{"id":2193,"date":"2012-12-16T04:24:31","date_gmt":"2012-12-16T04:24:31","guid":{"rendered":"http:\/\/revistakuvendi.org\/?p=2193"},"modified":"2012-12-16T04:24:31","modified_gmt":"2012-12-16T04:24:31","slug":"shkelqimi-i-heshtur-shenime-per-nje-liber-dhe-pjese-te-zgjedhura-nga-krijimtaria-e-tij","status":"publish","type":"post","link":"https:\/\/revistakuvendi.org\/?p=2193","title":{"rendered":"SHK\u00cbLQIMI I HESHTUR… ( Shenime per nje liber dhe pjese te zgjedhura nga krijimtaria e tij)"},"content":{"rendered":"

\"\"<\/a>Shefqet Dibrani<\/strong><\/p>\n

SHK\u00cbLQIMI I HESHTUR…<\/strong><\/p>\n

Izet Duraku, \u201eVEZULLIM HESHTASH\u201c, poezi, botoi Sht\u00ebpia Botuese \u201eDARDANIA\u201c, Tiran\u00eb 2004, faqe 112. ISBN 99927-936-4-3<\/em><\/strong><\/p>\n

 <\/p>\n

Poezia e Izet Durakut p\u00ebr nga tiparet \u00ebsht\u00eb gege dhe me ndikime t\u00eb tejdukshme t\u00eb poezis\u00eb kosovare. Kjo poezi p\u00ebr nga cil\u00ebsia \u00ebsht\u00eb vler\u00eb dhe standard, d.m.th. kjo q\u00eb po p\u00ebrpiqemi ta prezantojm\u00eb \u00ebsht\u00eb nj\u00eb poezi pak m\u00eb ndryshe, me nj\u00eb struktur\u00eb dhe motiv t\u00eb epik\u00ebs veriore, por duke p\u00ebrdorur nj\u00eb lloj n\u00ebnvet\u00ebdije gjuh\u00ebsore autori ka prodhuar standardin e tij poetik, ku\u00a0\u201cpastaj mbi gjith\u00e7ka rr\u00ebzohet\/ ngadal\u00eb d\u00ebbora e bardh\u00eb\/ edhe n\u00ebn t\u00eb me ngulm toka\/ e ruan krenarin\u00eb e saj\u201d,\u00a0<\/em>(f. 28).\u00a0Pik\u00ebrisht k\u00ebto\u00a0\u201cgjurm\u00eb t\u00eb ngrira\u201d,<\/em>\u00a0kjo krenari\u00a0\u201cn\u00ebp\u00ebr ashtin e fort\u00eb t\u00eb maleve\u201d,<\/em>\u00a0qofshin k\u00ebto Veriore, e b\u00ebn\u00eb m\u00eb pik\u00eblluese dhe krenare poezin\u00eb e k\u00ebtij libri.<\/p>\n

N\u00eb kuad\u00ebr t\u00eb k\u00ebtyre dy skajeve, dhembjes dhe krenaris\u00eb, hasim vargun simbolik\u00a0“malet jan\u00eb gjithkund, para dhe mbas meje!”<\/em>\u00a0nj\u00eb refren i cili te poezia – poem\u00eb: “MALET JAN\u00cb GJITHKUND”,\u00a0(f. 15 \u2013 18),\u00a0p\u00ebrs\u00ebritet dhe riciklohet t\u00eb pakt\u00ebn gjasht\u00eb her\u00eb, duke i dh\u00ebn\u00eb epik\u00ebs legjendare nj\u00eb refren krenarie dhe poezis\u00eb shtjellim melankolik t\u00eb dhembjes pasi\u00a0“putrat e nat\u00ebs mb\u00ebshteten n\u00eb truallin\/ ku me p\u00ebrndezje sysh ngrehen pusit\u00eb”,<\/em>\u00a0dhe secila e\u00a0“gjen shtegun e ikjes”,<\/em>qoft\u00eb nga krahina e Lum\u00ebs, n\u00eb t\u00eb cil\u00ebn vazhdimisht,\u00a0“bora e re shtron mbi t\u00eb vjetr\u00ebn”,<\/em>\u00a0edhe atje ku\u00a0“malet jan\u00eb gjithkund, para dhe mbas meje!,\u00a0<\/em>t\u00eb cilat\u00a0“s’dihet kur u ngulen”,\u00a0<\/em>por dihet se\u00a0“soji i thneglave\/ gjith\u00eb ver\u00ebn e lume kullot\/ flak\u00ebt e ferrit\/ e dimni sheh parajs\u00ebn and\u00ebrr”.<\/em>\u00a0Kjo semantik\u00eb shpreh\u00ebse q\u00eb e p\u00ebrshkruan epik\u00ebn dhe tragjiken e nj\u00eb populli, mbetet si krijim i bukur dhe vezullues.<\/p>\n

Po me k\u00ebt\u00eb motiv dhe me nuanca t\u00eb ngjashme jan\u00eb edhe nj\u00eb varg poezish t\u00eb k\u00ebtij libri n\u00eb mesin e t\u00eb cilave po p\u00ebrmendim:\u00a0\u201cMotra ime\u201d, \u201cDrini i bardh\u00eb\u201d, \u201cA u zgjua\u201d, \u201cBora\u201d, \u201cLana\u201d, \u201cLum\u00eb, 1913\u201d,\u00a0<\/em>etj. Ndoshta ia vlen p\u00ebr t\u2019i ve\u00e7uar edhe disa lirika t\u00eb mira, p\u00ebrmes t\u00eb cilave kuptohet nj\u00eb bot\u00eb tjet\u00ebr ideoemocinale:\u00a0\u201cKrisma\u201d, \u201cShorti i dridhjes\u201d, \u201cVjesht\u00eb a fillim dim\u00ebri\u201d, \u201cNj\u00eb krah zogu\u201d, \u201cEtja\u201d, \u201cNj\u00eb qerre\u201d, \u201cDimri i zogjve\u201d, M\u00eb ka marr\u00eb malli\u201d, \u201cAutobusi i par\u00eb i m\u00ebngjesit\u201d, \u201cMidis gjethesh si duar\u201d, \u201cNj\u00eb nat\u00eb t\u00eb ndritshme\u201d, \u201cA u zgjuam\u201d, \u201cMerremi vesh\u201d, \u201c2 prill\u201d, \u201cN\u00ebp\u00ebr trup t\u00eb pem\u00ebve\u201d, \u201cYje\u201d<\/em>\u00a0e ndonj\u00eb tjet\u00ebr q\u00eb e p\u00ebrb\u00ebjn\u00eb mozaikun poetik t\u00eb librit.<\/p>\n

