{"id":8074,"date":"2020-02-09T15:02:09","date_gmt":"2020-02-09T15:02:09","guid":{"rendered":"http:\/\/revistakuvendi.org\/?p=8074"},"modified":"2020-02-09T15:02:09","modified_gmt":"2020-02-09T15:02:09","slug":"arkitektura-e-shperfillur-nga-sitemi-ne-sistem","status":"publish","type":"post","link":"https:\/\/revistakuvendi.org\/?p=8074","title":{"rendered":"Arkitektura e shperfillur nga sitemi ne sistem."},"content":{"rendered":"

\"\"<\/a>P\u00ebrgaditi Rita Shkurtaj<\/strong><\/h2>\n

U b\u00ebn\u00eb koh\u00eb q\u00eb sa her\u00eb udh\u00ebtoj drejt Tiran\u00ebs e anasjelltas vemendja m\u00eb ndalet te kjo godin\u00eb e cila gjindet fare pran\u00eb rrug\u00ebs nacionale n\u00eb af\u00ebrsi t\u00eb Lezh\u00ebs dhe saher\u00eb kaloj,n\u00eb heshtje e p\u00ebrg\u00ebzoj arkitektin e sigurisht edhe pronarin e saj p\u00ebr vlerat artistike t\u00eb mish\u00ebruara n\u00eb t\u00eb. Nuk mund t\u00eb them se ka nj\u00eb art t\u00eb vet\u00ebm n\u00eb stilin arkitekturor pasi n\u00eb t\u00eb leht\u00ebsisht mund t\u00eb vihen re disa stile antike t\u00eb g\u00ebrshetuar me ato moderne, si\u00e7 jane stili romak me ato korintas e dorik q\u00eb e b\u00ebjn\u00eb k\u00ebt\u00eb godin\u00eb t\u00eb ngjashme me nd\u00ebrtesat antike t\u00eb periudh\u00ebs henelistike koh\u00eb kur lulezoi edhe arkitektura e lasht\u00eb Ilire.<\/h2>\n

<\/p>\n

\"\"<\/a><\/h2>\n

Mbase t\u00eb ngjashme me t\u00eb tek -tuk mund t\u00eb rastis\u00eb t\u00eb shohim edhe nd\u00ebrtesa t\u00eb tjera n\u00eb Shqiperi por ama jan\u00eb shum\u00eb t\u00eb rralla aq sa bien n\u00eb sy p\u00ebr nga diferencimi strukturor kulturor. Jo pa q\u00ebllim e solla n\u00eb v\u00ebm\u00ebndje k\u00ebt\u00eb aspekt kulturor shum\u00eb t\u00eb munguar prej shekujsh n\u00eb teritorin etnik e sidomos n\u00eb teritorin e Shqiperis\u00eb pasi jan\u00eb t\u00eb vetmet gjurm\u00eb q\u00eb mij\u00ebvje\u00e7ar\u00ebt kan\u00eb provu egzistencen e zinxhireve kulturor,aq shume t\u00eb \u00e7muar p\u00ebr brezat e larg\u00ebt, si\u00e7 vlersohen sot q\u00ebndrat arkeologjike kudo n\u00eb vendin ton\u00eb si gjurm\u00eb t\u00eb hershme t\u00eb egzistenc\u00ebs s\u00eb paraardhesve tan\u00eb.<\/h2>\n

Nj\u00eb ambicje kulturore e shkeputur q\u00ebllimisht nga sundimet e huaja si tendence p\u00ebr cungim e zhvillimit kulturor por edhe nj\u00eb mos interes i m\u00ebvonsh\u00ebm i strukturave qeveritare p\u00ebr k\u00ebt\u00eb domosdoshmeri identifikuese p\u00ebr tu kthyer n\u00eb origjine.Jemi koshjent se periudha e pas luft\u00ebs dhe vete izolimi b\u00ebn\u00eb q\u00eb teritori i Shqiperis\u00eb t\u00eb ishte n\u00eb gjendje t\u00eb rend\u00eb ekonomike,ku u desh\u00ebn shum\u00eb vite pune per ta nd\u00ebrtuar Shqiperin\u00eb socjaliste e cila me ndryshimin e organizimit familjar ndryshoi t\u00ebrsisht edhe struktur\u00ebn e banesave gj\u00eb q\u00eb \u00ebsht\u00eb e dukshme edhe sot.Ama at\u00eb \u00e7oroditjen e madhe t\u00eb rr\u00ebnimit kulturore e arkitekturor e solli periudha kapitaliste me shfrenimin nd\u00ebrtimor t\u00eb tipit kjoske,godina n\u00eb forme magazinash e kapanonesh apo banesa disa kateshe pa nj\u00eb planimetri artistike t\u00eb cilat nuk premtojne as q\u00ebndrueshm\u00ebri fizike e as siguri t\u00eb banor\u00ebve q\u00eb jetojn\u00eb n\u00eb to.<\/h2>\n

