{"id":3953,"date":"2014-01-27T23:52:11","date_gmt":"2014-01-27T23:52:11","guid":{"rendered":"http:\/\/revistakuvendi.org\/?p=3953"},"modified":"2014-01-27T23:52:11","modified_gmt":"2014-01-27T23:52:11","slug":"rikthim-i-suksesshem-i-andamion-murataj-dhe-shqiperise-ne-skenen-e-filmit-europian","status":"publish","type":"post","link":"https:\/\/revistakuvendi.org\/?p=3953","title":{"rendered":"Rikthim i suksessh\u00ebm i Andamion Murataj dhe Shqip\u00ebris\u00eb n\u00eb sken\u00ebn e filmit Europian"},"content":{"rendered":"<div><a href=\"http:\/\/revistakuvendi.org\/wp-content\/uploads\/2014\/01\/ermira.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-3954\" title=\"ermira\" src=\"http:\/\/revistakuvendi.org\/wp-content\/uploads\/2014\/01\/ermira.jpg\" alt=\"\" width=\"218\" height=\"116\" \/><\/a>Nga: Ermira Babamusta, New York<\/div>\n<div><\/div>\n<div><em>ne foto Andamion Murataj<\/em><\/div>\n<div><em><\/em><\/div>\n<div>Skenaristi dhe regjizori i famsh\u00ebm Andamion Murataj e b\u00ebri t\u00eb njohur artin shqiptar n\u00eb shkall\u00eb nd\u00ebrkomb\u00ebtare. Me filmin \u201cFjala e Gjakut\u201d (The Forgiveness of Blood) Andamion arrit t\u00eb fitoj\u00eb \u00e7mimin prestigjioz \u201cAriu i Argjend\u00eb\u201d p\u00ebr Skenarin m\u00eb t\u00eb Mir\u00eb n\u00eb Festivalin Nduerkomb\u00ebtar t\u00eb Filmit n\u00eb Berlin 2014.\u00a0<!--more--><\/div>\n<div><\/div>\n<div>Skenari i tij i rradh\u00ebs mban titullin \u201cBurri i Sht\u00ebpis\u00eb\u201d (Man of the House) dhe e merr tem\u00ebn nga burrneshat shqiptare. Ky skenar ka t\u00ebrhequr v\u00ebmendjen e shum\u00eb figurave t\u00eb njohura t\u00eb kinematografis\u00eb bot\u00ebrore duke sh\u00ebnuar sukses q\u00eb n\u00eb hapat e tij t\u00eb par\u00eb.<\/div>\n<div><\/div>\n<div>Andamioni sapo ka sh\u00ebnuar edhe nj\u00eb p\u00ebrfaq\u00ebsim dinjitoz n\u00eb Trieste t\u00eb Italis\u00eb ku filmi i tij \u00ebsht\u00eb\u00a0\u00a0nd\u00ebr 12 projektet e filmit artistik t\u00eb p\u00ebrzgjedhur prej 200 filmave konkurues, p\u00ebr tu prezantuar para forumit t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb producet\u00ebve europian\u00eb \u201cKur Lindja Takon Per\u00ebndimin\u201d ( When East Meets West).<\/div>\n<div>Ky sukses vjen disa muaj pas arritjes s\u00eb tij t\u00eb m\u00ebpar\u00ebshme ku skenari u p\u00ebrzgjodh si nj\u00eb nd\u00ebr 10 projektet internacionale m\u00eb premtuese p\u00ebr zhvillim nga nj\u00eb juri q\u00eb p\u00ebrfshin disa nga figurat m\u00eb t\u00eb larta t\u00eb skenarit bot\u00ebror, filamt e t\u00eb cil\u00ebve jan\u00eb t\u00eb vler\u00ebsuar me \u00e7mimin Oskar si\u00e7 jan\u00eb David McGee (Jeta e Pi, Finding Neverland), James V. Hart (Drakula, Hook), etj.