P\u00ebrmbledhja poetike “VEZULLIM HESHTASH\u201c,\u00a0<\/em><\/strong>\u00ebsht\u00eb konstruktuar mbi simbole t\u00eb caktuara t\u00eb cilat jan\u00eb vjel\u00eb nga natyra veriore e Shqip\u00ebris\u00eb, p\u00ebrkat\u00ebsisht nga krahina zulm\u00ebmadhe Luma, atje ku \u00ebsht\u00eb vendlindja e poetit, duke nd\u00ebrtuar nj\u00eb epik\u00eb p\u00ebr:\u00a0malet me lisa t\u00eb gjat\u00eb, p\u00ebr gur\u00ebt e p\u00ebrrenjt\u00eb<\/em>\u00a0t\u00eb cil\u00ebt do t\u00eb marrin p\u00ebrjetime emocionale, madje krejt\u00ebsisht tjet\u00ebrfare nga ato q\u00eb i njohim, q\u00eb i kemi prekur dhe i kemi p\u00ebrjetuar. N\u00eb k\u00ebt\u00eb plan jan\u00eb edhe disa shprehje dhe nocione t\u00eb cilat kan\u00eb nd\u00ebrtuar nj\u00eb simbolik\u00eb meditative:\u00a0\u201cpylli i pik\u00ebpjekjes\u201d, \u201cvramendja e stin\u00ebs\u201d, \u201choni qorr i jet\u00ebs\u201d, \u201cgjijt\u00eb e breng\u00ebs s\u00eb vjet\u00ebr\u201d, \u201cveshjezhveshjet e motit\u201d, \u201cdrunj\u00ebzohem\u201d, \u201cgur\u00ebzohem\u201d, \u201cqielltavani i dhom\u00ebs\u201d, “kremi i fjal\u00ebve”, “dryn e shulandryshkur”,<\/em>\u00a0<\/em>“terri na ndrin, qorri na prin”, \u201clap\u00ebvyshkt\u00eb\u201d,<\/em>\u00a0e disa t\u00eb tjera. Nd\u00ebrsa n\u00eb nj\u00eb bllok tjet\u00ebr mund t\u00eb futen edhe disa karaktere mitologjike:\u00a0(Hyu, Orakujt, Olimpi, Adami, Eva, Ora, Qoft\u00eblargu, Shilla dhe Haridba etj.),<\/em>\u00a0t\u00eb cilat marrin frymim shqip, komunikojn\u00eb si njer\u00ebz t\u00eb gjall\u00eb dhe kan\u00eb ndjenja, e madje kan\u00eb edhe aft\u00ebsin\u00eb e t\u00eb menduarit thuaja n\u00eb shqip.<\/p>\n

Jo pak, simbolet n\u00eb poezin\u00eb e Izet Durakut, imitojn\u00eb nj\u00eb lloj vet\u00ebdije, e cila hap\u00ebron nga vargu n\u00eb varg, por ne jemi t\u00eb vet\u00ebdijsh\u00ebm se k\u00ebt\u00eb shpirt poezis\u00eb ia ka dh\u00ebn\u00eb vet autori, si\u00e7 mund t\u00eb duket nga k\u00ebto kat\u00ebr vargje q\u00eb ia kushton qytetit t\u00eb tij t\u00eb f\u00ebmij\u00ebris\u00eb, Kuk\u00ebsit t\u00eb Vjet\u00ebr, i cili \u00ebsht\u00eb p\u00ebrmbytur n\u00eb uj\u00eb:\u00a0\u201cFort e dhimbshme kjo balad\u00eb e Drinit\/ fort krenare\/ n\u00eb themel t\u00eb kalas\u00eb s\u00eb saj u p\u00ebrmbyt\/ nj\u00eb qytet e dhjetra fshatra\u201d,<\/em>\u00a0(f. 32).<\/p>\n

Perceptimet tematike te poezia e Izet Durakut jan\u00eb t\u00eb nduarduarta. Ato shoq\u00ebrohen edhe me konotacione filozofike q\u00eb b\u00ebhen si pjes\u00eb e jet\u00ebs reales, e b\u00ebmave t\u00eb Zon\u00ebs Veriore e ndarjes s\u00eb Lum\u00ebs nga Kosova, ku determinohet nj\u00eb tragjik\u00eb e dhembshme:\u00a0\u201cJa, d\u00ebgjo britm\u00ebn e motr\u00ebs sime\/ p\u00ebr v\u00ebllan\u00eb e vrar\u00eb kosovar\u00eb\u201d<\/em>,\u00a0(f. 31),\u00a0ose vargjet kushtuar revolt\u00ebs s\u00eb minator\u00ebve kosovar\u00eb q\u00eb e kan\u00eb b\u00ebr\u00eb epok\u00ebn e vet:\u00a0\u201cT\u00eb harruar pas detant\u00ebs\/ grindjeve nacionale\/\/ klithjesh t\u00eb Stari T\u00ebrgut…\/ u lodhe duke pritur\u201d,<\/em>\u00a0(f. 79).<\/p>\n

Nuk mund t\u00eb flas p\u00ebr arsyet pse autori brenda k\u00ebtij libri ka futur edhe nj\u00eb sprov\u00eb poetike, e cila si\u00a0“pjes\u00eb dramatike me nj\u00eb akt”,<\/em>\u00a0si struktur\u00eb letrare\u00a0(sado interesante),<\/em>\u00a0m\u00eb duket se l\u00eb p\u00ebr t\u00eb d\u00ebshiruar. Megjithat\u00eb krijimi letrar, \u201cMESNATA VJEN N\u00cb PIK\u00cb T\u00cb DREK\u00cbS\u201d, d\u00ebshmon se Izet Duraku, absurdin jet\u00ebsor e ka regjistruar n\u00eb art me nj\u00eb m\u00ebnyr\u00eb t\u00eb komunikimit alegorik q\u00eb do ta b\u00ebj\u00eb poezin\u00eb t\u00eb lidhur drejtp\u00ebrdrejt me jet\u00ebn dhe me form\u00ebn e t\u00eb mbijetuarit, n\u00eb k\u00ebt\u00eb tok\u00eb p\u00ebrplot dhembje, p\u00ebrplot sfida, tamam ashtu si\u00e7 shprehet poetikisht:\u00a0\u201cS\u2019i mund t\u00eb shkojm\u00eb tash te nj\u00ebri \u2013 tjetri\/ na i kan\u00eb rr\u00ebzuar urat\/ por ne do t\u00eb shtrojm\u00eb zemrat\u201d,<\/em>\u00a0(f. 108).<\/p>\n

