{"id":7299,"date":"2018-05-24T13:28:23","date_gmt":"2018-05-24T13:28:23","guid":{"rendered":"http:\/\/revistakuvendi.org\/?p=7299"},"modified":"2018-05-24T13:28:32","modified_gmt":"2018-05-24T13:28:32","slug":"trajta-te-nepertymeta-te-nje-poezie-abstraktiste","status":"publish","type":"post","link":"https:\/\/revistakuvendi.org\/?p=7299","title":{"rendered":"\u201cTRAJTA T\u00cb N\u00cbP\u00cbRTYM\u00cbTA\u201d T\u00cb NJ\u00cb POEZIE ABSTRAKTISTE"},"content":{"rendered":"

NDUE DEDAJ<\/p>\n

 <\/p>\n

Kur poezia e Zef Zefit t\u00eb ket\u00eb mb\u00ebrritur plot\u00ebsisht te lexuesi, poezia shqipe do t\u00eb ket\u00eb fituar dhe nj\u00eb poet modern risor, q\u00eb me siguri do t\u00eb l\u00ebr\u00eb gjurm\u00ebn e vet n\u00eb t\u00eb. Themi kur t\u00eb arrij\u00eb, pasi n\u00eb k\u00ebt\u00eb koh\u00eb asgj\u00eb nuk ec\u00ebn m\u00eb ngadal\u00eb se poezia. Megjithat\u00eb, ky poet nuk \u00ebsht\u00eb nj\u00eb befasi p\u00ebr ata q\u00eb prej shum\u00eb vitesh e kan\u00eb par\u00eb me \u201ctrast\u00ebn\u201d e dor\u00ebshkrimeve plot me poezi, tregime e novela, ndon\u00ebse rrall\u00eb her\u00eb i gatsh\u00ebm p\u00ebr t\u2019i dh\u00ebn\u00eb \u201cok\u201d publikimit t\u00eb tyre. Jan\u00eb t\u00eb pakt\u00eb ata shkrimtar\u00eb q\u00eb kan\u00eb b\u00ebr\u00eb nj\u00eb st\u00ebrvitje kaq t\u00eb gjat\u00eb krijuese, duke botuar vet\u00ebm tre libra n\u00eb tridhjet\u00eb vite. N\u00eb k\u00ebt\u00eb v\u00ebshtrim t\u00eb kujton Ilirian Zhup\u00ebn, q\u00eb iu desh\u00ebn nj\u00ebzet vite p\u00ebr t\u00eb sjell\u00eb librin e ri poetik t\u00eb mir\u00ebpritur \u201cT\u00eb gjall\u00eb e t\u00eb vdekur\u201d, apo Laz\u00ebr Stanin, q\u00eb b\u00ebri dhjet\u00eb vite p\u00ebr t\u00eb shkruar librin me tregime po ashtu t\u00eb \u201cKoh\u00eb p\u00ebr nuse\u201d etj. Synimi i Zefit ka qen\u00eb m\u00eb s\u00eb pari formimi i tij letrar solid, p\u00ebrmes literarur\u00ebs shqipe dhe asaj t\u00eb huaj, n\u00eb anglisht, italisht etj. Ka vite q\u00eb rron n\u00eb Firence, qytetin e Dantes, por nuk ka qen\u00eb trysnia e k\u00ebtij poeti t\u00eb bot\u00ebs q\u00eb e ka frenuar p\u00ebr t\u00eb publikuar, po vet\u00ebdija e lart\u00eb p\u00ebr shkrimtarin\u00eb.<\/p>\n

