{"id":7580,"date":"2018-12-26T13:18:24","date_gmt":"2018-12-26T13:18:24","guid":{"rendered":"http:\/\/revistakuvendi.org\/?p=7580"},"modified":"2018-12-26T13:32:20","modified_gmt":"2018-12-26T13:32:20","slug":"ketu-asgje-nuk-eshte-e-plote-as-merzia","status":"publish","type":"post","link":"https:\/\/revistakuvendi.org\/?p=7580","title":{"rendered":"K\u00ebtu asgj\u00eb nuk \u00ebsht\u00eb e plot\u00eb, as m\u00ebrzia\u2026"},"content":{"rendered":"<p><em><a href=\"http:\/\/revistakuvendi.org\/wp-content\/uploads\/2018\/12\/ANITA-ZELA-per-kopertine.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-7581\" src=\"http:\/\/revistakuvendi.org\/wp-content\/uploads\/2018\/12\/ANITA-ZELA-per-kopertine.png\" alt=\"\" width=\"127\" height=\"160\" \/><\/a>Ne foto: Anita Zela<\/em><\/p>\n<p><em>( Nj\u00eb udh\u00ebtim i shpejt\u00eb n\u00eb proz\u00ebn e Anita Zela Varosit )<\/em><\/p>\n<p><strong><em>Pjet\u00ebr Jaku<\/em><\/strong><\/p>\n<p>N\u00eb fillim t\u00eb k\u00ebtyre mendimeve p\u00ebr proz\u00ebn e Anit\u00ebs, le t\u00eb kujtojm\u00eb th\u00ebnien e Orestit, te Andromaka e Euripidit: <em>\u201c Fal\u00eb zotave, fatkeq\u00ebsia ime ia kalon shpres\u00ebs.\u201d<\/em> Po e filloj k\u00ebshtu se, pik\u00ebrisht n\u00eb proz\u00ebn e shkurt\u00ebr dhe t\u00eb gjat\u00eb t\u00eb Zel\u00ebs, merr shpres\u00eb. Duke q\u00ebn\u00eb se nj\u00eb pjes\u00eb t\u00eb subjekteve t\u00eb saj nd\u00ebrtohen nga p\u00ebrsonazhe femra,<!--more--> filozofia e jet\u00ebs \u00ebsht\u00eb shpresa e vazhdim\u00ebsis\u00eb . Femrat jan\u00eb dhimbja, sepse jan\u00eb lindja, femrat jan\u00eb dheu. Ato nuk b\u00ebjn\u00eb heroizma kalorsiake, si n\u00eb tragjedit\u00eb e famshme, ato nuk vijn\u00eb zhurmsh\u00ebm, vijn\u00eb natyrsh\u00ebm, duke na orfuar njeriun dhe t\u00ebr\u00eb mir\u00ebsin\u00eb e tij, bash n\u00eb dhimbjet m\u00eb t\u00eb m\u00ebdha, n\u00eb provacin\u00eb finale t\u00eb tij. T\u2019i gjesh k\u00ebto p\u00ebrsonazhe dhe subjekte, duhet t\u00eb kesh nj\u00eb dhunti t\u00eb shkrimtarit q\u00eb, pasi ka njohur jet\u00ebn, t\u00eb njoh dhe sublimitetin e saj, aktin e fundit, at\u00eb t\u00eb lamtumir\u00ebs s\u00eb pashmangshme, me nj\u00eb qet\u00ebsi hyjnore.<\/p>\n<p><a href=\"http:\/\/revistakuvendi.org\/wp-content\/uploads\/2018\/12\/ANITA-ZELA.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-7582\" src=\"http:\/\/revistakuvendi.org\/wp-content\/uploads\/2018\/12\/ANITA-ZELA-203x300.png\" alt=\"\" width=\"203\" height=\"300\" srcset=\"https:\/\/revistakuvendi.org\/wp-content\/uploads\/2018\/12\/ANITA-ZELA-203x300.png 203w, https:\/\/revistakuvendi.org\/wp-content\/uploads\/2018\/12\/ANITA-ZELA.png 303w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><\/a><\/p>\n<p>T\u00eb lexosh \u00ebsht\u00eb si pasioni i nj\u00eb gjuetari. Zonat e gjuetis\u00eb