Titulli i librit “vezullim” l\u00eb p\u00ebr t\u00eb kuptuar se autori ka investuar koh\u00eb n\u00eb planin gjuh\u00ebsor, sintaksor dhe fonetik, duke e b\u00ebr\u00eb librin m\u00eb me interes, nd\u00ebrsa veten si autor i ndjenjave dhe p\u00ebrjetimeve t\u00eb thella, i njohjeve dhe dijeve t\u00eb shumta, t\u00eb cilat ndeshen me boll\u00ebk. Ky p\u00ebrkushtim e b\u00ebn\u00eb at\u00eb si krijues me nj\u00eb individualitet t\u00eb spikatur dhe mjaft origjinal. Poezia e tij fekson si nj\u00eb kohezion n\u00eb mes t\u00eb interpretimit dhe t\u00eb artit t\u00eb shkruar, p\u00ebrkat\u00ebsisht poezia e k\u00ebtij libri mund t\u00eb interpretohet edhe si nj\u00eb diskurs poetik me simbolik\u00ebn e vet, me nuanca dhe motive q\u00eb e p\u00ebrb\u00ebjn\u00eb universin letrar mjaft meditativ, i cili nuancon nga shprehja e bukur poetike q\u00eb\u00a0\u201ckrap \u2013 krup, si pyka\u00a0<\/em>(q\u00eb \u00e7an)\u00a0<\/em>mes maleve\u201d.\u00a0<\/em>E, m\u00eb pas\u00a0<\/em>duhet t\u00eb\u00a0<\/em>\u201cmerremi vesh p\u00ebr m\u00ebkatet tona\/ p\u00ebr virtytet tona\u201d,\u00a0<\/em>jo p\u00ebr gj\u00eb tjet\u00ebr por\u00a0\u201cp\u00ebr t\u2019u derdhur heshtja\u201d,\u00a0<\/em>ka shkruar vet autori.<\/p>\n

Struktura e poezis\u00eb mund\u00ebson p\u00ebr t\u00eb kuptuar m\u00eb mir\u00eb an\u00ebn tematike t\u00eb librit, e cila e profilizon k\u00ebt\u00eb autor veriak t\u00eb Shqip\u00ebris\u00eb si poet jo edhe aq t\u00eb zakonsh\u00ebm, pasi bota e interesimeve t\u00eb tij, m\u00ebnyra shpreh\u00ebse, aspektet fonetike, ato sintaksore dhe elementet gjuh\u00ebsore q\u00eb jan\u00eb futur n\u00eb p\u00ebrdorim, jan\u00eb tipari m\u00eb karakteristik i k\u00ebtij v\u00ebllimi poetik i cili \u00ebsht\u00eb dashur t\u00eb zgjoj\u00eb interesimin, t\u00eb pakt\u00ebn e\u00a0“grupeve militante”,<\/em>\u00a0t\u00eb cilat koh\u00ebve t\u00eb fundit po trajtojn\u00eb\u00a0“pa lidhje?!”<\/em>\u00a0aspektet gjuh\u00ebsore, duke mos e ditur se\u00a0\u201czjarrv\u00ebnsit<\/em>\u00a0(nj\u00eb dit\u00eb)\u00a0i z\u00eb gjaku\u201d,<\/em>\u00a0(f. 89).<\/p>\n

N\u00eb disa raste, shihet se autori ka investuar koh\u00eb rreth nj\u00eb fjale t\u00eb vetme, rreth nj\u00eb shprehje t\u00eb caktuar, rreth nj\u00eb frazeologjie, qoft\u00eb edhe n\u00eb d\u00ebm t\u00eb perceptimit poetik, p\u00ebr t\u00eb cilin si duket ka m\u00eb pak m\u00ebshir\u00eb. Sa p\u00ebr ilustrim po sjellim disa fjal\u00eb t\u00eb rralla t\u00eb cilat gjenden n\u00eb lib\u00ebr:irnos\u00eb\u00a0<\/em>\u2013 murr\u00ebtehem nga t\u00eb ftohtit;\u00a0kaike \u2013\u00a0<\/em>anije ose ishte b\u00ebr\u00eb kaike (kur dikush dehet dhe puhatet si anija mbi det),\u00a0humboj\u00a0<\/em>\u2013 fundosem;\u00a0shituem<\/em>\u00a0\u2013 nd\u00ebshkim;\u00a0prajsh\u00ebm<\/em>\u00a0\u2013 qet\u00eb;\u00a0soset\u00a0<\/em>\u2013 mbaroj;\u00a0kik\u00ebl\u00a0<\/em>\u2013 maje;\u00a0k\u00ebrshe<\/em>\u00a0– kod\u00ebr me gur\u00eb;\u00a0zhaurim\u00eb<\/em>\u00a0\u2013 shushurima e ujit;\u00a0trueme<\/em>\u00a0\u2013 mallkim;karm\u00eb\u00a0<\/em>\u2013 shk\u00ebmb i madh;\u00a0mazgall\u00eb<\/em>\u00a0\u2013 vrim\u00eb ose e \u00e7ar\u00eb;\u00a0vrundull<\/em>\u00a0\u2013 dallg\u00eb;\u00a0zb\u00ebrdhul\u00eb<\/em>\u00a0\u2013 zbardh;\u00a0ndragiesh<\/em>\u00a0\u2013 ndyj, etj. etj.<\/p>\n