\"\"<\/a><\/p>\n

Zef Zefi \u00ebsht\u00eb lindur e mbrujtur n\u00eb Mirdit\u00eb, buz\u00eb p\u00ebrroit t\u00eb Shp\u00ebrdhaz\u00ebs, n\u00eb preh\u00ebr t\u00eb malit t\u00eb Boshtrim\u00ebs, me dy maja, si p\u00ebr t\u00eb na th\u00ebn\u00eb se muza e tij \u00ebsht\u00eb dyfar\u00ebsh, poezi dhe proz\u00eb. P\u00ebr m\u00eb tep\u00ebr n\u00eb oborrin e nj\u00eb farke me prush t\u00eb ndezur, q\u00eb ishte aty q\u00eb nga koha e Hefestit, e gjer te fark\u00ebtari i minier\u00ebs s\u00eb Ka\u00e7inarit n\u00eb vitet \u201970, plaku Zef Gjok Zefi, nj\u00eb bard tipologjik i maleve, me mustaqe t\u00eb sp\u00ebrdredhura gjer te vesh\u00ebt e humor t\u00eb k\u00ebndsh\u00ebm, nj\u00eb qenie gjysm\u00ebmistike q\u00eb imazhin e poetit t\u00eb ardhsh\u00ebm e shtynte drejt zanafill\u00ebs njer\u00ebzore. Mbase dhe p\u00ebr k\u00ebt\u00eb poezia e tij ngjan sa tok\u00ebsore, aq flurore e kozmike. Nj\u00eb poet q\u00eb e ka ftilluar indin e krijimit fal\u00eb talentit, kultur\u00ebs s\u00eb gjer\u00eb, k\u00ebrkimit shum\u00ebvje\u00e7ar, sprovave, e pse jo, dhe eksperimentimit letrar, p\u00ebr t\u00eb mb\u00ebrritur te z\u00ebri i tij autorial. Edhe pse Zefi \u00ebsht\u00eb nj\u00eb poet modern, n\u00eb pamje t\u00eb par\u00eb pa ndonj\u00eb fill t\u00eb duksh\u00ebm me bot\u00ebn e maleve, ai ka marr\u00eb prej saj stilin e t\u00eb ligj\u00ebrimit alegorik e disi hermetik, p\u00ebrftuar m\u00eb par\u00eb n\u00eb let\u00ebrsin\u00eb e Ernest Koliqit, Martin Camajt, Anton Pashkut, Sk\u00ebnder Drinit, Hamit Aliajt, Ndok Sinisht\u00ebs etj.<\/p>\n

Zefi shfaqet n\u00eb shtypin letrar n\u00eb fundin e viteve \u201980 me cikle poetike, kurse librin e par\u00eb poetik e boton n\u00eb vitin 1998 me titullin \u201cHapsira e mos-sendeve\u201d, m\u00eb pas librin me tregime e novela \u201cMatan\u00eb muzgut t\u00eb grave\u201d (2003) dhe s\u00eb fundi