{"id":4232,"date":"2014-03-31T16:49:30","date_gmt":"2014-03-31T16:49:30","guid":{"rendered":"http:\/\/revistakuvendi.org\/?p=4232"},"modified":"2014-03-31T16:49:30","modified_gmt":"2014-03-31T16:49:30","slug":"samir-pirgu-shkelqen-me-donizettin-dhe-mrekullon-publikun-e-los-angelosit","status":"publish","type":"post","link":"https:\/\/revistakuvendi.org\/?p=4232","title":{"rendered":"Samir Pirgu, shk\u00eblqen me Donizettin – dhe mrekullon publikun e Los Angelosit"},"content":{"rendered":"

\"\"<\/a>BEQIR SINA, New York<\/strong><\/p>\n

 <\/p>\n

“Sa brilant\u00eb ishin\u00a0” Lucia ” sopranoja Shagimuratova, dhe\u00a0Edgardo Donizetti, tenori Saimir Pirgu –\u00a0para nj\u00eb audience entuziaste n\u00eb Dorothy Chandler Pavilion , sht\u00ebpia e Oper\u00ebs n\u00eb Los Angeles , ishte nj\u00eb triumf i i vertet\u00eb dhe i\u00a0qart\u00eb,” shkruan\u00a0\u00a0\u2018’Standard Repertory\u2019’\u00a0.<\/em><\/p>\n

LOS ANGELOS – CALIFORNIA :<\/strong>\u00a0: Opera e Los Angeles zgjodhi idet\u00eb e marsit, q\u00eb\u00a0t\u00eb zbuloj\u00eb nj\u00eb prodhim t\u00eb ri t\u00eb oper\u00ebs m\u00eb t\u00eb njohur Donizetti – , ” Lucia di Lammermoor ” ,\u00a0e kryer nga Opera\u00a0Warhorses – Drejtori i\u00a0muzik\u00ebs James Conlon dhe\u00a0rolet kryesore\u00a0\u00a0uzbekistania e lindur n\u00eb rusi, sopranoja\u00a0 Albina Shagimuratova dhe tenori lirik shqiptar, me renome n\u00eb bot\u00ebn operistike,\u00a0Saimir Pirgu\u00a0.<\/p>\n

Simbas shtypit kalifornian thuhet se :”N\u00eb k\u00ebt\u00eb nat\u00eb operistike\u00a0m\u00eb t\u00eb shndritsh\u00ebme t\u00eb roleve nga diva e\u00a0coloratuar, Shagimuratova, ishte me t\u00eb v\u00ebrtet nj\u00eb fenomen, n\u00eb\u00a0trajtimin e pasazheve t\u00eb qet\u00eb, pjes\u00ebn Legato, nd\u00ebrsa\u00a0e pash\u00ebme jasht\u00eb trill\u00ebs “coloratura\u00a0and cadenzas” me p\u00ebrsosm\u00ebri n\u00eb gjith\u00eb dukjet\u00a0e saj\u00a0.<\/p>\n

Dirigjenti Conlon nuk ka v\u00ebrejtur ndonj\u00eb nga shkurtimet tradicionale n\u00eb rezultatin muzikor\u00eb , k\u00ebshtu q\u00eb Shagimuratova, dukej n\u00eb m\u00ebnyr\u00eb t\u00eb konsiderueshme m\u00eb shum\u00eb p\u00ebr t\u00eb k\u00ebnduar se do t\u00eb pritej nga nj\u00eb soprano n\u00eb nj\u00eb shfaqje tipike t\u00eb shekullit t\u00eb 20, shkruan\u00a0\u2018’Standard Repertory\u2019’ n\u00eb broshur\u00ebn e Opera Warhorses n\u00eb Los Angelos, portalin online.<\/p>\n

Duke vendosur veten si nj\u00eb soprano mbizot\u00ebruese n\u00eb bot\u00eb, coloratura , Shagimuratova, ishte shfaqur n\u00eb Kaliforni m\u00eb par\u00eb si Mbret\u00ebresha e Nat\u00ebs\u00a0n\u00eb “Shining L. A. Opera \u201cMagic Flute\u201d\u00a0n\u00eb Sunny Matinee Day \u201311 Janar 2009 – \u201cMagic Flute\u201d \u2013 San Francisco Opera, 13, qershor \u00a02012,\u00a0dhe \u201cRigoletto\u201d Magnifico \u2013\u00a0 n\u00eb San Francisco Opera, 8, shtator\u00a02012.<\/p>\n

 <\/p>\n

“Sa brilant\u00eb ishin\u00a0” Lucia ” sopranoja Shagimuratova, dhe\u00a0Edgardo Donizetti, tenori Saimir Pirgu –\u00a0para nj\u00eb audience entuziaste n\u00eb Dorothy Chandler Pavilion , sht\u00ebpia e Oper\u00ebs n\u00eb Los Angeles , ishte nj\u00eb triumf i i vertet\u00eb dhe i\u00a0qart\u00eb,” shkruan\u00a0\u00a0\u2018’Standard Repertory\u2019’\u00a0.<\/p>\n