Sipas k\u00ebtyre shembujve q\u00eb i theksuam m\u00eb lart, mund t\u00eb pohojm\u00eb se Izet Duraku, ka mbetur rob i k\u00ebrkimit t\u00eb shprehjeve gjuh\u00ebsore,\u00a0(madje ai me fanatiz\u00ebm i ka futur n\u00eb leksikun poetik),\u00a0<\/em>edhe disa fjal\u00eb t\u00eb rralla, q\u00eb mund t\u00eb jen\u00eb shprehje lokale nga variantet e geg\u00ebrishtes arkaike, ndoshta ka pasur q\u00ebllim p\u00ebr ta b\u00ebr\u00eb m\u00eb t\u00eb ve\u00e7ant\u00eb poezin\u00eb e tij, n\u00eb t\u00eb kund\u00ebrt\u00ebn\u00a0(t\u00eb pakt\u00ebn k\u00ebshtu mendojm\u00eb ne),<\/em>\u00a0p\u00ebr t\u00eb karakterizuar debatin mbi aspektet gjuh\u00ebsore, qoft\u00eb ky edhe vet\u00ebm brenda poezis\u00eb s\u00eb tij, p.sh:\u00a0(vuvosun, orrle, shkraps\u00eb, zamekun, feftoi)\u00a0<\/em>etj, p\u00ebrb\u00ebjn\u00eb at\u00eb leksikun karakteristik dhe origjinal t\u00eb Izet Durakut.<\/p>\n

P\u00ebr shkak t\u00eb k\u00ebtij kolazhi – fjal\u00ebsh, pse t\u00eb mos ndodhte nj\u00eb debat?! Bile i ashp\u00ebr, pasi debati i b\u00ebn mir\u00eb librit, poezis\u00eb dhe autorit, po m\u00eb shum\u00eb do t’u ndihmonte aspekteve gjuh\u00ebsore, qofshin ato t\u00eb shqipes standarde apo t\u00eb variantit t\u00eb geg\u00ebrishtes. K\u00ebto tipare t\u00eb t\u00eb shkruarit gjakojn\u00eb me p\u00ebrpjekjet e autorit p\u00ebr nj\u00eb lloj sistemi t\u00eb brendsh\u00ebm, nga i cili buron dufi, ku m\u00eb pas i ka shp\u00ebrthyer edhe guximi intelektual.<\/p>\n

Poezia e Izet Durakut perceptohet si nj\u00eb imazh i profilizuar p\u00ebr t\u00eb sjell\u00eb di\u00e7ka m\u00eb ndryshe se e r\u00ebndomta dhe ky perceptim vjen nga p\u00ebrzierja tematike, ve\u00e7mas nga perceptimi figurativ i ngjarjeve e ndodhive t\u00eb shumta, t\u00eb cilat shfaqen her\u00eb si epik\u00eb, e her\u00eb si tragjik\u00eb, ku bashk\u00eb me indikacionet reale dhe t\u00eb skemave sociale vijn\u00eb tek lexuesi p\u00ebrmes vargut poetik si nj\u00eb preokupim letrar, apo thjesht si nj\u00eb angazhim intelektual n\u00eb k\u00ebt\u00eb plan.<\/p>\n

N\u00eb planin gjuh\u00ebsor, poezia e Izet Durakut, tek p\u00ebrmbledhja “VEZULLIM HESHTASH”, duhet t\u00eb shikohet n\u00eb tri aspekte:\u00a01.<\/em><\/strong>\u00a0<\/em>Aspekti fonetik;\u00a02.<\/strong>\u00a0Aspekti sintaksor dhe\u00a03.<\/strong>\u00a0Aspekti gjuh\u00ebsor:<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

ASPEKTET FONETIKE:<\/strong><\/p>\n

Kjo ve\u00e7ori dallon p\u00ebr p\u00ebrdorimin e fonem\u00ebs dhe t\u00eb fenologjis\u00eb n\u00eb funksion t\u00eb nd\u00ebrtimit t\u00eb vargut poetik, ku p\u00ebrmes struktur\u00ebs fonetike ka dh\u00ebn\u00eb nj\u00eb kolazh foljor dhe ting\u00ebllor me interes p\u00ebr veriak\u00ebt dhe kosovar\u00ebt dhe mjaft karakteristike edhe p\u00ebr tosk\u00ebt e jugut dhe ata q\u00eb rrihen si standartizues t\u00eb shqipes. Autori, duke p\u00ebrdorur fjal\u00eb e shprehje tipike t\u00eb variantit t\u00eb geg\u00ebrishtes me at\u00eb ting\u00ebllim\u00ebn natyrore dalluese, vargut t\u00eb poezis\u00eb i ka dh\u00ebn\u00eb “VEZULLIM\u201d prandaj, p\u00ebr shum\u00eb aspekte, ve\u00e7mas p\u00ebr shkak t\u00eb struktur\u00ebs fonetike do t\u00eb duhej nga njoh\u00ebsit t\u00eb merrej parasysh. N\u00eb an\u00ebn tjet\u00ebr, n\u00ebse k\u00ebtyre aspekteve do t’ua shtonim afinitetin e artikulimit, pastaj t\u00eb analizojm\u00eb \u201cform\u00ebn e ides\u00eb\u201d, bashk\u00eb me leksikun dhe fondin e diftongjeve t\u00eb shumta:\u00a0(vramendja, mezidukshme, lughije, drunjzohem, gurzohem, varrdritaret, shkum\u00ebzuem, shulandryshkun, p\u00ebrtruellsi, shitueme, pragmbr\u00ebmje, rr\u00ebshqanet, sp\u00ebrdredhet, sferohet, jermija),\u00a0<\/em>do t\u00eb arrijm\u00eb n\u00eb nj\u00eb p\u00ebrfundim sh\u00ebrbyes n\u00eb lidhje me disa aspekte fonetike, t\u00eb cilat na shtyjn\u00eb t\u00eb mendojm\u00eb se struktura e tekstit, qoft\u00eb si nj\u00ebsi apo si t\u00ebr\u00ebsi ligj\u00ebrimore poetike, e kan\u00eb b\u00ebr\u00eb poezin\u00eb edhe m\u00eb karakteristike, p\u00ebrkat\u00ebsisht vler\u00ebn ting\u00ebllore dhe akustik\u00ebn e saj m\u00eb t\u00eb pranueshme.<\/p>\n