v\u00ebllimin poetik \u201cTrajta t\u00eb n\u00ebp\u00ebrtym\u00ebta\u201d (Mirgeeralb, 2017). Nj\u00eb poet e prozator q\u00eb sjell risi konceptuale e stilistikore. Njoh\u00ebs i thekur i poezis\u00eb bot\u00ebrore, ai n\u00eb t\u00eb v\u00ebrtet\u00eb \u00ebsht\u00eb nj\u00eb poet avangard\u00eb, \u00e7ka me siguri kritika letrare do t\u2019ia sh\u00ebnoj\u00eb si tiparin mbase m\u00eb t\u00eb qen\u00ebsish\u00ebm t\u00eb prurjes s\u00eb tij poetike, aq m\u00eb tep\u00ebr q\u00eb n\u00eb lokalitetin e tij t\u00eb origjin\u00ebs vet\u00ebm nj\u00eb a dy breza m\u00eb her\u00ebt ishin rapsod\u00ebt t\u00eb vetmit vargjethur\u00ebs e k\u00ebndues. Poet\u00ebt q\u00eb sjellin risi n\u00eb poezi nuk pushojn\u00eb asnj\u00ebher\u00eb. T\u00eb till\u00eb n\u00eb poezin\u00eb shqipe kan\u00eb qen\u00eb Migjeni, Lasgushi, poet\u00ebt e viteve 60: Kadare, Agolli, Arapi, Shkreli, Podrimja e m\u00eb pas Spahiu, Rreshpja, Zogaj, Lleshanaku etj. N\u00eb k\u00ebt\u00eb vazhd\u00eb, edhe Zefi \u00ebsht\u00eb poet me kreativitet t\u00eb vetin. Poezia e tij \u00ebsht\u00eb imazhiste-simboliste dhe proza e tij askematike. Ai shkruan poezi sa n\u00eb Mirdit\u00eb e Tiran\u00eb, sa n\u00eb oborrin e Dantes. Poezia e tij \u00ebsht\u00eb risore si stil, si konceptim, si metaforik\u00eb. Mund t\u00eb thuhet se poeti ka ndjeshm\u00ebri autentike, si p\u00ebrsa u p\u00ebrket p\u00ebrjetimeve q\u00eb lidhen me t\u00eb shkuar\u00ebn e tij mes rurales dhe qytet\u00ebrimit, ashtu dhe atyre t\u00eb sotme metropolitane etj. Nga nj\u00ebri lib\u00ebr n\u00eb tjetrin, poeti maturon stilin e vet aristokratik, l\u00ebviz n\u00eb bot\u00ebn e mos-sendeve, send\u00ebrtues i nj\u00eb poetike origjinale, ku fjala vjen e shtrydhur, e distiluar, duke krijuar imazh, larg trukeve gjuh\u00ebsore dhe stilemave steriotipe p\u00ebr t\u00eb b\u00ebr\u00eb efekte t\u00eb jashtme retorike.<\/p>\n