N\u00eb mas\u00eb t\u00eb madhe vihen re ndertime kullash e godinash me veshje xhami t\u00eb cilat ve\u00e7 rrezatimit dhe pasiguris\u00eb ato e tjetersojne t\u00ebr\u00ebsisht artin e bukur t\u00eb gdh\u00ebndjes dhe skalitjes mbi gur e mermer q\u00eb premtojn\u00eb jet\u00ebgjatsi t\u00eb p\u00ebrhershme. U desh nj\u00eb lekundje e fort\u00eb t\u00ebrmeti q\u00eb realiteti socjal t\u00eb kthehet n\u00eb nj\u00eb pikpyetje t\u00eb madhe para s\u00eb cil\u00ebs vijn\u00eb mij\u00ebra pse ?…..dhe n\u00eb fund t\u00eb dit\u00ebs edhe kjo kalon n\u00eb planin B..pasi rishtas n\u00eb plan t\u00eb par\u00eb del interesi i ngushte personal ku vet\u00eb strukturat shtetnore nuk i japin at\u00eb prioritet ligjor e institucional bashkohor.<\/h2>\n

I perkasim periudh\u00ebs p\u00ebrtej modernes gati t\u00eb “njeriut robot” ku gjithcka vlersohet me vler\u00ebn e interesit apo benefiteve q\u00eb p\u00ebrvetsojm\u00eb n\u00eb kuptimin e ngushte monetar,ku arti i bukur arkitekturor rrezikon t\u00eb shuhet sa koh\u00eb q\u00eb edhe godinat shihen vet\u00ebm si hapsir\u00eb shfrytzimi pasuror,\u00e7ka demostron duksh\u00ebn r\u00ebnjen ekonomike t\u00eb nivelit t\u00eb jetes\u00ebs e p\u00ebr pasoj\u00eb edhe r\u00ebnjen kulturore t\u00eb vendit ton\u00eb. M\u00eb vjen n\u00eb mendj\u00eb nj\u00eb th\u00ebnj\u00eb e vjeter ” m\u00eb mir\u00eb t\u00eb dish sesa t\u00eb kesh”…e n\u00eb rastin konkret sa duket pronari i asaj godine i ka t\u00eb dyja,gj\u00eb q\u00eb i jep duksh\u00ebm vler\u00eb edhe mjedisit socjal e kulturor ku ai jeton e vepron.<\/h2>\n","protected":false},"excerpt":{"rendered":"

P\u00ebrgaditi Rita Shkurtaj U b\u00ebn\u00eb koh\u00eb q\u00eb sa her\u00eb udh\u00ebtoj drejt Tiran\u00ebs e anasjelltas vemendja m\u00eb ndalet te kjo godin\u00eb e cila gjindet fare pran\u00eb rrug\u00ebs nacionale n\u00eb af\u00ebrsi t\u00eb Lezh\u00ebs dhe saher\u00eb kaloj,n\u00eb heshtje e p\u00ebrg\u00ebzoj arkitektin e sigurisht edhe pronarin e saj p\u00ebr vlerat artistike t\u00eb mish\u00ebruara n\u00eb t\u00eb. Nuk mund t\u00eb them…<\/p>\n","protected":false},"author":1,"featured_media":8075,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-8074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publicistike"],"_links":{"self":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/8074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8074"}],"version-history":[{"count":1,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/8074\/revisions"}],"predecessor-version":[{"id":8077,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/8074\/revisions\/8077"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/media\/8075"}],"wp:attachment":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}