dihen, por preja fshihet, si\u00e7 njihen edhe kazinot\u00eb, por pa e par\u00eb fatin. N\u00eb let\u00ebrsi nuk hyhet (sidomos n\u00eb proz\u00ebn\u00a0 klasike me subjekte e vijim\u00ebsi ngjarjesh), pa e njohur\u00a0 pren\u00eb, me nd\u00ebrthurjen e fantazis\u00eb dhe logjik\u00ebs, plus t\u00eb th\u00ebnit artistik. Figurat, stilistika e t\u00eb menduarit dhe t\u00eb shprehurit, n\u00eb proz\u00eb, pritet n\u00eb masa m\u00eb t\u00eb t\u00ebrthorta, p\u00ebr t\u00eb lexuar mendimin e\u00a0 pashprehur, ngarkes\u00ebn emocionale, si dhe llojin e t\u00eb dialoguarit n\u00eb diastanc\u00eb. A i hasim shpesh k\u00ebto libra n\u00eb let\u00ebrsin\u00eb e sotme shqipe? Sigurisht q\u00eb jo! Disa libra i kaloj vet\u00ebm n\u00eb faqet e para. Jan\u00eb me dhjetra t\u00eb filluar e t\u00eb l\u00ebn\u00eb n\u00eb fillim. S\u2019t\u00eb b\u00ebh\u00ebt t\u2019i vazhdosh! Shkruajn\u00eb shum\u00eb dhe nuk b\u00ebjn\u00eb keq e, me t\u00eb drejt\u00eb, kritika ( n\u00ebs\u00eb ekziston ) s\u2019ka koh\u00eb t\u00eb tep\u00ebrt t\u00eb lexoj \u00e7do lloj letre q\u00eb nxihet me boj\u00eb, nga disa, q\u00eb i shkruajn\u00eb p\u00ebr ta par\u00eb emrin e tyre n\u00eb nj\u00eb lib\u00ebr. Kjo ndodh edhe\u00a0 me autor\u00ebt, q\u00eb mendojn\u00eb se jan\u00eb dikushi, por q\u00eb nuk kan\u00eb arritur t\u00eb b\u00ebjn\u00eb em\u00ebr. Krejt ndryshe, p\u00ebr fatin tim, ndodhi me librin e par\u00eb t\u00eb autores Zel\u00ebs, q\u00eb m\u00eb ra n\u00eb dor\u00eb, para disa muajsh. E fillova me mendimin q\u00eb nuk do ta mbaroja, por e mbarova\u00a0 me nj\u00eb frym\u00eb. Ishte romani \u201cDarka e fundit\u201d.<\/p>\n<p>Shkrimtari e nd\u00ebrton nj\u00eb p\u00ebrsonazh, fal\u00eb dhuntive fantazuese dhe eksperienc\u00ebs jet\u00ebsore, m\u00eb s\u00eb shumti t\u00eb tij\u00ebn. N\u00eb rastin ton\u00eb, Anita na jep nj\u00eb Dian\u00eb karakteristike, n\u00eb dy dimesione. Ajo sjell jo vet\u00ebm personazhin q\u00eb e vesh me aksion, por nj\u00eb fem\u00ebr-njeri me gjith\u00eb pozitivitetin e nj\u00eb intelekti, q\u00eb nuk vepron pa e ditur pse, pa e ditur si, dhe, pa e ditur ku. Nj\u00eb gdhendje e mrekullueshme q\u00eb t\u00eb b\u00ebn ta ndjek\u00ebsh hap pas hapi, deri kur \u00a0fryma e saj te tjet\u00ebrsohet. Diana e vendosur n\u00eb dy jet\u00eb sjell forc\u00ebn e dasuris\u00eb. N\u00eb rr\u00ebfimin narrativ plot ngjyra Anita i \u201cdhuron\u201d Dian\u00ebs forc\u00ebn e t\u00eb dashuruarit p\u00ebrtej pabesis\u00eb s\u00eb vdekjes, forc\u00ebn p\u00ebr ta mposhtur dhimbjen, p\u00ebr t\u00eb mos i num\u00ebruar dit\u00ebt e saj, q\u00eb po e \u00e7onin drejt fundit. Ajo, \u00ebsht\u00eb nj\u00eb Dian\u00eb q\u00eb e duan, q\u00eb e vuajn, q\u00eb p\u00ebrpiqen ta ruajn\u00eb sa m\u00eb gjat\u00eb n\u00eb jet\u00ebn e saj, n\u00eb p\u00ebrpjekjet e pamundura, p\u00ebr t\u00eb mos e l\u00ebn\u00eb t\u00eb shkoj\u00eb.