Te v\u00ebllimi \u201cTrajta t\u00eb n\u00ebp\u00ebrtym\u00ebta\u201d, ai e zbulon vet\u00eb, veten e tij poetike:<\/p>\n

Ylli im lindi n\u00eb nj\u00eb tjet\u00ebr konstelacion<\/em><\/p>\n

Shum\u00eb lart. Tjet\u00ebr fisni<\/em><\/p>\n

Ndaj vuan e\u00a0mezi duket<\/em><\/p>\n

N\u00eb k\u00ebt\u00eb yll\u00ebsi.<\/em><\/p>\n

Kalimi n\u00ebp\u00ebr poezit\u00eb e tij t\u00eb \u00e7on t\u00eb simbolikat e p\u00ebrdorura, q\u00eb nuk ngjiz\u00ebn p\u00ebrmes abstraksionizmit si qasje, por krijimit t\u00eb imazheve t\u00eb reja si nj\u00eb dezha vu e p\u00ebrjetuar thell\u00eb:<\/p>\n

\u201cm\u00eb duhet t\u00eb rib\u00ebj themelesh<\/em><\/p>\n

i mo\u00e7mi im, <\/em><\/p>\n

i shenjti Epidamnos\u201d,<\/em><\/p>\n

apo diku tjet\u00ebr:<\/p>\n

m\u2019i \u00e7oni fjal\u00eb Doruntin\u00ebs <\/em><\/p>\n

t\u00eb vij\u00eb vet\u00eb<\/em><\/p>\n

se ma mor\u00ebn bes\u00ebn<\/em><\/p>\n

t\u00eb pafet\u00eb..<\/em><\/p>\n

Mjaft poezi t\u00eb tij q\u00eb marrin shkas nga e shkuara jan\u00eb ridimensionuese t\u00eb koh\u00ebs dhe hapsir\u00ebs, si Proto-arkeologji, Prometeu i d\u00ebnuar p\u00ebr vjedhje, Pisha, Pask\u00ebsh qen\u00eb er\u00eb, Providenc\u00eb, Paskajore, Vizatim lirie, Ara ka sy gruaje, Ideograma, Higjena e fjal\u00ebs, N\u00eb Qaf\u00eb-Vorr\u00ebz, Tranzicion, Saga e lisit, Re\u00e7ens\u00eb e lagur, Suk\u00eb – Munega etj. N\u00eb k\u00ebt\u00eb tuf\u00eb prej m\u00eb shum\u00eb se nj\u00ebqind poezish \u00ebsht\u00eb nj\u00eb toponimi nga Troja e lasht\u00eb te \u201cGabi\u201d, nga Firencia te Munella. P\u00ebr k\u00ebt\u00eb autor stilemat jan\u00eb vetanake, si \u201ctoka balton\u201d, \u201cshiu autokton\u201d, \u201cmelodit\u00eb e kalamendura\u201d, \u201chuhurimat e hutinit\u201d, \u201cqyqnojn\u00eb\u201d etj. Nuk ka pasur ndonj\u00eb \u201cferr\u201d vetjak, por ferri i diktatur\u00ebs del nga pena e tij p\u00ebrmes \u201ctrajtave t\u00eb n\u00ebp\u00ebrtym\u00ebta\u201d gri, i stigmatizuar p\u00ebrmes sarkazm\u00ebs mjesht\u00ebrore. \u201cTaraca e Moll\u00ebve\u201d (poemth) t\u00eb dikurshme mund t\u00eb mos frym\u00ebzoj\u00eb asgj\u00eb si e till\u00eb, por ndryshon puna kur v\u00ebren se koha, aq sa ka vrapuar, ka mbetur e ngurt\u00ebsuar n\u00eb subkoshienc\u00ebn e poetit. Zor se nj\u00eb poet pa t\u00eb kaluar mund t\u00eb gjej\u00eb shkas p\u00ebr nj\u00eb kundrim t\u00eb till\u00eb n\u00eb rrafsh social-politik-filozofik, kurse p\u00ebr Zef Zefin ajo kod\u00ebr \u00ebsht\u00eb ngjizja e nj\u00eb sistemi q\u00eb e krijoi pem\u00ebtoren, por duke rob\u00ebruar njeriun. E megjithat\u00eb poeti, i kthyer nga emigrimi i gjat\u00eb, i k\u00ebrkon asaj kodre simbol ta nxjerr\u00eb nga sepetet nj\u00eb kok\u00ebrr moll\u00eb. Ai nuk e v\u00ebshtron nga larg, por \u00ebsht\u00eb i shkrir\u00eb shpirt\u00ebrisht me t\u00eb, sidomos kur v\u00ebren se tashm\u00eb ai dh\u00e9 \u00ebsht\u00eb i braktisur. N\u00eb rrafsh p\u00ebrgjith\u00ebsues, ajo \u201ctarac\u00eb moll\u00ebsh\u201d \u00ebsht\u00eb vet\u00eb Shqip\u00ebria. Nj\u00eb simbolik\u00eb moderne e krijuar vetvetish\u00ebm. Edhe te \u201cPantomim\u00eb\u201d (fshati) e djeshmja \u00ebsht\u00eb e sotme dhe e sotmja e djeshme, ku vibron nj\u00eb z\u00eb i brendsh\u00ebm q\u00eb sikur vjen nga prehistoria. Poezi simbolike \u00ebsht\u00eb dhe \u201cMinator\u00ebt ecnin si Gur\u00ebt Rresht\u201d, ku ata nj\u00ebjt\u00ebsohen me gur\u00ebt. Edhe n\u00eb poezin\u00eb \u201cAnd\u00ebrr futbolli\u201d poeti kundron t\u00eb djeshmen e vet, ku poezia \u00ebsht\u00eb p\u00ebrjetim, kontrast, sarkaz\u00ebm.<\/p>\n

