u00eb till\u00eb q\u00eb v\u00ebn\u00eb n\u00eb dukje, tjerrin, nuk\njustifikojn\u00eb por p\u00ebrkundrazi sqarojn\u00eb, nuk marrin an\u00eb, por tregojn\u00eb sa e\nthjesht\u00eb \u00ebsht\u00eb t\u00eb infektohesh, e m\u00eb pas t\u00eb b\u00ebhesh ti vet\u00eb burim infektimi, sa i\nverb\u00ebr \u00ebsht\u00eb ky koncept mbi jet\u00ebn, por dhe sa ngjit\u00ebs, jan\u00eb substancat\nsh\u00ebruese. Na p\u00eblqen apo jo ta kuptojm\u00eb. Nd\u00ebrgjegj\u00ebsojn\u00eb dhe p\u00ebrgjegj\u00ebsojn\u00eb.\nP\u00ebrg\u00ebnjeshtrojn\u00eb dhe alibit\u00eb relative t\u00eb t\u00eb gjith\u00eb p\u00ebrgjegj\u00ebsve, pra t\u00eb t\u00eb\ngjith\u00ebve ne pa p\u00ebrjashtim. Gjithashtu gjej dhe fundin e tij nj\u00eb zgjidhje q\u00eb p\u00ebr\nfat t\u00eb keq, m\u00eb p\u00eblqen. M\u00eb p\u00eblqen padyshim minimalizmi me t\u00eb cil\u00ebn e ka skicuar,\ngjithashtu si autore. U zgjata s\u00ebrish, por jo pa shkas. Diku n\u00ebnt\u00ebdhjet\u00eb faqet\ne Spectrum m\u00eb dhan\u00eb mjaft shkaqe p\u00ebr t\u00eb p\u00ebrjetuar t\u00eb gjitha k\u00ebto q\u00eb hodha n\u00eb ekranin\ne kompiuterit. Jam e sigurt se trajtimi i temave mund t\u00eb ngrej\u00eb debate, por kjo\ngjithsesi \u00ebsht\u00eb n\u00eb t\u00eb mir\u00ebn e shoq\u00ebris\u00eb dhe viktimave t\u00eb \u00e7far\u00ebdolloj, padyshim\nedhe t\u00eb librit. Fshehja n\u00ebn rrogoz \u00ebsht\u00eb krimi i p\u00ebrbashk\u00ebt, ndaj pro apo\nkund\u00ebr ideve t\u00eb hedhura, p\u00ebrher\u00eb \u00ebsht\u00eb m\u00eb mir\u00eb se heshtja. Elona vet\u00ebm k\u00ebt\u00eb nuk\nb\u00ebri me Spectrin e saj!<\/p>\n\n\n\n<p>Armela Hysi<\/p>\n\n\n\n<p>Athin\u00eb 2020<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Armela Hysi p\u00ebr SPECTRUM \u00cbsht\u00eb nga her\u00ebt e pakta q\u00eb m\u00eb ndodh t\u00eb kem lexuar nj\u00eb lib\u00ebr, t\u00eb dua t\u00eb shkruaj q\u00eb ta k\u00ebshilloj\u00eb e reklamoj\u00eb tek lexuesi, studiuesit letrar dhe mjek\u00ebsor, m\u00ebsues dhe prind\u00ebr e gjith\u00eb sa kuptojn\u00eb \u00e7\u2019do t\u00eb thot\u00eb vler\u00eb e nj\u00eb libri dhe sa m\u00ebson, percepton, kupton dikush kur lexon \u00e7\u2019p\u00ebr\u00e7on&hellip;<\/p>\n","protected":false},"author":1,"featured_media":8583,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-8582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-letersi"],"_links":{"self":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/8582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8582"}],"version-history":[{"count":1,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/8582\/revisions"}],"predecessor-version":[{"id":8584,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/8582\/revisions\/8584"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/media\/8583"}],"wp:attachment":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}