<\/div>\n<div><\/div>\n<div>\u201cSkenari i filmit \u2018Burri i Sht\u00ebpis\u00eb\u2019 nj\u00eb histori shum\u00eb origjinale, emocionalisht ng\u00ebrthyese e shkruar shk\u00eblqyesh\u00ebm q\u00eb na d\u00ebrgon n\u00eb nj\u00eb bot\u00eb t\u00eb panjohur. \u00cbsht\u00eb nj\u00eb skenar mrekullisht ndjell\u00ebs p\u00ebr nj\u00eb bot\u00eb t\u00eb \u00e7udit\u00ebshme dhe misterioze t\u00eb mbushur me karakteret krejt unik\u00eb. \u00cbsht\u00eb nj\u00eb rr\u00ebfim me potencial t\u00eb mrekulluesh\u00ebm kinematografik\u201d thot\u00eb Clarie Dobbin, drejtore e Festivalit t\u00eb Filmit Nd\u00ebrkomb\u00ebgtar t\u00eb Melbourne dhe mentor i Laboratorit t\u00eb Zhvillimit t\u00eb Skenarit:\u00a0\u00a0Eksperienca Puljeze 2014.<\/div>\n<div><\/div>\n<div>\u00a0\u201cUn\u00eb besoj q\u00eb nj\u00eb skenar i mir\u00eb \u00ebsht\u00eb \u201cbasti\u201d m\u00eb i sigurt p\u00ebr suksesin e nj\u00eb filmi. Filmi i m\u00ebparsh\u00ebm nuk e pati fillimin e \u201cBurrit t\u00eb Sht\u00ebpis\u00eb\u201d dhe do m\u00eb p\u00eblqente t\u00eb thoja q\u00eb fillimi i mbar\u00eb \u00ebsht\u00eb gjysma e pun\u00ebs, por nuk \u00ebsht\u00eb krejt k\u00ebshtu. N\u00eb film, \u00e7do hap \u00ebsht\u00eb p\u00ebrpjekje intensive. Shpresoj q\u00eb n\u00eb momentin e duhur t\u00eb m\u00eb bashkangjiten njer\u00ebzit dhe institucionet e duhura n\u00eb k\u00ebt\u00eb rrug\u00eb, t\u00eb cil\u00ebn deri m\u00eb tash e kam b\u00ebr\u00eb i vet\u00ebm. \u00cbsht\u00eb pjes\u00eb e pun\u00ebs si \u2018filmmaker\u2019 t\u00eb k\u00ebrkosh mb\u00ebshtetje, por \u00ebsht\u00eb po aq pjes\u00eb e detyrimeve institucioneve komb\u00ebtare t\u00eb identifikojn\u00eb dhe mb\u00ebshtesin projektet q\u00eb d\u00ebshmojn\u00eb cil\u00ebsin\u00eb n\u00eb konkurrimet nd\u00ebrkomb\u00ebtare,\u201d thot\u00eb Andamion Murataj.<\/div>\n<div><\/div>\n<div>Kualiteti i projektit \u201cBurri i Sht\u00ebpis\u00eb\u201d ishte premtues q\u00eb n\u00eb Laboratorin e Puljas. Mbas experiences n\u00eb Pulja, regjizori Murataj u kthye n\u00eb Shqip\u00ebri p\u00ebr t\u00eb thelluar k\u00ebrkimet mbi tem\u00ebn dhe p\u00ebr ta zhvilluar m\u00eb tej. Sukseset m\u00eb t\u00eb fundit te projektit m\u00eb t\u00eb ri t\u00eb regjizorit dhe skenaristit t\u00eb shquar Andamion Murataj, sh\u00ebnojn\u00eb arritje t\u00eb re p\u00ebr kineman\u00eb Shqiptare e cila s\u00eb fundi po vler\u00ebsohet n\u00eb rangun e lart\u00eb t\u00eb arritjeve t\u00eb artit europian. Esht\u00eb nj\u00eb moment historik q\u00eb k\u00ebrkon trajtim dhe v\u00ebmendje t\u00eb ve\u00e7ant\u00eb te institucioneve t\u00eb artit dhe filmit n\u00eb Shqip\u00ebri, sidomos pas d\u00ebshtimit t\u00eb institucioneve t\u00eb filmit n\u00eb shqip\u00ebri p\u00ebr tu rradhitur nd\u00ebr mb\u00ebsht\u00ebt\u00ebsit e filmit \u201cFalja e Gjakut\u201d q\u00eb rezultoi t\u00eb ishte suksesi m\u00eb i madh i kinemas\u00eb shqiptare n\u00eb aren\u00ebn nd\u00ebrkomb\u00ebtare.