opingat goj\u00ebhapur<\/em><\/p>\n

tek nj\u00ebmb\u00ebdhjet\u00eb met\u00ebrshi po i l\u00eb<\/em><\/p>\n

t\u00eb gjuajn\u00eb penallti <\/em><\/p>\n

me top llastiku<\/em><\/p>\n

mbi mua l\u00ebkur\u00ebbardhin – fatzi<\/em><\/p>\n

q\u00eb pat\u2019 Shqip\u00ebrin\u00eb komuniste p\u00ebr atdhe<\/em><\/p>\n

duke \u00ebnd\u00ebrruar<\/em><\/p>\n

l\u00ebkur\u00ebziun-fatbardh\u00eb,<\/em><\/p>\n

Pel\u00e9<\/em><\/p>\n

\u201cKur takohem me atdheun\u201d \u00ebsht\u00eb poezia e trisht\u00eb koniciane e emigrantit \u00e7erekshekullor, q\u00eb, kur kthehet p\u00ebr pushime, t\u00eb gjith\u00eb i fusin dor\u00ebn n\u00eb \u201cxhep\u201d p\u00ebr ta zhvatur, nga polici te Kryeministri, n\u00eb port, aeroport, dogan\u00eb, p\u00ebr \u00e7ka: mpihem\/,<\/em> nd\u00ebrmendem\/, nd\u00ebrdyshem\u201d<\/em>, po ku pavar\u00ebsisht k\u00ebsaj, poeti \u00ebsht\u00eb e pamundur t\u00eb zem\u00ebrohet me Atdheun:<\/p>\n

\u201cpo se \u00e7\u2019fryn nj\u00eb er\u00eb nane<\/em><\/p>\n

q\u00eb m\u00eb dridh gjunj\u00ebt<\/em><\/p>\n

m\u00eb shkrin n\u00eb nj\u00eb lumni sublime<\/em><\/p>\n

kaq t\u00eb ve\u00e7ant\u00eb<\/em><\/p>\n

sa shpirti m\u00eb f\u00ebrg\u00ebllon<\/em><\/p>\n

e derdhet papritur<\/em><\/p>\n

si nj\u00eb lirik\u00eb dhimbjeje<\/em><\/p>\n

n\u00eb k\u00ebng\u00eb\u201d.<\/em><\/p>\n

Poezia \u201cLegjenda\u201d jep dilem\u00ebn e p\u00ebrjetshme hamletiane t\u00eb \u00e7do poeti t\u00eb rac\u00ebs: \u00c7\u2019mu desh q\u00eb hipa mbi k\u00ebt\u00eb shpend t\u00eb \u00e7uditsh\u00ebm fjal\u00ebsh <\/em><\/p>\n

sikur do t\u00eb b\u00ebhesha poet.<\/em><\/p>\n

Nj\u00ebfar\u00eb dallimi nga libri i m\u00ebparsh\u00ebm \u201cHapsira e mos-sendeve\u201d \u00ebsht\u00eb se, n\u00ebse ai ishte disi hermetik, te \u201cTrajta t\u00eb n\u00ebp\u00ebrtymta\u201d asgj\u00eb nuk \u00ebsht\u00eb bjerr\u00eb p\u00ebr nga thell\u00ebsia e thenies, por receptimi nga ana e lexuesit \u00ebsht\u00eb m\u00eb i leht\u00eb, \u00e7ka do t\u00eb thot\u00eb se autori \u00ebsht\u00eb kujdesur edhe p\u00ebr komunikueshm\u00ebrin\u00eb e poezis\u00eb s\u00eb tij.<\/p>\n

Nj\u00eb shqyrtim m\u00eb vete do t\u00eb meritonte lirika e dashuris\u00eb, q\u00eb te ky poet \u00ebsht\u00eb e burimore, pa poza dhe stilema t\u00eb vjet\u00ebruara, ku femra l\u00ebviz natyrsh\u00ebm n\u00ebp\u00ebr parajs\u00ebn tok\u00ebsore initime, teksa poeti na tregon veten dhe \u201ctjet\u00ebrveten\u201d e tij.<\/p>\n