\u00a0<\/strong><\/p>\n

ASPEKTET SINTAKSORE<\/strong>:<\/p>\n

Rima dhe\u00a0ritmika n\u00eb poezin\u00eb e Izet Durakut, jan\u00eb shprehje t\u00eb kujdesshme, ku na detyron t\u00eb besojm\u00eb se autori l\u00ebnd\u00ebn poetike e ka shtrydhur dhe p\u00ebrpunuar gjat\u00eb. Dhe, n\u00ebse shprehja e p\u00ebrdorur n\u00eb k\u00ebt\u00eb lib\u00ebr do t’i n\u00ebnshtrohej nj\u00eb laboratori gjuh\u00ebsor, sidomos n\u00eb aspektin e p\u00ebrdorimit t\u00eb togfjal\u00ebshit karakteristik, fjal\u00ebformimeve t\u00eb reja dhe lidhshm\u00ebris\u00eb s\u00eb tyre, t\u00eb cilat do t\u00eb shikoheshin n\u00eb planin sintaksor, padyshim do t\u00eb dalloheshin finesa sintaksore q\u00eb mund t\u00eb jen\u00eb ndikuar si karakteristik\u00eb e t\u00eb folmes veriore nga na vjen autori. E n\u00ebse l\u00ebnd\u00ebn e k\u00ebtij studimi do ta kompletonim edhe me elemente t\u00eb leksikut gjuh\u00ebsor, ku jan\u00eb g\u00ebrshetuar norma letrare me at\u00eb gege, si nj\u00eb shkrirje e pa definuar\u00a0(ndoshta edhe nga vet\u00eb autori?!),<\/em>\u00a0e kan\u00eb b\u00ebr\u00eb sintaks\u00ebn e poezis\u00eb edhe m\u00eb t\u00eb dallueshme. Nj\u00eb ndihmes\u00eb n\u00eb k\u00ebt\u00eb plan e kan\u00eb dh\u00ebn\u00eb shprehjet metaforike dhe sinonimet e shumta, t\u00eb cilat i kan\u00eb dh\u00ebn\u00eb nj\u00eb lloj fuqie dhe gjall\u00ebrie shprehjes poetike!<\/p>\n

\u00a0<\/strong><\/p>\n

ASPEKTET GJUH\u00cbSORE:<\/strong><\/p>\n

N\u00ebse poezia e Izet Durakut analizohet n\u00eb aspektin e nd\u00ebrtimit leksikor t\u00eb fjal\u00ebve e t\u00eb shprehjeve, t\u00eb kuptimit e interpretimit, t\u00eb shum\u00ebsis\u00eb dhe varf\u00ebris\u00eb s\u00eb ideve, mesazhin poetik q\u00eb e karakterizon k\u00ebt\u00eb poezi do t\u00eb ishte l\u00ebnd\u00eb e mir\u00eb p\u00ebr nj\u00eb studim krahasues n\u00eb mes gjuh\u00ebs standarde, p\u00ebrkat\u00ebsisht ndikimit t\u00eb saj, si dhe t\u00eb folmes geg\u00ebrishte, respektivisht rezistimit dhe mos asimilimit t\u00eb saj.\u00a0 Gjuha shpreh\u00ebse, me gjith\u00eb fanatizmin e tij p\u00ebr t\u00eb ruajtur fjal\u00eb e shprehje edhe arkaike t\u00eb geg\u00ebrishtes, \u00ebsht\u00eb ndikuar duksh\u00ebm nga shqipja standarde, e cila n\u00eb mas\u00eb t\u00eb caktuar te ky autor ia ka asimiluar shprehjen arkaike t\u00eb geg\u00ebrishtes, ku p\u00ebrve\u00e7 paskajores dhe disa tipareve t\u00eb mbaresave\u00a0“ue; ie; on; na; me”<\/em>\u00a0q\u00eb jan\u00eb t\u00eb ruajtura, lidh\u00ebzat, num\u00ebror\u00ebt p\u00ebrcaktor\u00a0“t\u00eb; n\u00eb, nj\u00eb”,<\/em>\u00a0n\u00eb t\u00ebr\u00eb tekstin poetik jan\u00eb shkruar n\u00eb standardin gjuh\u00ebsor, duke dh\u00ebn\u00eb nj\u00eb p\u00ebrzierje t\u00eb gjuh\u00ebs poetike, shembull tipik i ndikimit, dhe evoluimit pozitiv t\u00eb norm\u00ebs s\u00eb shqipes letrare, gj\u00eb q\u00eb do t’ia vlente,\u00a0(t\u00eb pakt\u00ebn p\u00ebr k\u00ebto ndikime),\u00a0<\/em>t\u00eb merrej n\u00eb shqyrtim, kurse n\u00eb an\u00ebn tjet\u00ebr do t\u00eb dalloheshin edhe shprehjet dhe normat tjera t\u00eb geg\u00ebrishtes, t\u00eb cilat standardi dyzetvje\u00e7ar i shqipes s\u00eb shkruar nuk paska arritur t’i asimiloj.<\/p>\n

\u00a0<\/strong><\/p>\n

BIOGRAFI: IZET DURAKU<\/strong><\/p>\n

U lind n\u00eb Morin t\u00eb Lum\u00ebs n\u00eb vitin 1956, fshat ky q\u00eb i takon brezit kufitar me Kosov\u00ebn. Shkoll\u00ebn fillore e kreu n\u00eb Morin, kurse t\u00eb mesmen n\u00eb Kuk\u00ebs. M\u00eb pas Izet Duraku studio p\u00ebr let\u00ebrsi n\u00eb Universitetin e Tiran\u00ebs ku u diplomua n\u00eb vitin 1981. N\u00eb vijim t\u00eb studimeve pasuniversitare \u00ebsht\u00eb n\u00eb proces t\u00eb doktoratur\u00ebs n\u00eb fush\u00ebn e etnologjis\u00eb pran\u00eb Qendr\u00ebs s\u00eb Studimeve Albanologjike n\u00eb Tiran\u00eb.<\/p>\n

P\u00ebr 5 vite ai ka punuar m\u00ebsues n\u00eb fshatin Domaj-Has, t\u00eb qarkut t\u00eb Kuk\u00ebsit, m\u00eb pas filloi pun\u00eb si gazetar n\u00eb gazet\u00ebn “Bashkimi”, kurse p\u00ebr shum\u00eb vite, pas shembjes s\u00eb diktatur\u00ebs. N\u00eb saj t\u00eb Izet Durakut, \u00a0Radio Kuk\u00ebsi u vu n\u00eb sh\u00ebrbim t\u00eb Kosov\u00ebs dhe liris\u00eb s\u00eb saj. N\u00eb vitin 1997, ai do t\u00eb vendoset n\u00eb Tiran\u00eb dhe do t\u00eb vazhdoj pun\u00ebn n\u00eb Radio Tirana.
\nAktualisht \u00ebsht\u00eb drejtori i Qendr\u00ebs Komb\u00ebtare t\u00eb Inventarizimit t\u00eb Pasurive Kulturore, pran\u00eb Ministris\u00eb s\u00eb Kultur\u00ebs n\u00eb Tiran\u00eb.<\/p>\n