<\/div>\n<div><\/div>\n<div>\u201cUn\u00eb shpresoj q\u00eb institucionet e filmit n\u00eb Shqip\u00ebri t\u00eb ken\u00eb nxjerr\u00eb m\u00ebsimet e duhura e t\u00eb mos p\u00ebrs\u00ebritet s\u00ebrish ajo \u00e7ka ndodhi me filmin \u201cFalja e Gjakut\u201d. Do t\u00eb ishte fatkeq\u00ebsi t\u2019i rikthehemi s\u00ebrish n\u00eb pik\u00ebn zero. \u201cBurri i Sht\u00ebpis\u00eb\u201d \u00ebsht\u00eb fitues n\u00eb shum\u00eb evente nd\u00ebrkomb\u00ebtare dhe institucionet europiane t\u00eb filmit e kan\u00eb kriteret p\u00ebrzgjedh\u00ebse shum\u00eb t\u00eb qarta. \u00cbsht\u00eb koha q\u00eb filmat shqiptar\u00eb t\u00eb kalojn\u00eb n\u00ebp\u00ebr t\u00eb nj\u00ebjtat filtra konkurues dhe p\u00ebr t\u00eb marr\u00eb mb\u00ebshtetjen e nevojshme financiare n\u00eb vendin e origjin\u00ebs\u201d shtoi regjizori Andamion Murataj.<\/div>\n<div><\/div>\n<div>Burri i Sht\u00ebpis\u00eb (Man of the House) rr\u00ebfen historin\u00eb e nj\u00eb burrneshe shqiptare n\u00eb dit\u00ebt e sotme, e cila duhet t\u00eb zgjedh\u00eb n\u00ebse duhet t\u00eb vazhdoj\u00eb jet\u00ebn e saj prej burri apo t\u00eb rigjej\u00eb ndjenjat e ndrydhura fem\u00ebrore p\u00ebr tu b\u00ebr\u00eb n\u00ebna q\u00eb i mungon mbes\u00ebs s\u00eb saj, Zan\u00ebs.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Nga: Ermira Babamusta, New York ne foto Andamion Murataj Skenaristi dhe regjizori i famsh\u00ebm Andamion Murataj e b\u00ebri t\u00eb njohur artin shqiptar n\u00eb shkall\u00eb nd\u00ebrkomb\u00ebtare. Me filmin \u201cFjala e Gjakut\u201d (The Forgiveness of Blood) Andamion arrit t\u00eb fitoj\u00eb \u00e7mimin prestigjioz \u201cAriu i Argjend\u00eb\u201d p\u00ebr Skenarin m\u00eb t\u00eb Mir\u00eb n\u00eb Festivalin Nduerkomb\u00ebtar t\u00eb Filmit n\u00eb Berlin&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-3953","post","type-post","status-publish","format-standard","hentry","category-publicistike"],"_links":{"self":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/3953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3953"}],"version-history":[{"count":1,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/3953\/revisions"}],"predecessor-version":[{"id":3955,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/3953\/revisions\/3955"}],"wp:attachment":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}