Libri \u201cTrajta t\u00eb n\u00ebp\u00ebrtym\u00ebta\u201d, si\u00e7 u tha, do t\u00eb l\u00ebr\u00eb gjurm\u00ebn e vet n\u00eb peizazhin e poezis\u00eb s\u00eb sotme. Ajo nuk \u00ebsht\u00eb nj\u00eb poezi q\u00eb mund t\u00eb rroket shpejt, madje n\u00eb nj\u00ebfar\u00eb m\u00ebnyre \u00ebsht\u00eb nj\u00eb poet i pashpjeguar. Ama, lexuesi pasi ta shijoj\u00eb nuk do ta braktis\u00eb k\u00ebt\u00eb poezi, por do t\u2019i rikthehet asaj p\u00ebr reflekset dhe kumtet q\u00eb p\u00ebrcjell. Poezia e Zef Zefit rreh abstrakten, por jo abstraksionisten. Ajo ka metafizik\u00ebn e vet, shpall shpirtinn dhe ndjesoren. Autori, si\u00e7 thor\u00eb vet\u00eb, parap\u00eblqen t\u00eb jet\u00eb abstraktist<\/em> si Kandinski, pasi poezia e tij m\u00ebton t\u00eb jet\u00eb piktur\u00eb. Atij i intereson ajo q\u00eb don t\u00eb thot\u00eb dhe jo ajo q\u00eb \u00ebsht\u00eb m\u00ebsuar t\u00eb pres\u00eb lexuesi i mb\u00ebrthyer jo pak nga klishet\u00eb skematike. K\u00ebsisoj nuk niset nga simbolikat e njohura, por rreket t\u00eb krijoj\u00eb simbolika t\u00eb reja t\u00eb vetat.<\/p>\n

Poezia e k\u00ebtij poeti endemik \u00ebsht\u00eb nj\u00eb tejqyr\u00eb hapsinore q\u00eb kundron im\u00ebt dhe paduksh\u00ebm n\u00ebp\u00ebr trajtat e n\u00ebp\u00ebrtym\u00ebta njeriun dhe bot\u00ebn, n\u00ebp\u00ebr shtjell\u00ebn e vet t\u00eb kalamendur, p\u00ebrmes shestimesh lirike e shllimesh poetike t\u00eb vetat. Nj\u00eb tejqyr\u00eb q\u00eb rrotullohet n\u00eb t\u00eb gjitha kahjet: lart, posht\u00eb, p\u00ebrpara, mbrapa, anash, q\u00eb pluskon edhe n\u00eb det, edhe n\u00eb qiell, edhe n\u00eb tok\u00eb, duke na provuar se poezia nuk \u00ebsht\u00eb vet\u00ebm horizontale e vertikale, vet\u00ebm bardh\u00eb e zi, vet\u00ebm n\u00eb rasat tradicionale t\u00eb gjuh\u00ebs, por ajo vazhdon t\u00eb shpiket<\/em> dhe sot e k\u00ebsaj dite, si e qielltokshme dhe e mbikohshme.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

NDUE DEDAJ   Kur poezia e Zef Zefit t\u00eb ket\u00eb mb\u00ebrritur plot\u00ebsisht te lexuesi, poezia shqipe do t\u00eb ket\u00eb fituar dhe nj\u00eb poet modern risor, q\u00eb me siguri do t\u00eb l\u00ebr\u00eb gjurm\u00ebn e vet n\u00eb t\u00eb. Themi kur t\u00eb arrij\u00eb, pasi n\u00eb k\u00ebt\u00eb koh\u00eb asgj\u00eb nuk ec\u00ebn m\u00eb ngadal\u00eb se poezia.<\/p>\n","protected":false},"author":1,"featured_media":7300,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-7299","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-letersi"],"_links":{"self":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/7299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7299"}],"version-history":[{"count":1,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/7299\/revisions"}],"predecessor-version":[{"id":7301,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/7299\/revisions\/7301"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/media\/7300"}],"wp:attachment":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}