\u00a0 Nd\u00ebrthuarja e dashuris\u00eb njer\u00ebzore me dashurin\u00eb p\u00ebr librat e kthen Dian\u00ebn n\u00eb figur\u00eb t\u00eb dashur e t\u00eb gjall\u00eb p\u00ebr lexuesin, ashtu si\u00e7 di t\u00eb b\u00ebj\u00eb vet\u00ebm let\u00ebrsia e mir\u00eb.<\/p>\n<p><em>\u201cFjal\u00ebt dhe historit\u00eb e tyre m\u00eb kan\u00eb b\u00ebr\u00eb k\u00ebt\u00eb grua q\u00eb jam, por ajo q\u00eb ka r\u00ebnd\u00ebsi \u00ebsht\u00eb se, ti do t\u00eb kuptosh, q\u00eb n\u00eb fakt, un\u00eb nuk kam ikur. Do e gjej nj\u00eb m\u00ebnyr\u00eb t\u00eb jem me ty, ndaj nuk dua q\u00eb dit\u00ebn q\u00eb mos m\u00eb shoh\u00ebsh m\u00eb p\u00ebrqark, t\u00eb d\u00ebshp\u00ebrohesh.\u201d<\/em><\/p>\n<p>Diana dhe Dejvi vuajn\u00eb munges\u00ebn e koh\u00ebs p\u00ebr nj\u00ebri-tjetrin n\u00eb dy jet\u00eb, ndaj Diana kap fort \u00e7do moment me t\u00eb, duke q\u00ebn\u00eb se \u00ebsht\u00eb gjithnj\u00eb larg mund\u00ebsis\u00eb p\u00ebr ta ndryshuar rrjedh\u00ebn n\u00eb jet\u00ebn e saj. Kahja ka marr\u00eb udh\u00eb.<\/p>\n<p>Diana e di, se fati i ka dh\u00ebn\u00eb prov\u00ebn m\u00eb t\u00eb r\u00ebnd\u00eb, at\u00eb t\u00eb vdekjes s\u00eb paralajm\u00ebruar. Ndoshta , se ve\u00e7 ajo mund t\u2019i mbaj\u00eb. Nj\u00eb prov\u00eb q\u00eb, edhe autores do t\u2019i ket\u00eb dhimbur. Tedi \u00ebsht\u00eb nj\u00eb dhimbje tjet\u00ebr me aksidentin e tij! Librat dhe libraria jan\u00eb pasioni q\u00eb nuk d\u00ebshiron t\u00eb mbaroj\u00eb me t\u00eb, shum\u00eb e shum\u00eb t\u00eb tjera.<\/p>\n<p>Prandaj ajo e fton Em\u00ebn, figur\u00ebn lidh\u00ebse t\u00eb t\u00eb gjit\u00eb subjektit.\u00a0 Ema, mbesa e ish burrit t\u00eb saj vjen nga Shqip\u00ebria p\u00ebr tu vendosur n\u00eb q\u00ebnd\u00ebr t\u00eb betej\u00ebs s\u00eb fundit.<\/p>\n<p>Diana do t\u2019i besoj\u00eb librat, do ti besoj\u00eb Tedin dhe vdekjen e saj.<br \/>\n\u201c Darka e fundit\u201d, nuk \u00ebsht\u00eb nj\u00eb roman me nj\u00eb subjekt strikt, me nj\u00eb ndarje pjes\u00ebsh e skenash, ku ngjarjet ndodhin ve\u00e7mas e bashkohen befas, p\u00ebr t\u00eb krijuar narracionin n\u00eb ndihm\u00eb t\u00eb natyrshm\u00ebris\u00eb. Ai vjen, bash ashtu si\u00e7 vjen jeta, n\u00eb nj\u00eb vij\u00eb emocionale t\u00eb besueshme dhe e th\u00ebn\u00eb artistikisht. Aksioni, her\u00eb zmadhohet n\u00eb hip\u00ebrbolizim, p\u00ebr t\u00eb treguar se \u00e7\u2019\u00ebsht\u00eb Guri i Sizifit dhe, p\u00ebr t\u00eb th\u00ebn\u00eb nj\u00ebkoh\u00ebsisht se \u00e7\u2019\u00ebsht\u00eb litota, si nj\u00eb figur\u00eb letrare, ku bota b\u00ebhet e vog\u00ebl sa nj\u00eb jet\u00eb njer\u00ebzore, q\u00eb do t\u00eb thot\u00eb se dhimbja e Dian\u00ebs zvog\u00eblohet n\u00eb humbjen e nj\u00eb fluture.