 <\/p>\n

Librat e botuar:<\/strong><\/p>\n

“Drini i Bardh\u00eb”, Tiran\u00eb 1985.<\/p>\n

\u201cVezullim heshtash\u201d. Tiran\u00eb 2004.<\/p>\n

\u201cPragu\u201d, Tiran\u00eb 2002<\/p>\n

\u201cAgim Spahiu, metafora e liris\u00eb s\u00eb munguar\u201d, Tiran\u00eb 2008<\/p>\n

 <\/p>\n

Cik\u00ebl me poezi nga vellimi i Izet Durakut\u00a0\u00a0VEZULLIM HESHTASH<\/strong><\/p>\n

 <\/p>\n

IKU VERA E MIR\u00cbSIVE<\/strong><\/p>\n

 <\/p>\n

Iku vera e mir\u00ebsive,<\/p>\n

Zjarri i syve u shue,<\/p>\n

S\u2019ka Vezuv dashnie,<\/p>\n

Ka qet\u00ebsi.<\/p>\n

Pak\u00ebz hi plehnon tr\u00ebndafilin e rrasht\u00ebs teme.<\/p>\n

Mos e trembni paqen varre,<\/p>\n

Pse pa gajle,<\/p>\n

Bri jush endet e p\u00ebr endet nji njeri.<\/p>\n

S\u2019ec\u00ebn vet\u00eb, or\u00ebvrami,<\/p>\n

E shtjell era,<\/p>\n

E ka marr\u00eb malli p\u00ebr shi.<\/p>\n

 <\/p>\n

Shurdhni. Shok i shkret\u00eb ve\u00e7 etja,<\/p>\n

Bin\u00eb e kallet n\u00ebp\u00ebr eshtna,<\/p>\n

Shpirtin pa e mrri.<\/p>\n

 <\/p>\n

SHORTI I DRIDHJES<\/strong><\/p>\n

 <\/p>\n

Short’ i dridhjes n’fill t’er\u00ebs<\/p>\n

Nji deg\u00ebz shelgu,<\/p>\n

Si shelgu dridhen n’fund t’tij<\/p>\n

Blerimet e vjetra q\u00eb moti s’i treti.
\nMesi i zhveshun, irnos\u00eb prej ngricash,<\/p>\n

N’maj\u00eb sythat e ri t’nisjes<\/p>\n

Nga fillimi. N\u00ebp\u00ebr njana-tjetr\u00ebn<\/p>\n

Stin\u00ebt n\u00eb nji deg\u00ebz shelgu.
\nShinat e vjesht\u00ebs s’na mlodh\u00ebn, ret\u00eb<\/p>\n

E dimnit hapen e mlidhen,<\/p>\n

Ne ve\u00e7 largohemi, a do t’jemi n’pranver\u00eb<\/p>\n

Si kjo deg\u00ebz shelgu n’fill t’er\u00ebs?!
\nT’i dridhim bashk\u00eb ver\u00eb e dim\u00ebn.<\/p>\n

 <\/p>\n

VJESHT\u00cb A FILLIM DIMNI<\/strong><\/p>\n

 <\/p>\n

T’verdhat e plepit para shpis teme<\/p>\n

Shpirtit tem po shkunden pikllime t’zbehta,<\/p>\n

P\u00ebrndritjet e funit pa frym\u00eb kputen n’heshtje<\/p>\n

Ku shuhen pastaj,<\/p>\n

N’vjesht\u00eb a fillim dimni.<\/p>\n

 <\/p>\n

Nji gjysm\u00eb ftoi i ngran\u00eb,<\/p>\n

Flak\u00eb anash udh\u00ebs<\/p>\n

Mi gazeta t’vjetra, shkel\u00eb e st\u00ebrshkel\u00eb,<\/p>\n

Rrotat e makin\u00ebs,<\/p>\n

Ah k\u00ebto dreq frenash,<\/p>\n

P\u00ebrgjakin t’diel\u00ebn d\u00ebshir\u00ebn e prehjes.
\nGjethe t’verdha,<\/p>\n

Kalamendje e zbraz\u00ebt,<\/p>\n

Ene pak nalt, ene pak pezull…<\/p>\n

T’q\u00ebndrosh a t’biesh \u2013<\/p>\n

Vramendja e stin\u00ebs<\/p>\n

Aspak s’e ndryshon vendimin e qiejve.
\nSi un\u00eb kqyr dielli shtatet e zhveshme.<\/p>\n

Dhimjet e holla t’deg\u00ebve,<\/p>\n

Rremat e kalt\u00ebr,<\/p>\n

Treten,<\/p>\n

Harrohen pa i pa askush<\/p>\n

T’humin n’ajrin e qet\u00eb t’pasdites,<\/p>\n

Sa t’merr malli p\u00ebr er\u00ebn e mjegull\u00ebn…<\/p>\n

 <\/p>\n

MALET JAN\u00cb GJITHKUN<\/strong><\/p>\n

 <\/p>\n

Malet jan\u00eb gjithkun, para dhe mas meje,<\/p>\n

T’hutuem prej drit\u00ebs, dit\u00ebt ngjajn\u00eb<\/p>\n

Kaq t’pav\u00ebmendsh\u00ebm,<\/p>\n

Gjujt e prrojve t’tham\u00eb<\/p>\n

Sikur i luten qiellit.<\/p>\n

Putrat e nat\u00ebs mshteten n’truellin<\/p>\n

Ku me p\u00ebrndezje sysh\u00eb ngrehen pusit\u00eb<\/p>\n

E dit\u00ebs,<\/p>\n

Rrath\u00ebt e han\u00ebs plot\u00eb honeve<\/p>\n

Derdhin mrekulli k\u00ebrc\u00ebnimi.<\/p>\n

 <\/p>\n

Malet jan\u00eb gjithkun, para dhe mas meje,<\/p>\n

N’veshjezhveshjen e motit,<\/p>\n

Shkreptim\u00ebn e reve,<\/p>\n

Kurriz harkuem e t\u2019\u00e7atalluem<\/p>\n

Shkrepash. Zoti i verbt\u00eb<\/p>\n

P\u00ebrplaset si n’jerm sa n\u2019 nji brij\u00eb<\/p>\n

N’tjetr\u00ebn.<\/p>\n

Para dhe mas meje<\/p>\n

P\u00ebrhidhet vjedhtas jeta<\/p>\n

Sa mezi e shoh n’shpatull.
\nSi drenush\u00ebs,<\/p>\n

Brinat e koh\u00ebs m\u00ebrthehen<\/p>\n

Mas degsh\u00eb.<\/p>\n

Asnj\u00eb kam\u00eb p\u00ebrpara,<\/p>\n

Por as prapa s\u2019kthehesh.<\/p>\n

Rrufeja ngrin, s\u2019ka<\/p>\n

Ulurim\u00eb ujku, as r\u00ebnkim t’pritsh\u00ebm<\/p>\n

Gjaku t’ngroft\u00eb,<\/p>\n

Presin me le andrra<\/p>\n

Nji turm\u00eb pret kos\u00ebn e mortjes,<\/p>\n

Po jeta e gjen shtegun e ikjes<\/p>\n

Bot\u00ebs tjet\u00ebr ku gjith\u00e7ka asht ndryshe.
\nMalet jan\u00eb gjithkun, para dhe mas meje,<\/p>\n