Opera Donizetti – \u00ebsht\u00eb nj\u00eb shembull i shk\u00eblqyer se si kompozitori italian i\u00a0operas , ve\u00e7an\u00ebrisht Donizetti dhe partneria\u00a0e tij m\u00eb\u00a0e re bashk\u00ebkohore interpretojn\u00eb, Verdin, ( q\u00eb jetoi pas Donizettit m\u00eb shum\u00eb se gjysm\u00eb shekulli ) , lidhur me\u00a0heronjt\u00eb meshkuj t\u00eb let\u00ebrsis\u00eb romantike dhe poezis\u00eb – ilustruar nga veprat e G\u00ebtes , Bajronit dhe\u00a0Scott – me stil\u00eb –\u00a0zhvillimin e tenorit italian , duke p\u00ebrdorur tone\u00a0drith\u00ebruese p\u00ebr t\u00eb prodhuar nota kumbuese\u00a0dhe me z\u00eb\u00a0t\u00eb lart\u00eb .<\/p>\n

Si t\u00eb zgjedhuren partneren e jet\u00ebs Lucian – me \u00a0Edgardon, para audienc\u00ebs skrupuloze\u00a0n\u00eb Dorothy Chandler Pavilion , sht\u00ebpia e Oper\u00ebs n\u00eb Los Angeles ,\u00a0ata t\u00eb dy ishin n\u00eb gjendje p\u00ebr t\u00eb b\u00ebr\u00eb publikun t\u00eb ngrihet n\u00eb k\u00ebmb\u00eb, t\u00eb duartrokas\u00eb dhe th\u00ebrras “Bravo”.<\/p>\n

 <\/p>\n

Pra,\u00a0Pirgun, q\u00eb tani\u00a0\u00ebsht\u00eb\u00a0hedhur n\u00eb nj\u00eb nga rolet m\u00eb t\u00eb m\u00ebdha t\u00eb oper\u00ebs italiane n\u00eb fillim t\u00eb shekullit t\u00eb 19t\u00eb .\u00a0Pirgu, me interpretimin e tij t\u00eb brilant\u00eb ngjall kujtime t\u00eb pashlyeshme t\u00eb fisniku t\u00eb ri t\u00eb d\u00ebbuar , nj\u00eb vet\u00eb -shkat\u00ebrrues , dhe\u00a0dashnor i pasionuar , simbas \u2018’Standard Repertory\u2019’\u00a0.
\nEdhe nj\u00eb skem\u00eb e kostumografis\u00eb- pjes\u00eb e projektuar n\u00eb nd\u00ebrrimet t\u00eb prodhimit t\u00eb ri, si ato\u00a0n\u00eb fund t\u00eb shekullit t\u00eb 19 – t\u00eb, kan\u00a0p\u00ebrforcuar imazhin Pirgut, si nj\u00eb hero quintessential Byronik .<\/p>\n

Saimir Pirgu, n\u00eb k\u00ebt\u00eb preformanc\u00eb\u00a0ka nj\u00eb z\u00eb lirik\u00eb me nj\u00eb pesh\u00eb t\u00eb p\u00ebrshtatshme p\u00ebr k\u00ebt\u00eb rol romantik\u00eb, t\u00eb nj\u00eb\u00a0tenori epok\u00eb .\u00a0Pjes\u00eb e tij ishte e paprer\u00eb , duke p\u00ebrfshir\u00eb restaurimin “Testosterone” – q\u00eb nxiti n\u00eb sken\u00eb\u00a0nj\u00eb shk\u00ebmbim t\u00eb dhunsh\u00ebm\u00a0\u00a0mes Edgardos dhe v\u00ebllait Lucia -s, Enrico-s ( q\u00eb k\u00ebndohen n\u00eb m\u00ebnyr\u00eb efektive nga baritoni Stephen Pauell ) .<\/p>\n

Paraqitjet Pirgu – shkruan \u2018’Standard Repertory\u2019’,\u00a0deri m\u00eb sot n\u00eb Los Anxhelos kan\u00eb qen\u00eb rolet\u00a0e shkurt\u00ebr\u00a0dhe t\u00eb zjarrt\u00eb si :”\u00a0Rinnuccio\u00a0e Puccinit \u201c,Gianni Schicchi\u201d\u00a0 – Woody Allen\u2019s L. A. \u201cGianni Schicchi\u201d: Spoofing Italian Films \u2013 6, shtator\u00a02008,\u00a0\u00a0dhe \u201cByronic bad boy\u201d Ferrando\u00a0i Sir Nicholas Hytner\u2019s nga Mozarti \u201cCosi fan Tutte\u201d \u2013 Los Angeles Opera,\u00a0 18, shtator\u00a02011.<\/p>\n

T\u00eb dy si Shiguratimova dhe Pirgu jan\u00eb aktor\u00eb\u00a0t\u00eb zgjuar\u00a0dhe ishin fizikisht\u00a0t\u00eb besuesh\u00ebm si t\u00eb dashuruar t\u00eb rinj , t\u00eb t\u00ebrhequr me nj\u00ebri-tjetrin n\u00eb nj\u00eb koh\u00eb, kur secili ishte n\u00ebn stresin ekstrem psikologjik .<\/p>\n