<\/p>\n<p>Skeptik\u00ebt e kan\u00eb t\u00eb v\u00ebshtir\u00eb ta besojn\u00eb forc\u00ebn q\u00eb ka fjala, ata besojn\u00eb vet\u00ebm forcen q\u00eb ka forca, q\u00eb kan\u00eb muskujt. Pik\u00ebrisht n\u00eb besimin e ndryshimit q\u00eb mund t\u00eb b\u00ebj fjala, Diana e porositi Tedin: <em>\u201cLexoje Kiplingun, Tedi. Un\u00eb, kur isha studente, e kisha shkruar me dor\u00eb, n\u00eb nj\u00eb karton dhe e kisha varur tek koka e krevatit. Gjej nj\u00eb poster me poem\u00ebn e tij \u201cN\u00eb mundsh\u201d dhe v\u00ebre n\u00eb dhom\u00ebn t\u00ebnde.\u201d<\/em><\/p>\n<p>Udh\u00ebtimi i Dian\u00ebs, si p\u00ebrsonazhi kryesor i\u00a0 romanit \u201c Darka e fundit\u201d, \u00ebsht\u00eb si i porositur, me nj\u00eb maksim\u00eb: <em>\u201cJeto p\u00ebr t\u00eb vuajtur, q\u00eb dikush t\u00eb m\u00ebsoj q\u00ebndres\u00ebn nga vuajtja jote! M\u00ebso p\u00ebr t\u00eb jetuar q\u00eb, edhe kur t\u00eb vuash, t\u2019u b\u00ebsh\u00a0 ball\u00eb dhimbjeve. Rr\u00ebzohu p\u00ebr t\u2019u ngritur, q\u00eb, kur t\u00eb ngrihesh, t\u00eb jesh i barabart\u00eb me malet!\u201d<\/em><\/p>\n<p>Diana ka forc\u00eb ta p\u00ebrgadis vet vdekjen e saj deri n\u00eb detaje, p\u00ebr t\u2019i shkuar vdekjes, ashtu si\u00e7 i kishte hije nj\u00eb femre, q\u00eb e do jet\u00ebn, pa u trembur asnj\u00ebher\u00eb nga t\u00eb shkuarit n\u00eb moskthim! Ajo nuk e do d\u00ebshp\u00ebrimin, as edhe p\u00ebr vdekjen e saj, ndaj porosia e saj e fundit \u00ebsht\u00eb: <em>\u201c Po b\u00ebri ndonj\u00eb si vllahink\u00eb, kur t\u00eb vdes un\u00eb, keni lejen time t\u2019i nxirrni jasht\u00eb, edhe sikur t\u00eb jet\u00eb ime mot\u00ebr.\u201d<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>T\u00eb jesh shkrimtare<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Duke q\u00ebn\u00eb se proza e Anites \u00ebsht\u00eb mir\u00ebfilli let\u00ebrsi, themi me t\u00eb drejt\u00eb, Anita \u00ebsht\u00eb shkrimtare! T\u00eb kesh formimin kulturor, n\u00eb nj\u00eb aspekt t\u00eb ve\u00e7ant\u00eb t\u00eb krijimtaris\u00eb, do t\u00eb thot\u00eb se din t\u00eb b\u00ebsh let\u00ebrsi. Let\u00ebrsia, dhe n\u00eb ve\u00e7anti proza, ka teknikat e saj, ka forc\u00ebn magnetike p\u00ebr t\u00eb mbajtur nga \u201clejimi\u201d i t\u00eb ikurit. N\u00ebse themi se Martin Ideni i Londonit \u00ebsht\u00eb lib\u00ebr jasteku, nuk e themi ve\u00e7 prej Ruthit, por prej krejt m\u00ebnyr\u00ebs se si Xhek Londoni na mban pas teknikave t\u00eb t\u00eb shkruarit bukur, skenave e p\u00ebrshkrimeve, artistikisht poetike, por t\u00eb veshura me forc\u00ebn e t\u00eb vepruarit me p\u00ebrshkrime \u00a0situatash dramatike, her\u00eb t\u00eb vrullshme e h\u00ebr\u00eb t\u00eb qeta, por t\u00eb shoq\u00ebruara me pritjen, se \u00e7\u2019po vjen m\u00eb von\u00eb.