S\u2019dihet kur u ngul\u00ebn,<\/p>\n

Ku duen me shkue<\/p>\n

N’viset ku ikjet dhe ardhjet v\u00ebshtrohen,<\/p>\n

Ku avullohet<\/p>\n

A shkrin harkut t’vetllave,<\/p>\n

Ku p\u00ebrdridhet e rrxohet p\u00ebr mue nji gjethe,<\/p>\n

Plag\u00eb e verdh\u00eb ta ndez\u00eb qetsin\u00eb teme<\/p>\n

T’digjem s’paku,<\/p>\n

T’ndjej paksa dhimjen.
\nMalet jan\u00eb gjithkun, para dhe mas meje<\/p>\n

Nd\u00ebrrohen ernat,<\/p>\n

Mjegullat.<\/p>\n

Bora e re shtron mi t’vjetr\u00ebn.<\/p>\n

T’blert\u00ebn man bredhi,<\/p>\n

Atje ku si drut\u00eb e preme<\/p>\n

Stivohen shekujt,<\/p>\n

Hingllima e shpata<\/p>\n

T’veja shahen e shkulen p\u00ebr floksh.<\/p>\n

Si gur mi gur, kobi,<\/p>\n

Piramida e ploj\u00ebs \u2013<\/p>\n

Pa goj\u00eb e klithma drejt qiellit.
\nMund t’lahesh n’t’njajtin uj\u00eb<\/p>\n

Sa her\u00eb t’duesh,<\/p>\n

T’flas\u00ebsh vet\u00eb me Heraklitin…<\/p>\n

Po truelli i kujtes\u00ebs<\/p>\n

I shkret\u00eb metet,<\/p>\n

Askush nuk ngjitet,<\/p>\n

Nuk mundet.<\/p>\n

Lutje e thoj d\u00ebshprimi<\/p>\n

S\u2019t\u00eb bahen flatra…<\/p>\n

Ve\u00e7 savani i bardh\u00eb i bor\u00ebs<\/p>\n

N’pasqyr\u00eb sheh vetveten,<\/p>\n

Zbardhet.<\/p>\n

Malet jan\u00eb gjithkun, para dhe mas meje<\/p>\n

Gjam\u00ebn kan\u00eb p\u00ebr em\u00ebn.<\/p>\n

Fjal\u00ebn e am\u00ebl<\/p>\n

Truejn\u00eb sa del buzve t’tamlit<\/p>\n

Humnera bahet kod\u00ebr e kodra<\/p>\n

Humon n’bark t’dhevit,<\/p>\n

Soji i thneglave<\/p>\n

Gjith\u00eb ver\u00ebn e lume kullot<\/p>\n

Flak\u00ebt e ferrit<\/p>\n

E dimnit sheh parajs\u00ebn and\u00ebrr<\/p>\n

 <\/p>\n

Malet jan\u00eb gjithkun, para dhe mas meje<\/p>\n

S\u2019dihet kur u ngul\u00ebn,<\/p>\n

Ku duen me shkue<\/p>\n

N’viset ku pritjet dhe p\u00ebrcjelljet urohen,<\/p>\n

Ku avullohet<\/p>\n

A shkrin harkut t’vetllave,<\/p>\n

Ku vjeshta e rr\u00ebzon p\u00ebr mue nji gjethe<\/p>\n

Plag\u2019 e verdh\u00eb e ndez\u00eb qetsin\u00eb teme<\/p>\n

Digjem s’paku,<\/p>\n

E ndjej paksa dhimjen.<\/p>\n

\u00a0<\/strong><\/p>\n

ETJA<\/strong><\/p>\n

 <\/p>\n

Me gurin Cerber n’qaf\u00eb<\/p>\n

Lodhet etja pas Kroit t’Bardh\u00eb<\/p>\n

Dhe gjen gjithnji Kroin e Kuq<\/p>\n

 <\/p>\n

NJI LUGHIJE<\/strong><\/p>\n

 <\/p>\n

M’duhet nji lughije,<\/p>\n

Bar a lule,<\/p>\n

Gjeth i njom\u00eb<\/p>\n

Ku ta p\u00ebrplas shkamin tem<\/p>\n

Pa k\u00ebrkue ndjes\u00eb.<\/p>\n

 <\/p>\n

T’ngulem atje,<\/p>\n

T’fle<\/p>\n

Andrr\u00ebn e livadhit t’paprekun.<\/p>\n

 <\/p>\n

P\u00ebrroit t’vog\u00ebl t’gjumit,<\/p>\n

Turbullir\u00ebs s’am\u00ebl,<\/p>\n

Mos t’shoh si drujzohem,<\/p>\n

Gurzohem,<\/p>\n

Paqes t’heshtun.<\/p>\n

 <\/p>\n

Mos t’m\u00eb shohin dreqnit e parajs\u00ebs,<\/p>\n

Brinat e engj\u00ebjve…
\nM’duhet nji lughije, hije<\/p>\n

K\u00ebndelljesh,<\/p>\n

Bisqe aromash,<\/p>\n

Val\u00eb q\u00eb lajn\u00eb p\u00ebrher\u00eb ran\u00ebn.<\/p>\n

 <\/p>\n

TI HAP HER\u00cb PAS HERE<\/strong><\/p>\n

 <\/p>\n

Ti hap her\u00eb pas here der\u00ebn e harres\u00ebs,<\/p>\n

P\u00ebr t’m\u00eb kujtue gjithnji ekzistenc\u00ebn e zanave,<\/p>\n

Shtatore t’ngrime Adam\u00ebsh,<\/p>\n

Met\u00eb pa goj\u00eb prej teje.
\nKa ngri tash l\u00ebvizja n\u00ebp\u00ebr arteriet e qytetit,<\/p>\n