N\u00eb fund \u2018’Standard Repertory\u2019’\u00a0shkruan se “fuqimisht rekomandojm\u00eb q\u00eb\u00a0kurr mos himbisni rastin\u00a0p\u00ebr t\u00eb par\u00eb “Lucia di Lammermoor ” ,\u00a0edhe n\u00ebse biletat jan\u00eb t\u00eb shtrejta – p\u00ebr shkak t\u00eb pranis\u00eb s\u00eb Shagimuratova dhe Pirgut n\u00eb rolet kryesore ,\u00a0muzik\u00ebs s\u00eb James Conlon , dhe plot\u00ebsin\u00eb e rezultatit , q\u00eb p\u00ebrfshin skena dhe q\u00eb jan\u00eb\u00a0t\u00eb rrall\u00eb p\u00ebr t’u par\u00eb\u00a0.\u00a0K\u00ebto shfaqje muzikore jan\u00eb me vler\u00eb p\u00ebr \u00e7mimet m\u00eb t\u00eb larta\u00a0t\u00eb biletave “.<\/p>\n

 <\/p>\n

Nd\u00ebrkaq, Klodeta Buzi, nj\u00eb muzkinate q\u00eb jeton e punon n\u00eb Tiran\u00eb pran\u00eb Akademis\u00eb Hollywood shkruan se Sapo u ktheva nga shfaqja e dyt\u00eb e \u201cLucia di Lamermoor\u201d n\u00eb teatrin e Oper\u00ebs t\u00eb Los Angeles, ku protagonist kryesor ishte Saimir Pirgu dhe Albina Shagimuratova, e dirigjuar nga Sir James Conlon.<\/p>\n

Ajo tregon se “Teatri i drejtuar nga tenori i njohur Placido Domingo mban rreth 3100 njer\u00ebz n\u00eb publik dhe mbr\u00ebm\u00eb ishte thuajse e t\u00ebra e shitur”.<\/p>\n

Simbas Buzit : “N\u00eb mbarim t\u00eb shfaqjes, si nat\u00ebn e premier\u00ebs dhe po ashtu dhe n\u00eb nat\u00ebn e dyt\u00eb teksa Saimir Pirgu, tenori i ri shqiptar u shfaq p\u00ebr t\u00eb p\u00ebrsh\u00ebndetur publikun, e gjith\u00eb salla n\u00eb brohoritje e sip\u00ebr, ku shum\u00eb “Bravo” d\u00ebgjoheshin nga t\u00eb gjitha an\u00ebt u \u00e7ua n\u00eb k\u00ebmb\u00eb p\u00ebr t\u00eb respektuar performac\u00ebn e tij. Me ta isha dhe un\u00eb thot\u00eb ajo, duartrokisja gjith\u00eb qejf Saimirin\/Edgardon (roli q\u00eb ai luante) dhe p\u00ebr m\u00eb tep\u00ebr isha shum\u00eb krenare q\u00eb ky zoti Pirgu, kishte arritur n\u00eb t\u00eb tilla suksese duke p\u00ebrfaq\u00ebsuar popullin dhe vendin tim.”<\/p>\n

M\u00eb pas ajo n\u00eb shkrimin e saj n\u00eb portalin “Anabel”\u00a0 shprehet se :”Po populli im nuk e di p\u00ebr k\u00ebt\u00eb. Vendi im dhe media shqiptare hesht. Nuk \u00ebsht\u00eb lajm q\u00eb nj\u00eb shqiptar ende vazhdon t\u00eb korri sukses n\u00eb skenat m\u00eb t\u00eb m\u00ebdha t\u00eb muzik\u00ebs bot\u00ebrore”.<\/p>\n

Opera \u201cLucia di Lamermoor\u201d do t\u00eb vazhdoj\u00eb t\u00eb jepet dhe p\u00ebr disa shfaqje t\u00eb tjera deri m\u00eb 6 Prill 2014\u00a0 n\u00eb Dorothy Chandler Pavilion , sht\u00ebpia e Oper\u00ebs n\u00eb Los Angeles .<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

BEQIR SINA, New York   “Sa brilant\u00eb ishin\u00a0” Lucia ” sopranoja Shagimuratova, dhe\u00a0Edgardo Donizetti, tenori Saimir Pirgu –\u00a0para nj\u00eb audience entuziaste n\u00eb Dorothy Chandler Pavilion , sht\u00ebpia e Oper\u00ebs n\u00eb Los Angeles , ishte nj\u00eb triumf i i vertet\u00eb dhe i\u00a0qart\u00eb,” shkruan\u00a0\u00a0\u2018’Standard Repertory\u2019’\u00a0.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-4232","post","type-post","status-publish","format-standard","hentry","category-jete-komuniteti"],"_links":{"self":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/4232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4232"}],"version-history":[{"count":1,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/4232\/revisions"}],"predecessor-version":[{"id":4234,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/4232\/revisions\/4234"}],"wp:attachment":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}