<\/p>\n<p>K\u00ebto nuk mund t\u00eb arrihen asesi pa p\u00ebrdorur mjeshtrin\u00eb e t\u00eb shprehurit t\u00eb figursh\u00ebm. Metafora, krahasimi, simbolika, n\u00ebnteksti, narracioni, hiperbola, litota, antiteza, oksimoroni, p\u00ebrsonifikimi, sinonimet, pretericioni, grotesku, neologjizmat etj etj trophe, q\u00eb i ka t\u00eb domosdoshme let\u00ebrsia artistike, e b\u00ebjn\u00eb nj\u00eb vep\u00ebr letrare t\u00eb lexueshme dhe t\u00eb p\u00eblqyer, por edhe e fiksojn\u00eb m\u00eb leht\u00eb n\u00eb p\u00ebrfytyrimin\u00a0 e lexuesit. Populli ka nj\u00eb shprehje t\u00eb\u00a0 bukur, ndaj dhe po e p\u00ebrmend n\u00eb fillim t\u00eb disa shembujve t\u00eb marr\u00eb nga novella \u201c Barbara\u201d, t\u00eb publikuar muajt e fundit: \u201c P\u00ebr t\u00eb provuar nj\u00eb vozg\u00eb me ver\u00eb, mjafton nj\u00eb got\u00eb!\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Novela \u201c Barbara\u201d \u00ebsht\u00eb krijimtari e Anit\u00ebs , e shkruar k\u00ebtu n\u00eb Amerik\u00eb. Subjekti i saj \u00ebsht\u00eb i bazuar mbi nj\u00eb rr\u00ebfim t\u00eb leht\u00eb, por t\u00ebrheq\u00ebs. Gavin ka nevoj\u00eb t\u00eb kaloj\u00eb dy-tri dit\u00eb larg metropolit t\u00eb kryeqendr\u00ebs s\u00eb bot\u00ebs, New Yorkut p\u00ebr t\u00eb qet\u00ebsuar\u00a0 pesh\u00ebn e ngjarjeve t\u00eb fundit. Thjesht t\u00eb shkoj dikun, n\u00eb nj\u00eb vend t\u00eb pap\u00ebrcaktuar m\u00eb par\u00eb, p\u00ebr t\u2019u qet\u00ebsuar nga rutina e p\u00ebrdit\u00ebshme. Vendoset n\u00eb nj\u00eb qytet t\u00eb vog\u00ebl, tek i cili rast\u00ebsisht takon p\u00ebrsonazhen tjet\u00ebr interesante, q\u00eb mban emrin e Noveles, Barbara,\u00a0 q\u00eb rast\u00ebsisht p\u00ebrkon edhe me pacienten e par\u00eb t\u00eb autizmit p\u00ebr Gavin. Me nj\u00eb prolog dhe epilog t\u00eb gjetur, brenda tekstit prej afro 50 faqe libri, gjall\u00ebron nj\u00eb model t\u00eb shkruari, q\u00eb do ta kishin zili edhe prozator\u00ebt profesionist\u00eb.<\/p>\n<p>Ja disa shembuj:<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cKlinika ku punoja kishte gjithnj\u00eb e m\u00eb shum\u00eb pun\u00eb, e gjithnj\u00eb e m\u00eb shum\u00eb un\u00eb punoja jasht\u00eb orarit\u201d. Gavin\u00a0 ( p\u00ebrs\u00ebritje p\u00ebrforcuese, epanastofe )<\/p>\n<p>\u201cRajnbek, fshati ku kishte shkuar Gavin \u2026 e kishte p\u00ebrz\u00ebn\u00eb dimrin e gjat\u00eb dhe t\u00eb ftoht\u00eb\u2026\u00a0 ( metafor\u00eb dhe p\u00ebrsonifikim )<\/p>\n<p>\u201cDashurin\u00eb m\u00eb t\u00eb madhe p\u00ebr pun\u00ebn, se sa p\u00ebr t\u00eb\u2026\u201d\u00a0 ( krahasim )<\/p>\n<p>\u201cK\u00ebrkoja dit\u00ebn\u2026\u201d ( i kishte humbur dita ) metafor\u00eb<\/p>\n<p>\u201cPeriudha e sherreve\u2026\u201d epitet<\/p>\n<p>\u201cNdjenja e fajit na g\u00ebrryente, si nj\u00eb dhimbje e but\u00eb n\u00eb veshka.\u201d\u00a0 ( krahasim )<\/p>\n<p>\u201cTrishtimi m\u00eb rrinte si nj\u00eb mjegull.