Zhurmat dhe grimcat e pluhnit pezull kan\u00eb met\u00eb…
\nGjethja e shk\u00ebputme prej deg\u00ebs ka shtang\u00eb,<\/p>\n

Si goja e djalit q\u00eb qeshi,<\/p>\n

Meti hapt\u00eb.
\nTullat nuk shkuen tek muri,<\/p>\n

As ran\u00eb prej tij,<\/p>\n

Plumat e vdekjes met\u00ebn n’aj\u00ebr.
\nVet\u00ebm ti je para meje,<\/p>\n

Heshta jote m’ka shpue edhe kur t’kam harrue.<\/p>\n

Vjen t’m\u00eb p\u00ebrmend\u00ebsh se jam ende n’jet\u00eb<\/p>\n

I aft\u00eb t’thithem prej teje.
\nI shituem prej syve n’pik\u00eb t’drek\u00ebs,<\/p>\n

Mesnat\u00ebs,
\nTi je m\u00ebngjesi jem,<\/p>\n

Darka jeme e vorfun.<\/p>\n

 <\/p>\n

NJI QERRE<\/strong>
\nNji qerre n’pasqyr\u00ebn e syve,<\/p>\n

Qiejve t’dridhsh\u00ebm<\/p>\n

Si gjethet e plepishtes buz\u00eb rrug\u00ebs.
\nZbardhja e beft\u00eb e dhamit t’dhimjes<\/p>\n

Mes kremit t’fjal\u00ebve.<\/p>\n

Nji qerre<\/p>\n

N’pik\u00eb t’drek\u00ebs s\u00eb shtrime plazheve p\u00ebrv\u00ebluese.
\nLoja e p\u00ebrjetshme e ujit me bregun,<\/p>\n

Sulm e t\u00ebrheqje,<\/p>\n

Rrota e fatit<\/p>\n

N’dor\u00ebn e ngashnjimit t’fmij\u00ebs,<\/p>\n

Fanitja e muzgut<\/p>\n

N’m\u00ebngjezin e qelqt\u00eb, t’th\u00ebrmuem prej er\u00ebs.
\nNji qerre,<\/p>\n

Shtegtim i krojeve n’andrr\u00ebn<\/p>\n

E shkretin\u00ebs.<\/p>\n

Rikthimi i fluturimit<\/p>\n

N’pullazin e vjet\u00ebr,<\/p>\n

Ylli q\u00eb bie,<\/p>\n

Shuhet ngadal\u00eb<\/p>\n

Brenda meje.<\/p>\n

Pa kalor\u00ebs, pa kuaj, nji qerre…<\/p>\n

 <\/p>\n

Hija e brinave t’qeve, shat\u00ebrvan\u00eb avulli,<\/p>\n

L\u00ebrimi,<\/p>\n

Mjellja,<\/p>\n

Kallijt\u00eb e shpres\u00ebs<\/p>\n

N’shtregull. Oborri me pem\u00eb,<\/p>\n

Pragu,<\/p>\n

Gjurmt e ngrime t’han\u00ebs shtegut t’ballit.
\nNji qerre,<\/p>\n

Gurve me myshk t’Drinit,<\/p>\n

Vetmis\u00eb t’shelgjeve,<\/p>\n

Cic\u00ebrima t’tremuna pa zanafill\u00eb…<\/p>\n

 <\/p>\n

Nji qerre kur thyhet, thon\u00eb,<\/p>\n

Gjendet udha.<\/p>\n

Uudhaaa, mrekulli e zotit,<\/p>\n

Po \u00e7far\u00eb duhet udha, zot, pa qerren?!<\/p>\n

 <\/p>\n

PRAJSH\u00cbM E PJERRT\u00cb<\/strong><\/p>\n

 <\/p>\n

Prajsh\u00ebm e pjerrt\u00eb, tymnaj\u00ebs t’plumt\u00eb<\/p>\n

Hapsina gri kullon,<\/p>\n

Rrjedhin p\u00ebrrojt\u00eb e lodhun prej vetvetes<\/p>\n

Pellgje,<\/p>\n

Farka vetimash…
\nMumrim\u00eb e zgjatun qiejve t’zotit,<\/p>\n

Pik\u00ebpjekja jon\u00eb e avullt soset<\/p>\n

Ende pa le, qerpikut tand<\/p>\n

Po shkas i kristalt\u00eb…<\/p>\n

 <\/p>\n

MOTRA JEME<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

N’maj\u00eb t’malit, motra jeme,<\/p>\n

Mu n’kik\u00ebl-<\/p>\n

Bor\u00eb e papranueme,<\/p>\n

Rreze dielli q\u00eb rrshet n’akull.
\nMjegulla e m\u00ebrzis\u00eb u mshtillet gur\u00ebve,<\/p>\n

I ban t’p\u00ebrhimt\u00eb.
\nRrufeja plak\u00eb kullot\u00eb grykat,<\/p>\n

Pjell rrufet\u00eb e reja…<\/p>\n

 <\/p>\n

Pran\u00eb prekjes t’engjllit<\/p>\n

Pa qen\u00eb Moisiu<\/p>\n","protected":false},"excerpt":{"rendered":"

Shefqet Dibrani SHK\u00cbLQIMI I HESHTUR… Izet Duraku, \u201eVEZULLIM HESHTASH\u201c, poezi, botoi Sht\u00ebpia Botuese \u201eDARDANIA\u201c, Tiran\u00eb 2004, faqe 112. ISBN 99927-936-4-3   Poezia e Izet Durakut p\u00ebr nga tiparet \u00ebsht\u00eb gege dhe me ndikime t\u00eb tejdukshme t\u00eb poezis\u00eb kosovare. Kjo poezi p\u00ebr nga cil\u00ebsia \u00ebsht\u00eb vler\u00eb dhe standard, d.m.th. kjo q\u00eb po p\u00ebrpiqemi ta prezantojm\u00eb \u00ebsht\u00eb…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-2193","post","type-post","status-publish","format-standard","hentry","category-poezi"],"_links":{"self":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/2193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2193"}],"version-history":[{"count":1,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/2193\/revisions"}],"predecessor-version":[{"id":2195,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=\/wp\/v2\/posts\/2193\/revisions\/2195"}],"wp:attachment":[{"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistakuvendi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}