\u201d (metafor\u00eb + krahasim )<\/p>\n<p>\u201cDielli m\u00eb gjeti n\u00eb qytet.\u201d ( metafor\u00eb )<\/p>\n<p>\u201cQyteti shtrihej\u2026\u201d\u00a0 ( p\u00ebrsonifikim )<\/p>\n<p>\u201cKisha e bardh\u00eb\u2026\u201d\u00a0 ( simbol )<\/p>\n<p>\u201cRruga e poet\u00ebve\u201d ( simbol )<\/p>\n<p>\u201cFlok\u00ebt e bardh\u00eb, t\u00eb kapur pas kok\u00ebs, rrethonin nj\u00eb fytyr\u00eb t\u00eb fisme e t\u00eb \u00ebmb\u00ebl, ku feksin buz\u00ebt e bukura, sado mes rrudhave t\u00eb holla, lyer me nj\u00eb roz\u00eb shk\u00eblqyese.\u201d\u00a0 (p\u00ebrshkrim )<\/p>\n<p>\u201cTavolin\u00eb e bardh\u00eb\u2026\u201d\u00a0\u00a0 ( simbol )<\/p>\n<p>\u201cBefasia m\u00eb mbajti.\u201d\u00a0\u00a0 ( metafor\u00eb )<\/p>\n<p>\u201cDhoma e bardh\u00eb\u2026\u201d\u00a0\u00a0 ( simbol )<\/p>\n<p>\u201cMendimi p\u00ebr ta gjetur po m\u00eb g\u00ebrryente, si\u00e7 me digjte ende qiellza nga \u00e7aji.\u201d\u00a0 ( krahasim )<\/p>\n<p>\u201cBoja jeshile e stolave\u2026\u201d\u00a0 ( symbol i stines )<\/p>\n<p>\u201cFluturimi i rosave t\u00eb bardha\u2026\u201d\u00a0 ( simbol )<\/p>\n<p>\u201cMuzgu hynte\u2026\u201d ( metafor\u00eb + personifikim )<\/p>\n<p>\u201cDy \u00ebnd\u00ebrrat n\u00eb breg t\u00eb Lumit Hudson\u2026\u201d (simbolikisht kujtojn\u00eb dy Barbarat e Gavinit)<\/p>\n<p>\u201c Hamend\u00ebsia ec\u00ebn pa e vrar\u00eb mendjen. Mjafton t\u00eb kesh rrokullisur 100 gram ver\u00eb si kjo\u201d\u00a0 Gavin &#8211;\u00a0 Shannon\u00a0\u00a0\u00a0 ( metafor\u00eb )<\/p>\n<p>&nbsp;<\/p>\n<p>Hap pas hapi, Barbara vjen duke u mbytur n\u00eb vet\u00ebm tri skena:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>N\u00eb dhimbjen e saj<\/li>\n<li>N\u00eb besimin e numrave ( 7 \u2013ta )<\/li>\n<li>N\u00eb shpres\u00ebn e ujit ( Mbytja n\u00eb Hudson )<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>N\u00eb Bib\u00ebl kjo rrjedh\u00eb\u00a0 do t\u00eb quhej Trinia e shenjt\u00eb, nd\u00ebrsa n\u00eb let\u00ebrsi, sidomos n\u00eb proz\u00ebn e bukur, do t\u00eb quhej trinia e fjal\u00ebs, e ardhur nga mendja dhe veprimi. N\u00eb \u201cDarka e fundit\u201d Anita e sjell k\u00ebt\u00eb si p\u00ebrskrim t\u00eb ndjenj\u00ebs q\u00eb le piktura e Da Vin\u00e7it tek Diana:<\/p>\n<p>\u201cPiktura! I mbajti frym\u00ebn dhe i ndryshoi ritmin e zemr\u00ebs!<\/p>\n<p>\u2026 Ishte Zot, besim, drit\u00eb. Ishte lutje, pendim, falje. Ishte joshje, g\u00ebnjesht\u00ebr, tradh\u00ebti. Ishte bindje, akuz\u00eb, mosbesim. Ishte e shenjt\u00eb, hyjnore, frym\u00eb. Ishte materia q\u00eb kishte munguar n\u00eb fjal\u00ebt e shkruara. Ishte mit\u00ebr. Ishte grua. Ishte gjak.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>N\u00eb proz\u00ebn e Anit\u00ebs, metafora dhe simboli kan\u00eb dometh\u00ebnien, q\u00eb shkon n\u00eb pasurimin e t\u00eb shprehurit dhe elganc\u00ebs s\u00eb rr\u00ebfimit, gjithnj\u00eb n\u00eb dobi t\u00eb mendimit, t\u00eb zgjidhjeve por, edhe p\u00ebrshkrimi ndihmon shum\u00eb n\u00eb mjediset e aksioneve, p\u00ebr ta b\u00ebr\u00eb subjektin gjithnj\u00eb e m\u00eb t\u00eb paparashikuesh\u00ebm. Befasia\u00a0 \u00ebsht\u00eb k\u00ebrkesa num\u00ebr nj\u00eb e subjektit. P\u00ebrsonazhe q\u00eb levizin me t\u00eb gjitha mjetet dhe m\u00ebnyrat, n\u00eb shinat e autores, n\u00eb nj\u00eb p\u00ebrfundim dometh\u00ebn\u00ebs, asnj\u00ebher\u00eb t\u00eb mbingarkuar. Pik\u00ebrisht k\u00ebshtu vepron Anita dhe me proz\u00ebn e shkurt\u00ebr, tregimin. Pasi t\u00eb lexosh tregimet \u201c Dimri i Michiganit\u201d dhe Sheila, edhe sikur t\u00eb mos ket\u00eb autor t\u00eb shkruar, do e gjesh, n\u00ebse ke lexuar \u201c Dimri i\u00a0 Fundit\u201d dhe \u201c Barbara \u201c.<\/p>\n<p>T\u00eb lexosh ve\u00e7 nj\u00eb paragraf t\u00eb tregimit \u201c Dimri i Michiganit\u201d, kur flitet p\u00ebr emigracionin, do e ndjesh forc\u00ebn e fjal\u00ebs dhe p\u00ebrshkall\u00ebzimin e mendimit.<\/p>\n<p>\u201cK\u00ebtu asgj\u00eb nuk \u00ebsht\u00eb e plot\u00eb, as m\u00ebrzia. N\u00ebse d\u00ebgjoj s\u00ebmundjen e dikujt, mendoj se malli e ka s\u00ebmurur, n\u00ebse m\u00ebsoj d\u00ebshtimin e dikujt, mendoj se m\u00ebrzia e ka mbytur, n\u00ebse d\u00ebgjoj fjal\u00eb t\u00eb k\u00ebqija t\u00eb dikujt, mendoj se mungesa i \u00ebsht\u00eb kthyer n\u00eb inat\u2026 Jemi p\u00ebrgjysm\u00eb k\u00ebtu, ndaj sillemi n\u00eb t\u00eb nj\u00ebjtin qark plog\u00ebshtie pa mundur as t\u00eb g\u00ebzojm\u00eb e as t\u00eb vuajm\u00eb plot\u00ebsisht.\u201d<\/p>\n<p><em>Dhjetor 2018<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ne foto: Anita Zela ( Nj\u00eb udh\u00ebtim i shpejt\u00eb n\u00eb proz\u00ebn e Anita Zela Varosit ) Pjet\u00ebr Jaku N\u00eb fillim t\u00eb k\u00ebtyre mendimeve p\u00ebr proz\u00ebn e Anit\u00ebs, le t\u00eb kujtojm\u00eb th\u00ebnien e Orestit, te Andromaka e Euripidit: \u201c Fal\u00eb zotave, fatkeq\u00ebsia ime ia kalon shpres\u00ebs.\u201d Po e filloj k\u00ebshtu se, pik\u00ebrisht n\u00eb proz\u00ebn e shkurt\u00ebr&hellip;<\/p>\n","protected":false},"author":1,"featured_media":7581,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-7580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike"],"_links":{"self":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/7580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7580"}],"version-history":[{"count":2,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/7580\/revisions"}],"predecessor-version":[{"id":7584,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/7580\/revisions\/7584"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/media\/7581"}],"wp:attachment":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}